These are catalogue entries for the following works: Francisco de Zurbaran, Veronica Veil, from the Sarah Blaffer Campbell Collection Ferdinand Bol, Portrait of Sir John Hebdon, from the Sarah Blaffer Campbell Collection

Excerpt: Concordance B from L. Ringer, ‘A Select Concordance of Some 400 Middle English Texts: A Study of Wycliffite Discourse with Particular Discussion of the Issues of Contemporary Poverty, Pious Practice, Substantive Law, and Anticlerical Style’ (unpub. Ph.D. thesis, University of Hull, 2007, Supervisor: Veronica O’Mara).

Excerpt: Concordance A from L. Ringer, ‘A Select Concordance of Some 400 Middle English Texts: A Study of Wycliffite Discourse with Particular Discussion of the Issues of Contemporary Poverty, Pious Practice, Substantive Law, and Anticlerical Style’ (unpub. Ph.D. thesis, University of Hull, 2007, Supervisor: Veronica O’Mara).

Mourning becomes Shakespeare, perhaps; celebration too. Romeo and Juliet (1597) and Othello (1604) are tragedies of sweeping passion and rash action where love falters and lovers fall. In her 1988 play entitled Goodnight Desdemona (Good Morning Juliet), Ann-Marie MacDonald parodies the two Shakespearean texts and visits the intersections between…[Read more]

This talk offers a collection of vignettes that position the relation between life and death as a central but unsolvable question for theorization in art and politics. Indeed, what to think of death in times when, yet again, the end of the world as we know it seems to be near?

This talk offers a collection of vignettes that position the relation between life and death as a central but unsolvable question for theorization in art and politics. Indeed, what to think of death in times when, yet again, the end of the world as we know it seems to be near?

This essay examines the activity of women in the Russian organized right between 1905 and 1917. It is particularly concerned with the scale of the female membership of the right-wing movement, and their connection to philanthropic and political roles. It examines the backgrounds of the women who joined the movement, the type of the activities that…[Read more]

As one of the most important political and religious figures of the mid sixteenth century, Cardinal Reginald Pole (1500–58) has been the subject of valuable historical studies. Although the English prelate was also a humanist, part of a vast intellectual and artistic network he established during his travels to Italy, Flanders, Spain and E…[Read more]

As one of the most important political and religious figures of the mid sixteenth century, Cardinal Reginald Pole (1500–58) has been the subject of valuable historical studies. Although the English prelate was also a humanist, part of a vast intellectual and artistic network he established during his travels to Italy, Flanders, Spain and E…[Read more]

As one of the most important political and religious figures of the mid sixteenth century, Cardinal Reginald Pole (1500–58) has been the subject of valuable historical studies. Although the English prelate was also a humanist, part of a vast intellectual and artistic network he established during his travels to Italy, Flanders, Spain and E…[Read more]

Contemplates the exclusion of illustrators from art theory; critiques Harold Rosenberg’s position in light of his own work in the culture industries; matches illustrator Robert Weaver’s arguments with Rosenberg’s in a posthumous debate.

Contemplates the exclusion of illustrators from art theory; critiques Harold Rosenberg’s position in light of his own work in the culture industries; matches illustrator Robert Weaver’s arguments with Rosenberg’s in a posthumous debate.

Contemplates the exclusion of illustrators from art theory; critiques Harold Rosenberg’s position in light of his own work in the culture industries; matches illustrator Robert Weaver’s arguments with Rosenberg’s in a posthumous debate.

This paper analyzes the continued propensity of men to cite other men, and more importantly, to NOT cite the work of women, in Communication Studies. After documenting the continued and troubling persistence of the erasure of women’s scholarship, the paper argues for intervening at the points at which the field reproduces itself.

This paper analyzes the continued propensity of men to cite other men, and more importantly, to NOT cite the work of women, in Communication Studies. After documenting the continued and troubling persistence of the erasure of women’s scholarship, the paper argues for intervening at the points at which the field reproduces itself.

This paper discusses the emergence of a women’s diasporic cinema that challenges the representation of Indian women as guardians of Indian values. Through the examination of three films directed by women filmmakers (Mira Nair, Deepa Mehta and Nisha Pahuja), this analysis proposes to delve into the reconfiguration of Indian identity in a context o…[Read more]