Several of Francisco de Quevedo’s hagiographic poems are puzzling because of their irreverent tone. Edward M. Wilson and Jose Manuel Blecua both noted that “la relacion entre las dos caras de un Quevedo es cuestión difícil y delicada para los modernos;” indeed, the writer’s particular blend of “las burlas con las veras” has attracted attention s…[Read more]

This essay analyzes the work of the poetic function as defined by Roman Jakobson in poems by Francisco de Quevedo that concern themselves with the trope of the rending of the rocks at the moment of Christ’s death on the cross, and in other poetic texts of Quevedo.

Dictionary articles in Lexicon about women musicians

Because of its material characteristics, the sonic poses a challenge to the influential paradigm of religion as mediation. This article makes a case for a neo-phenomenological analytic of atmospheres in order to do justice to the sonic in anthropological approaches to religion. Approaching the sonic as atmospheric half-things, I propose a…[Read more]

Study about the construction of organs in North Spain by Cavaillé-Coll (19th century)

Within this chapter I evaluate the still unfolding evolution of digital resources in the case of museum and archive practice related to Nagasaki and their suitability in assisting in the task of teaching the difficult history of the atomic bombing. Memorial museums do exist to convince, and to assist the public in recalling public and collective…[Read more]

Abstract submitted to Timbre 2023 conference. This abstract describes a new approach to understanding consonance and dissonance.

Questions of positionality permeate 21st-century poetics—and seem to come to a head around the intentional inclusion/exclusion of the reader in the speaker’s pronoun of choice, especially when the pronoun in question is “we.” This essay contrasts the fragmented lyric self of modernism with current approaches to a lyric “we” and puts three conte…[Read more]

The formalization of sound changes as finite state transducers is implicit already in the Neogrammarians. For at least six decades scholars have recognized the potential of transducers for improving the speed and rigor of research in historical linguists, but almost no historical linguists actually use them. This article identifies the obstacles…[Read more]

Part of the recent developments in Ubiquitous Music (ubimus) research involve the proposal of the Internet of Musical Stuff (IoMuSt) as an expansion and complement to the Internet of Musical Things (IoMusT). The transition from IoMusT to IoMuSt entails a critique of blockchain and non-fungible tokens (NFTs) as technologies for allotment,…[Read more]

This chapter examines the revolutin in media within music based on Friedrich Kittler’s work. It highlights Kittler’s musical preferences, from Richard Wagner to Jimi Hendrix and Pink Floyd. For Kittler this music exemplified an “other music” that was based on a cutout from the totality of “worldwide noise” as it was theorized after Arthur Schopen…[Read more]