This short story, written by Dr. Ramzi Salti, was published as part of his book titled “The Native Informant and Other Stories: Six Tales of Defiance from the Arab World”. It has been turned into a short film titled “The 40th Day’–available on YouTube at https://youtu.be/fspvJSiSQkc. Complete E-Book now available on Google Play and Kindle.

Correspondences can be identified between (on the one hand) androcentric cosmogonies, ancestral misogyny and tribal blood rituals, and (on the other) the classical paradigm of vampirism, especially in its literary and on-screen flowering. Specifically, the initiatory culture-hero and the archetypal vampire both confer a haematologically-mediated…[Read more]

This chapter explores a tension in postcolonial Indian literature between the monolingual form of the nation and the multilingual tendencies of the linguistic regions through a comparison between the Sahitya Akademi’s (India’s national academy of letters) activities and Tamil putukkavitai (new poetry) writing. By promoting translation and con…[Read more]

This paper surveys potential counterparts of the ancient Egyptian concept of mAat (maat) from other cultures and summarises such cross-cultural studies as have already been completed. Its scope ranges from antiquity to the present day and across Europe, Africa, the Near East, India, China, Australia and the Americas. Paradigms that appear to…[Read more]

Essay on the NiCHE-Canada website: https://niche-canada.org/2023/10/30/what-is-a-heritage-river/

This article discusses four pictograph sites in the Lake of the Woods where the images were interpreted by several Indigenous peoples.

This essay considers the shortfalls of globalizing tendencies in nineteenth-century
literary studies with a focus on the Ottoman Turkish articulation of romanticism, i.e.,
hayaliyyun. Retrieving a historically and geographically hybrid genealogy of romanticism
through the Ottoman Turkish context, my discussion situates romantic imaginary…[Read more]

Centering on the poetry of Şeyh Galib (1757–1799), this article considers Ottoman imperial sovereignty in tandem with the discourse of mysticism that underpinned it. A key rhetorical device that enables the abstraction of the politics of empire in this discourse is the metaphor of the beloved sovereign. In the mystical writing of Galib, this me…[Read more]

Centering on the poetry of Şeyh Galib (1757–1799), this article considers Ottoman imperial sovereignty in tandem with the discourse of mysticism that underpinned it. A key rhetorical device that enables the abstraction of the politics of empire in this discourse is the metaphor of the beloved sovereign. In the mystical writing of Galib, this me…[Read more]

Registered in Romantic depictions of imperial ruins is the endurance of empire in its immateriality: the imageries of empire’s ruination announce a future where imperial sovereignty maintains its presence spectrally. Using Jacques Derrida’s notion of hauntology, and recruiting further insight from political theory, this essay argues that emp…[Read more]

This article analyzes the case of Coke Studio Bangla’s music and performance production titled “Deora.”

Book review of Zia Haider Rahman’s novel In the Light of What We Know

Citizenship and the posthuman have not been often theorized together. In this paper, I want to think about their coalition both as a new episode in the efforts of politics for citizenship, including knowledge politics, and as a source of rebalancing power against governmental and corporate interests in citizenship politics. Here, I seek to address…[Read more]

Calling for a historiographical shift in literary criticism, this essay stresses the expansionist vision of the nineteenth-century Ottoman Empire, approaches its literature as a corpus of representation for imperial subjectivities, and thereby supplements the critique of the narrative of literary modernity identified with the orientalist E. J. W.…[Read more]