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Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThis article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord…[Read more]
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Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThe musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church…[Read more]
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Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThe publication of Cervantes’ Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H…[Read more]
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Paulino Capdepon deposited La transición al siglo XIX en la Catedral de Jaén: el maestro de capilla Ramón Garay (1761-1823) [The transition to the 19th century in Jaén Cathedral: the maestro de capilla Ramón Garay (1761-1823)] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThis article focuses on the personal and artistic career of one of the most representative composers of Spain in the second half of the 18th century and the first third of the 19th century. Ramón Garay, born in 1761 in Asturias, held the post of Chapel Master of Jaén Cathedral for 36 fruitful years, which saw the birth of an extraordinary p…[Read more]
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Paulino Capdepon deposited Decadencia e intentos de reforma de la música eclesiástica española en el siglo XIX [Decline and reform attempts of Spanish church music in the 19th century] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThis article focuses on the decline of Spanish ecclesiastical music from the beginning of the 19th century, coinciding with the outbreak of the War of Independence. This decline worsened as a result of the application of successive disentailments by the various liberal governments and the signing of the Concordat of 1851. To remedy this situation,…[Read more]
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Paulino Capdepon deposited La capilla musical de la Catedral de Segorbe en los siglos XVI y XVII [The chapel music at the Segorbe Cathedral in 16th and 18th centuries] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThe music chapel of the Cathedral of Segorbe has historically played a primordial role in the history of Spanish music, constituting a focus of musical activity that attracted a numerous group of singers, instrumentalists, organists and chapel masters who formed part of the aforementioned chapel, whose antecedents date back to the mid-13th…[Read more]
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Anne Pasek deposited The world wide web of carbon: Toward a relational footprinting of information and communications technology’s climate impacts in the group
Environmental Humanities on Humanities Commons 2 years, 11 months agoThe climate impacts of the information and communications technology sector—and Big Data especially—is a topic of growing public and industry concern, though attempts to quantify its carbon footprint have produced contradictory results. Some studies argue that information and communications technology’s global carbon footprint is set to rise dra…[Read more]
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Joshua Banks Mailman started the topic Computer-Assisted Composition: Perspectives on human–machine interaction in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 2 years, 11 months agoFolks in this forum might be interested in the published videos from this recent symposium on
Computer — Assisted Composition Perspectives on human–machine interaction (organized by Laura Zattra, Giacomo Albert, and Gianmario Borio…[Read more]
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Brad Osborn deposited Triangulating Timbre in Sigur Rós’s Iceland in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoOsborn, Brad and D.K. Blake. 2019. “Triangulating Timbre in Sigur Rós’s Iceland.” In *Sounds Icelandic*, edited by Thorbjörg Daphne Hall, N. Dibben, Á.H. Ingólfsson, and T. Mitchell. Equinox Press, 208–219.
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Paulino Capdepon deposited El “Año Beethoven” (1927): la Orquesta Filarmónica de Madrid y Bartolomé Pérez Casas [The Beethoven Year (1927): The Madrid Philarmonic Orchestra and Bartolomé Pérez Casas] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe celebration of the “Beethoven Year” in Madrid in 1927 resulted in a whole series of celebrations of all kinds that extended throughout that emblematic year to honour the German composer. This resulted in the public performance of numerous concerts by Madrid’s leading orchestral and choral groups, including the Orquesta Filarmónica de Madrid,…[Read more]
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Paulino Capdepon deposited Historia de la música y Edad Moderna: estado de la cuestión [Music History and Modern Age: State of the art] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThis article focuses on the study of the different musical periods that make up the Modern Age in Europe, taking into account from a critical point of view the current state of the art in bibliography. Each period is previously defined according to the chronological problem and according to its technical, aesthetic and stylistic characteristics.
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Paulino Capdepon deposited Josquin Des Prez: Un legado culminante del Renacimiento in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 11 months agoThe biographical trajectory of the Franco-Flemish composer Josquin des Prez can be described as exciting and his musical contribution as transcendent in an era of sublime creativity that coincided with the artistic and intellectual rediscovery of the values of classical Greco-Latin antiquity. A contemporary of Leonardo da Vinci and Michelangelo,…[Read more]
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