Mariusz Kozak
,@mkozak
12
Following
20
Followers
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Walt Everett started the topic Readings in the Analysis of African-American Popular Music in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 6 months agoHello PMIG members,
I decided this month to devote my Fall 2020 Pop-rock analysis class to the work of African-American musicians. The class is a mix of upper-level music undergrads and grads. I will have no trouble choosing repertoire, but I would appreciate any and all suggestions of readings that will support our analysis. We’re excluding…[Read more]
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RICHARD CARLIN started the topic New Music Series from SUNY Press in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 6 months agoHi All: I’ve been hired as a Consulting Editor for SUNY Press to acquire new titles in Music and the Arts. I’m looking for book proposals in the following areas:
Jazz Styles and Rock Styles: These would be short, introductory volumes on different styles (such as bop or swing in jazz or punk or hard rock in rock), each about 50,000 words, de…[Read more]
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Kathryn Straker started the topic Deadline approaching: CFA MusicID Digital Research Fellowship (Aug 1) in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 6 months agoDeadline Reminder – Call for Applications
MusicID Digital Research Fellowship
Deadline: 1st August 2020.
Dear all,
MusicID is pleased to announce its third annual Digital Research Fellowship in popular music studies.
http://www.academicrightspress.com/entertainment/music/fellowship-prizeAwarded competitively to scholars at any phase of…[Read more]
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Pablo Suárez deposited Música, humor y crítica social en el performance Buena Risa Social Club (León de Los Aldama, 2018) de Alejandro García Villalón “Virulo” in the group
Performance Studies on Humanities Commons 5 years, 6 months agoBuena Risa Social Club es un performance humorístico-musical del cantautor cubano-mexicano Alejandro García Villalón “Virulo”, quién lo presentó en el Café Antropía (León de Los Aldama, Guanajuato, México) el 30 de noviembre de 2018. Al tener en cuenta los pocos estudios realizados sobre sus composiciones performativas, para la presente com…[Read more]
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Pablo Suárez deposited Algunas consideraciones analíticas sobre el performance musical in the group
Performance Studies on Humanities Commons 5 years, 6 months agoCon el presente trabajo se busca allanar la zanja que existe entre los abordajes tradicionales del discurso musical y los estudios de performance. Para la realización de investigaciones artísticas sobre performances musicales se debe tener en cuenta dicha expresión como subjetividad cambiante a lo largo de su devenir histórico, construido en las…[Read more]
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Pablo Suárez deposited El Génesis Según Virulo (2001) de Alejandro García Villalón como performance humorístico de intertextualidad literaria-musical in the group
Performance Studies on Humanities Commons 5 years, 6 months agoLa pluralidad discursiva manifiesta en la música cubana se ha encontrado enmarcada en una realidad estético-musical cambiante, causada por una postmodernidad social cada vez más abierta a la globalización de las expresiones culturales de los pueblos. Es dentro de esta dinámica creativa que se encontraron inmersos los performances musicales del…[Read more]
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Christine Boone started the topic PMIG 2020 Publication Awards – Nominations Sought! in the discussion
Society for Music Theory on Humanities Commons 5 years, 6 months agoNominations are officially open for the Pop Music Interest Group’s Outstanding Publication Award and the Adam Krims Award—click on these links to nominate. I encourage you to reflect on recent scholarship you’ve read that has positively impacted you. Self-nominations are especially encouraged! Note that to be eligible for an award, the publi…[Read more]
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Christine Boone started the topic PMIG 2020 Publication Awards – Nominations Sought! in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 6 months agoNominations are officially open for the Pop Music Interest Group’s Outstanding Publication Award and the Adam Krims Award—click on these links to nominate. I encourage you to reflect on recent scholarship you’ve read that has positively impacted you. Self-nominations are especially encouraged! Note that to be eligible for an award, the publi…[Read more]
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Anna Gawboy started the topic MTMW Virtual Meeting 2020: Webinars on Popular Music in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 7 months agoMTMW is hosting three webinars dedicated to popular music. To access presentation materials and register for a webinar, please visit https://mtmw.org/index.php/conferences/programs. Membership in MTMW is not required and registration is free, but you will need to create an account on our website.
Monday, June 29, 4:00 PM EDT: Meaning in Popular…[Read more]
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James Gifford deposited Political & Social History of Music (Study Guide PDF) in the group
Music and Sound on Humanities Commons 5 years, 7 months agoAn introduction to music appreciation and history that emphasizes the political, cultural, and social influences on music from antiquity to the 20th century. Contents include sacred and secular, vocal and instrumental, and folk and art music from across the Western world, including modern popular song. No previous musical experience necessary. All…[Read more]
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Jessica Narum uploaded the file: Narum Analysis of Popular Music Syllabus (Spr20) to
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 8 months agoThis undergraduate seminar focused on scholarly work by women and/or writings about music made by women. The syllabus includes the descriptions and grading rubrics for all assignments.
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Christine Boone replied to the topic CFP: Panel Discussion at AMS/SMT Minneapolis in the discussion
Society for Music Theory on Humanities Commons 5 years, 8 months agoThe deadline for proposals has been extended until 11:59 EST on Sunday, June 14.
Please note – There has not been a decision on whether or not SMT will convene in person in Minneapolis this year. Regardless, this panel discussion WILL happen, either in person, via Zoom, or a hybrid of the two. Please don’t let uncertainties regarding travel stop…[Read more]
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Christine Boone started the topic Deadline Extended + Additional Info! in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 8 months agoThe deadline for proposals has been extended until 11:59 EST on Sunday, June 14.
Please note – There has not been a decision on whether or not SMT will convene in person in Minneapolis this year. Regardless, this panel discussion WILL happen, either in person, via Zoom, or a hybrid of the two. Please don’t let uncertainties regarding travel stop…[Read more]
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Christine Boone replied to the topic CFP: Panel Discussion at AMS/SMT Minneapolis in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 8 months agoDeadline Extended + Additional Info!
The deadline for proposals has been extended until 11:59 EST on Sunday, June 14.
Please note – There has not been a decision on whether or not SMT will convene in person in Minneapolis this year. Regardless, this panel discussion WILL happen, either in person, via Zoom, or a hybrid of the two. Please don’t…[Read more]
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Brad Osborn deposited The Frame and The Swerve: Music Video’s Relationship to Dance in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 8 months agoA somewhat whimsical musing on music videos by Fall Out Boy and Beyoncé, all through the lens of Lucretius by way of John Rahn.
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Christine Boone started the topic CFP: Panel Discussion at AMS/SMT Minneapolis in the discussion
Society for Music Theory on Humanities Commons 5 years, 8 months agoAMS/SMT Minneapolis 2020:
Call for Participants in a Panel Discussion hosted by the Society for Music Theory’s Popular Music Interest Group
Panel Discussion: The Music of “Monstrous Men”: Negotiating Popular Music and the Musicians Who Make It.
While the “monstrous men” of the 2017 Paris Review article include artists of many ilks, the…[Read more]
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Christine Boone started the topic CFP: Panel Discussion at AMS/SMT Minneapolis in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 8 months agoAMS/SMT Minneapolis 2020:
Call for Participants in a Panel Discussion hosted by the Society for Music Theory’s Popular Music Interest Group
Panel Discussion: The Music of “Monstrous Men”: Negotiating Popular Music and the Musicians Who Make It.
While the “monstrous men” of the 2017 Paris Review article include artists of many ilks, the rec…[Read more]
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Randye Jones deposited Rare Gems by the Pioneers of the Concert Spiritual (Pt. 2) in the group
Music and Sound on Humanities Commons 5 years, 8 months agoContinuation of documentary about concert spirituals categorized by song theme, from sorrow songs to songs of transcendence. Each category is followed by a recording:
– “Oh, Didn’t It Rain” (Ruby Elzy, soprano)
– “Every Time I Feel de Spirit” (Lawrence Brown, composer; Evelyn Dove, soprano)
– “My Soul’s Been Anchored in the Lord” (Florence…[Read more] -
Randye Jones deposited Rare Gems by the Pioneers of the Concert Spiritual (Pt. 1) in the group
Music and Sound on Humanities Commons 5 years, 8 months agoDocumentary about concert spirituals categorized by song theme, from sorrow songs to songs of transcendence. Each category is followed by a recording: –
“I Cannot Stay Here by Myself” (Hall Johnson, composer; A. Grace Lee Mims, soprano)
– “Who’ll Be a Witness for My Lord” (John Rosamond Johnson, composer; Kenneth Spencer, baritone)
– “Steal…[Read more] -
Mariusz Kozak deposited Enacting Musical Time: Chapter 1: Meaning in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 9 months agoThis chapter develops two claims that are central to the book’s overall argument. The first is that certain temporal musical objects exist only as ephemera—always remaining outside of symbolic representation. These objects are constituted by lived time, or time as it shows up in human lives. The second claim is that the ephemeral meaning of mus…[Read more]
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