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Hélène Huet started the topic FLDH 2023 Webinar Series: June Webinars in the discussion
Digital Humanists on Humanities Commons 2 years, 8 months agoDear all, Please join the Florida Digital Humanities Consortium (FLDH) in June for the next three webinars, part of its 2023 Webinar Series: Latin America and Caribbean Edition. More information below:
Using Social Media to Explore Haitian History – Rendering Revolution
Friday, June 16, 2 p.m EDT
Dr. Siobhan Meï, Lecturer, Uni…[Read more]
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Mike Rifino started the topic New Issue: JITP No. 22! General Issue: Looking Again in the discussion
Digital Humanists on Humanities Commons 2 years, 8 months agoIssue Twenty-Two: General Issue: Looking Again
Issue Editors:
Courtney Dalton, Cornell University
Benjamin Miller, University of Pittsburgh
Michael Rifino, The Graduate Center, CUNY
We are thrilled to announce Issue 22, our latest published issue on CUNY’s instance of Manifold! Read peer-reviewed and open-access articles that feature new con…[Read more]
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Ian Willis deposited The Camden Fibro Cottage – a not so humble abode in the group
History on Humanities Commons 2 years, 8 months agoThe humble fibro cottage in Camden in the 1950s and 1960s is integral to the town’s 20th-century history. The fibro house was representative of the baby-boomer era when drive-ins, Holdens, Chiko rolls, black & white TV, rock & roll and vinyl LPs were the norm. Fibro is evocative of long hot summer holidays by the beach with adolescent love, boogie…[Read more]
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Christopher Crosbie deposited Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy in the group
Renaissance / Early Modern Studies on Humanities Commons 2 years, 9 months agoThomas Kyd’s The Spanish Tragedy creates a subtle apologia for the “middling sort” by challenging the socially constructed predicates of aristocratic privilege. A scrivener’s son, Kyd undertsood oeconomia, or household management, as both the means for material advancement among the “middling sort” and a potential threat to aristocratic insular…[Read more]
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Christopher Crosbie deposited Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy in the group
Early Modern Theater on Humanities Commons 2 years, 9 months agoThomas Kyd’s The Spanish Tragedy creates a subtle apologia for the “middling sort” by challenging the socially constructed predicates of aristocratic privilege. A scrivener’s son, Kyd undertsood oeconomia, or household management, as both the means for material advancement among the “middling sort” and a potential threat to aristocratic insular…[Read more]
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María-Teresa García Ballesteros deposited Joaquina Mayol Bazo, fotógrafa con nombre propio in the group
History of Art on Humanities Commons 2 years, 9 months agoThe name of Joaquina Mayol Bazo (Málaga, 1830 – 1915) is linked to her former husband, the photographer Eugenio Lorichon, son of the legendary pioneer of photography in Spain: Enrique Lorichon. Joaquina worked as an independent photographer in Malaga from 1860 to 1865, above all, under the name of Viuda de Lorichon. / El nombre de Joaquina Ma…[Read more]
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Samuel Rosado-Zaidi deposited Pork production in Yucatan, Mexico, and Merida’s export driven pork region: pigs and the global market in the group
Environmental Humanities on Humanities Commons 2 years, 9 months agoThis map was featured in Mexico’s La Jornada supplement, Ojarasca, in its 312th edition. See article: “Represión en la granja: los cerdos y el mercado mundial” For information regarding sources, please refer to the aforementioned article. You may also consult the article’s English version here: https://doi.org/10.17613/8c2v-j144
English version -
Samuel Rosado-Zaidi deposited Capital Farm: Pigs and the global economy. Repression in the Yucatan Peninsula in the group
Environmental Humanities on Humanities Commons 2 years, 9 months agoThis article is a translation of “Represión en la granja: los cerdos y el mercado mundial,” published in Mexico’s La Jornada supplement, Ojarasca, in its 312th edition.
The impacts of pork production in the Yucatan Peninsula and its relationship to the “Mayan” Train, export driven economies, and Mayan communities protecting water and land. -
Pruritus Migrans deposited King of Brexitland in the group
Digital Humanists on Humanities Commons 2 years, 9 months agoKing of Brexitland * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Christopher Crosbie deposited “The Comedy of Errors, Haecceity, and the Metaphysics of Individuation” in the group
Renaissance / Early Modern Studies on Humanities Commons 2 years, 9 months agoExamines Shakespeare’s The Comedy of Errors and the epistemological challenges of differentiating twins in light of Aristotle’s Metaphysics, specifically his theories of substance and individuation.
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Christopher Crosbie deposited “The Comedy of Errors, Haecceity, and the Metaphysics of Individuation” in the group
Early Modern Theater on Humanities Commons 2 years, 9 months agoExamines Shakespeare’s The Comedy of Errors and the epistemological challenges of differentiating twins in light of Aristotle’s Metaphysics, specifically his theories of substance and individuation.
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Valiur Rahaman deposited Big Data Analytics in Cognitive Social Media and Literary Texts in the group
Digital Humanists on Humanities Commons 2 years, 9 months agoHighlights recent research on the cognitive-social media and big data analytics Presents transdisciplinary research on big data analytics Provides a comprehensive overview of the theory and praxis of big data analytics
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Valiur Rahaman deposited Neurochemical Effect on Creativity of the Romantic Writers: A Theoretical Framework of Econeurochemical Critical Reading in the group
Digital Humanists on Humanities Commons 2 years, 9 months agoAll the living beings are neurobiologically driven beings. Creative writers and artists are no exception to it. We as literary critics, think that creative writers and artists are also living beings and they are mostly driven by neuro-chemical reactions in the brain. In the world of neurology, each body and the parts of the body are the cause of…[Read more]
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Sonia D. Andras deposited Allo, allo, ici le Bucharest du pedigree! The nationalization of women’s fashion in interwar Bucharest (OA) in the group
History on Humanities Commons 2 years, 9 months agoThe newly formed Greater Romania engaged in a process of modernization, with Bucharest as its flagship metropolis, striving to be recognized internationally and reach economic stability. Women’s fashion became a marker in substantiating Romania’s self-assertion as a modern state, with great emphasis on creating a viable textile industry. This occ…[Read more]
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Sonia D. Andras deposited Crafting Illusions: Fashion as a Means of Decoding Social and Cultural History in Interwar Bucharest (OA) in the group
History on Humanities Commons 2 years, 9 months agoThis paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the Little Paris. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what type of role…[Read more]
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Sonia D. Andras deposited Creating City Chic. The Parisian Influence on Interwar Bucharest Fashion (OA) in the group
History on Humanities Commons 2 years, 9 months agoThis paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the so-colled ”Little Paris”. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what typ…[Read more]
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Sonia D. Andras deposited Fashion, Dress, Costume: a Proposed Terminological Clarification in the Historical Research of Women’s Clothing in the group
History on Humanities Commons 2 years, 9 months agoThis paper delineates the conceptual variations between the notions ‘fashion’, ‘dress’ and ‘costume’ in English-language texts on women’s garment histories using relevant examples from interwar Romanian periodicals. The aim is to offer a more precise formulation, as these three terms have largely been used interchangeably. This paper is built on a…[Read more]
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Sonia D. Andras deposited Fashion, Cinema, and German-American Propaganda in 1930s Bucharest in the group
History on Humanities Commons 2 years, 9 months agoThis paper explores how Bucharest’s cinema-going public perceived the Nazi influence on Hollywood in the 1930s. The aim is to identify how Nazi propaganda was disseminated and consumed in interwar Bucharest and its similarities to the idea of glamour, relevant both to fashion and cinema. Considering the links between Goebbels’ propaganda mac…[Read more]
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