Este ensayo tiene como objetivo pensar la relación entre feminismo e infrapolítica situándola en la interrogación, desde escalas impensadas, de variantes específicas del feminismo contemporáneo en Latinoamérica. Para tal fin, se ponen en perspectiva histórico-filosófica algunas de las premisas e implicaciones de la “descolonización” feminista y s…[Read more]

Review of “René d’Harnoncourt and the Art of Installation” By Michelle Elligott. New York: The Museum of Modern Art, 2018. 176 pp. Hardcover. $45.00. ISBN 978-1-63345-050-9.

Many of the feminist readings of the Dinah story in Genesis 34 in recent years have focused on the question of whether Dinah is raped. The interpretations that perhaps Dinah was not “raped” span the spectrum from a teenage love affair between Dinah and Shechem, to a case of statutory rape, to a marriage by abduction. Guilty of exploring this que…[Read more]

Illustration of various features in the arrangement of Linear B tablets in the photo plates of Scripta Minoa II, and a proposed rationale in terms of underlying art.

In 1975, at the time of the independence of the last large colonies, the Portuguese government decided to maintain the main public structure of colonial research, as an instrument of cooperation and diplomacy, changing its name to Instituto de Investigação Científica Tropical. Disconnected from its primitive mission and with a very heavy and co…[Read more]

Extending Audre Lorde’s intuition around the polysemy of the term recreation, I put forward this concept as an organizational principle. Via the framework of recreation, I want to think about some of the main political stakes of the forms used by collectivities able to act politically in the present. I transpose the double binding that Lorde a…[Read more]

As Sue Kim noted at the Narrative 2018 conference, the field of narrative theory is long overdue for a reckoning with its lack of diversity and its frequent silence on issues of race, gender, and sexuality in favor of supposedly neutral, universal qualities of narrative (Hogan 2010). To be sure, the recent works by scholars such as Warhol, Lanser,…[Read more]

People’s relationships to paid work are many and varied. For some it is an important indicator of their identity, while for others it is a form of inescapable drudgery, boredom, or a place of exploitation. For those under- and unemployed, this unbearable state of boredom might itself be an aspiration. Current literature on queer identities and…[Read more]

The Fernández Rivero Collection of old photography is a collection of original photographic objects of more than 45,000 pieces of different types. The CFRivero has been formed with a historicist approach so that it could cover museum and teaching purposes. About two thirds of his pieces are from the 19th century, of which most could be described…[Read more]

The brothers Fernando and Edgardo Debas arrived in Madrid in 1872, coming from France, and soon became the main court photographers of Alfonso XII, above Laurent, who was then in full swing of his activity. The article reveals the keys to this situation as well as the details of his previous activities in France, the circumstances of his arrival…[Read more]

At the beginning are described first reports made in Spain on major exhibitions, since the great exhibition of London in 1851. Below is a brief review about the photographers Laurent, Debás and Esperon, who were the authors of the photo album made in 1877 about the «Exposición Vinícola» in Madrid. Finally, the article focuses on the desc…[Read more]

This article focuses on Jewish women’s experiences of the amen meal ritual. The central intention of this meal is to achieve many recitations of the word “amen” in response to benedictions recited for different sorts of food. The women’s voices and experiences, reflected in in-depth interviews with participants and participant observa…[Read more]

This commentary takes advantage of the provenance established by Hoffman, et al.2018 to explore exclusionary symbol sets in Art, Astrology, and Myth within La Pasiega Gallery C in Spain. Using the One Godz paradigm plus the added parameter of U-TH dating this commentary ascribes meaning to two proximate rock art panels, one homo sapien and the…[Read more]

Over the past decade, the idea of the commune has again become increasingly important to political theorists and philosophers thinking about communism. Within their debates, the anarchist-communist line of thought and practice of the commune is not much reflected. This is a mistake.
Within this chapter I reconstruct the collectively shared…[Read more]

The discovery of the importance of photographer Luis Leon Masson and the observation that, nevertheless, has been almost ignored in all the temporal space in which the Spanish photohistory has been developing in the last thirty years, has led us to ask ourselves about the circumstances that have concurred so that this character, who was able to…[Read more]

Throughout the twentieth century, the two major projects carried out in Spain to commercialize ste- reoscopic photography were those of the Barcelona publishing house Alberto Martín and the photo- grapher José Codina Torrás, both projects with an obvious tourist orientation. During the decade of 1910, the publishing house Alberto Martín lau…[Read more]