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Charles Peck Jr deposited Sining: pagkamalikhain, kahulugan at imahinasyon na may pokus sa Filipino: ang muling pagdidiskorasyon ng obra maestra ni Juan Luna, Benedicto Cabrera, Emmanuel Garibay, Ang Kiukok + kultura ni Richardson at walang malay na simbolismo in the group
Cultural Studies on Humanities Commons 2 years, 1 month agoAng bawat kultura ay nagkakaroon ng ilang uri ng sining tulad ng pag-unlad ng wika. Ang ilang mga sinaunang kultura ay walang tunay na mitolohiya o relihiyon, ngunit lahat ay mayroong ilang siningsayaw, awit, disenyo …… …… Ang sayaw, higit sa lahat, ay tila ang pinakalumang na nailarawang sining …. Ang sining ay, sa katunayan, ang pinuno…[Read more]
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Charles Peck Jr deposited Una dimensión más profunda” Einstein, Pargament, Wong, Heschel – Albert Einstein: Ciencia sin significado Heschel – “Esencial para el pensamiento humano no es sólo… la simbolización sino la conciencia de lo inefable.& Rappaport – Significado superior + in the group
Cultural Studies on Humanities Commons 2 years, 1 month agoDebemos asumir detrás de esta fuerza la existencia de una mente consciente e inteligente – (Max Planck, & Ciencia sin significado – “Sería posible describir todo científicamente, pero no tendría sentido; carecería de significado, como si describió una sinfonía de Beethoven como una variación de la presión de las olas” Albert Einstein.
El argument…[Read more] -
Muhammad Naeem deposited اردو ناول کا آغاز اور استعماری نگرانی Beginning of Urdu Novel and Colonial Surveillance in the group
Settler Colonialism on Humanities Commons 2 years, 1 month agoThis article explores the connection between the development of new literary genres in Urdu and colonial authority. British Colonial authorities tried to develop a system of scrutiny for local literatures. To limit the ‘vernacular’ literatures within the ‘suggested’ traits, colonial administration used its local subordinates in disseminating the…[Read more]
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Muhammad Naeem deposited اردو ناول کا آغاز اور استعماری نگرانی Beginning of Urdu Novel and Colonial Surveillance in the group
Literary theory on Humanities Commons 2 years, 1 month agoThis article explores the connection between the development of new literary genres in Urdu and colonial authority. British Colonial authorities tried to develop a system of scrutiny for local literatures. To limit the ‘vernacular’ literatures within the ‘suggested’ traits, colonial administration used its local subordinates in disseminating the…[Read more]
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Muhammad Naeem deposited اردو ناول کا آغاز اور استعماری نگرانی Beginning of Urdu Novel and Colonial Surveillance in the group
Cultural Studies on Humanities Commons 2 years, 1 month agoThis article explores the connection between the development of new literary genres in Urdu and colonial authority. British Colonial authorities tried to develop a system of scrutiny for local literatures. To limit the ‘vernacular’ literatures within the ‘suggested’ traits, colonial administration used its local subordinates in disseminating the…[Read more]
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Ian Willis deposited The Memory Landscape of the Cowpastures in memorials, monuments and murals in the group
Settler Colonialism on Humanities Commons 2 years, 1 month agoAll around the community in the Macarthur region are cultural artefacts that are representations of the settler-colonial narrative of the Cowpastures, which was variously a colonial frontier, a government reserve, and a formal region.
Today, the material culture of the Cowpastures is hidden in plain sight and appears to have been ‘forgotten’ by…[Read more] -
Marcelo R. S. Ribeiro deposited Em busca do mundo: literatura e cinema como dispositivos cosmotécnicos e aparelhos cosmopoéticos in the group
Cultural Studies on Humanities Commons 2 years, 1 month agoCom base em uma incursão crítica por debates sobre literatura e cinema mundial, em que busco interrogar o conceito de mundo, este artigo elabora um argumento duplo, no qual está em jogo a questão da mundação, isto é, da configuração de mundos como partilhas do comum. Por um lado, trata-se de um argumento fundamentalmente teórico. Literatur…[Read more]
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guillermo farias flores deposited AFORISMO in the group
Literary theory on Humanities Commons 2 years, 1 month agoEs un aforismo que esta dirigido a la huminidad para que sea mejor.
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Priyadarshini Gupta started the topic Living in the Era of Neo-Orientalism-call for papers. Online Conference. in the discussion
Cultural Studies on Humanities Commons 2 years, 1 month agoThis is a call for papers for an interdisciplinary conference hosted by O.P. Jindal Global University, Delhi-NCR, India [Deadline Extended]
Title of the Conference: Living in the Era of Neo-Orientalism: Complicating Muslim Identities in a Post-9/11 World
Conference dates: 3rd and 4th of February, 2024
Mode of the conference: On…[Read more]
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Sonia D. Andras deposited Interwar Romanian Fashion and Beauty in American Vogue in the group
Cultural Studies on Humanities Commons 2 years, 1 month agoThis paper explores Romanian women’s influence on US fashion as representatives of European artistic, cultural, and social elites and as genuine Parisiennes. This study treats the Parisienne model as a symbolic marker of elegance driven by French, namely Parisian, aesthetic philosophies, and technical prowess. In this sense, Romanian women f…[Read more]
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Seo-Young Chu deposited “Science Fiction and Lyric Poetry” in the group
Literary theory on Humanities Commons 2 years, 1 month agoThis piece explores connections between science fiction and lyric poetry.
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Seo-Young Chu deposited “Generation Hwabyung Telepathy” and “A Resume of Traumas” in the group
Cultural Studies on Humanities Commons 2 years, 2 months agoIn “Generation Hwabyung Telepathy” and “A Resume of Traumas,” the Korean American lyric speaker struggles with the pain of generational trauma that she has inherited from her father and from the grandfather she has never met.
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Seo-Young Chu deposited Excerpts from an Anti-Standardized “수능”: A Design-Fictional Approach to Korea in the group
Cultural Studies on Humanities Commons 2 years, 2 months ago“Excerpts from an Anti-Standardized ‘수능’” experiments with design fiction to disrupt overly rehearsed ways of thinking about Korea’s past(s), present(s), and future(s).
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