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James Gifford deposited Introduction in the group
LLC 20th- and 21st-Century American on MLA Commons 9 years, 7 months agoSince its first publication, critics have recognized Hemingway’s 1924 in our time as a major development in American literature and Modernism. This edition makes the 1924 version of in our time available for the first time since the 1977 facsimile edition, which was in a print run limited to 1700 copies. The original edition was printed in only 1…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
TC Popular Culture on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Jonathan Senchyne deposited Revisiting E. E. Cummings' Paintings at Brockport in the group
MS Visual Culture on MLA Commons 9 years, 9 months agoThe article focuses on the restoration of the collections of paintings and drawings of E. E. Cummings in Brockport, New York. It is inferred that the Hildegarde Lasell Watson Collection has sustained a mass of damage over the last 25 years, and that efforts for its conservation have consistently been delayed. It discusses the contents and the…[Read more]
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Jonathan Senchyne deposited Revisiting E. E. Cummings' Paintings at Brockport in the group
LLC 20th- and 21st-Century American on MLA Commons 9 years, 9 months agoThe article focuses on the restoration of the collections of paintings and drawings of E. E. Cummings in Brockport, New York. It is inferred that the Hildegarde Lasell Watson Collection has sustained a mass of damage over the last 25 years, and that efforts for its conservation have consistently been delayed. It discusses the contents and the…[Read more]
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Sean Guynes deposited Fatal Attractions: AIDS and American Superhero Comics, 1988-1994 in the group
TC Popular Culture on MLA Commons 9 years, 10 months agoBetween 1988 and 1994 American comic books engaged the politics, problematics, and crises of the AIDS epidemic by injecting the virus and its social, cultural, and epidemiological effects on gay men into the four-color fantasies of the superhero genre. As the comic-book industry was undergoing major internal changes that allowed for more mature,…[Read more]
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Sean Guynes deposited Fatal Attractions: AIDS and American Superhero Comics, 1988-1994 in the group
MS Visual Culture on MLA Commons 9 years, 10 months agoBetween 1988 and 1994 American comic books engaged the politics, problematics, and crises of the AIDS epidemic by injecting the virus and its social, cultural, and epidemiological effects on gay men into the four-color fantasies of the superhero genre. As the comic-book industry was undergoing major internal changes that allowed for more mature,…[Read more]
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Sean Guynes deposited Fatal Attractions: AIDS and American Superhero Comics, 1988-1994 in the group
LLC 20th- and 21st-Century American on MLA Commons 9 years, 10 months agoBetween 1988 and 1994 American comic books engaged the politics, problematics, and crises of the AIDS epidemic by injecting the virus and its social, cultural, and epidemiological effects on gay men into the four-color fantasies of the superhero genre. As the comic-book industry was undergoing major internal changes that allowed for more mature,…[Read more]
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Hania Nashef deposited "Barbaric Space: Portrayal of Arab lands in Hollywood films" in the group
TC Popular Culture on MLA Commons 9 years, 10 months agoOn many occasions cinema has chosen to shoot movies in locales other than the ones in which the events of the films are supposed to take place in. This could be due to various reasons, namely cheaper production costs, or inability to gain access to the original place. The choice of location, however, tries to provide a mirror image of the…[Read more]
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Hania Nashef deposited "Barbaric Space: Portrayal of Arab lands in Hollywood films" in the group
MS Visual Culture on MLA Commons 9 years, 10 months agoOn many occasions cinema has chosen to shoot movies in locales other than the ones in which the events of the films are supposed to take place in. This could be due to various reasons, namely cheaper production costs, or inability to gain access to the original place. The choice of location, however, tries to provide a mirror image of the…[Read more]
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Hania Nashef deposited The abject/the terrorist/the reel Arab – a point of intersection in the group
TC Popular Culture on MLA Commons 9 years, 10 months agoMedia representations of Arabs and terrorists.
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Hania Nashef deposited The abject/the terrorist/the reel Arab – a point of intersection in the group
MS Visual Culture on MLA Commons 9 years, 10 months agoMedia representations of Arabs and terrorists.
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Hania Nashef deposited The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect in the group
TC Popular Culture on MLA Commons 9 years, 10 months agon her treatise on abjection, Julia Kristeva argues that the abject is located outside the self, remaining in a state of repulsion that threatens to destroy the self. Abject representations are prevalent in the way terrorists have been portrayed in the Western news media post-September 11, 2001. These images of abjection are problematic, as they…[Read more]
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Hania Nashef deposited The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect in the group
MS Visual Culture on MLA Commons 9 years, 10 months agon her treatise on abjection, Julia Kristeva argues that the abject is located outside the self, remaining in a state of repulsion that threatens to destroy the self. Abject representations are prevalent in the way terrorists have been portrayed in the Western news media post-September 11, 2001. These images of abjection are problematic, as they…[Read more]
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Hania Nashef deposited اهلا, hello and bonjour: a postcolonial analysis of Arab media's use of code switching and mixing and its ramification on the identity of the self in the Arab world in the group
TC Popular Culture on MLA Commons 9 years, 10 months agoCode switching is a practice exercised by multilingual speakers. Linguists define the term as the simultaneous use of more than one language. Code switching is prevalent in postcolonial countries in which the colonial language has continued to exist alongside the native language. In the past, code switching in the Arab world has been confined to…[Read more]
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Hania Nashef deposited اهلا, hello and bonjour: a postcolonial analysis of Arab media's use of code switching and mixing and its ramification on the identity of the self in the Arab world in the group
MS Visual Culture on MLA Commons 9 years, 10 months agoCode switching is a practice exercised by multilingual speakers. Linguists define the term as the simultaneous use of more than one language. Code switching is prevalent in postcolonial countries in which the colonial language has continued to exist alongside the native language. In the past, code switching in the Arab world has been confined to…[Read more]
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Hania Nashef deposited Disconcerting Images: Arab Female Portrayals on Arab Television in the group
TC Popular Culture on MLA Commons 9 years, 10 months agoThe changes that have been witnessed by media in the Arab world have redefined media’s initial role as a source of information. With the advent of satellite television new realities, namely the dismantling of communication boundaries, have emerged. At first, such advancements posed a challenge to government bodies, specifically in the Arab region;…[Read more]
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Hania Nashef deposited Disconcerting Images: Arab Female Portrayals on Arab Television in the group
MS Visual Culture on MLA Commons 9 years, 10 months agoThe changes that have been witnessed by media in the Arab world have redefined media’s initial role as a source of information. With the advent of satellite television new realities, namely the dismantling of communication boundaries, have emerged. At first, such advancements posed a challenge to government bodies, specifically in the Arab region;…[Read more]
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Scott Challener deposited 'Some Reckonings with the Not-Old and with Surprise': Postmodern Ballads of Urban Crisis in the group
LLC 20th- and 21st-Century American on MLA Commons 9 years, 10 months agoThis paper offers a brief consideration of the literary ballad as a register of what by the mid-’60s economists had diagnosed as “urban crisis” and in 1970 John Ashbery called “urban chaos.” I’m particularly interested in how poets used the ballad to see and see into the failures of the “spatio-temporal fix” of urban renewal. My general idea is…[Read more]
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Binod Paudyal deposited "Reimagining Transnational Identities in Lahiri’s The Namesake" in the group
LLC 20th- and 21st-Century American on MLA Commons 9 years, 10 months agoThis essay demonstrates that Jhumpa Lahiri’s The Namesake goes beyond conventional wisdom about immigrant experiences in so far as it explores how the South Asian diaspora participates in transnational connections, shaping and transforming the notion of American identity in the contemporary global era. Lahiri’s novel offers us a striking acc…[Read more]
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Nancy Caronia started the topic CFPs: MLA 2016 Italian American LLC in the discussion
Twentieth-Century American Literature on MLA Commons 9 years, 11 months agoThe Streets of Philadelphia: From Rocky to Creed
The MLA Italian American Forum seeks paper proposals for a possible session at the MLA Annual Convention in Philadelphia, PA January 5-8, 2017. Taking a cue from the presidential conference theme “Boundary Conditions,” this panel seeks submissions that explore the boundaries of racism and eth…[Read more] - Load More