Retropost, 2012: The Wanderer https://vanityfea.blogspot.com/2012/09/the-wanderer.html

Retropost, 2012: Nuestra sed de aprobación y elogios https://vanityfea.blogspot.com/2012/09/nuestra-sed-de-aprobacion-y-elogios.html

Retropost, 2012: The Fates of Men https://vanityfea.blogspot.com/2012/09/the-fates-of-men.html

Retropost, 2012: La rebelión de Satanás https://vanityfea.blogspot.com/2012/09/la-rebelion-de-satanas.html

A programme for a course in English Literature, i.e. literature written in English:

Retropost, 2012: 30432 – Introducción a la Literatura Inglesa https://vanityfea.blogspot.com/2012/09/30432-introduccion-la-literatura-inglesa.html

Retropost, 2012: Darkness https://vanityfea.blogspot.com/2012/09/darkness.html

Retropost, 2012: Metaphysical Wit https://vanityfea.blogspot.com/2012/09/metaphysical-wit.html

Mary as the Monster https://vanityfea.blogspot.com/2012/09/mary-as-monster.html

Reseña de ‘The Moor’s Last Sigh’, de Salman Rushdie: https://www.academia.edu/512192/

Diderot, ‘The Paradox of Acting’ https://archive.org/details/cu31924027175961/page/n89/mode/2up

“Selección natural del espectador imaginario.” https://vanityfea.blogspot.com/2022/08/seleccion-natural-del-espectador.html

El sueño de Ada Byron https://vanityfea.blogspot.com/2012/08/el-sueno-de-ada-byron.html

En la selva de las formas: https://hcommons-staging.org/deposits/item/hc:48051/

Selección natural del espectador imaginario: https://www.researchgate.net/publication/361888875

Masks or faces? https://literarytheory.hcommons-staging.org/2022/08/22/masks-or-faces/

“Another Game in Vew”: The Representation of the Poet in ‘The Faerie Queene’ https://www.academia.edu/83763809/

The Chains of Semiosis: Semiotics, Marxism, and the Female Stereotypes in The Mill on the Floss         https://www.academia.edu/83763808/