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Rebecca Ruth Gould deposited Lecture: Multilingualism as a Stimulus to Islamic Literary Theory (2019) in the group
Poetics and Poetry on Humanities Commons 5 years, 3 months agofile is too large for this repository so I list the links below:
Link to lecture: https://www.youtube.com/watch?v=9xtDwVTndx4&t=43s
Audio: https://soundcloud.com/unibirmingham/multilingualism-as-a-stimulus-to-islamic-literary-theoryIn her lecture, Gould discusses how cross-cultural encounters have generated new literary theories and new…[Read more]
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Christine Boone started the topic Annual Meeting Details in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 3 months agoPlease tune in for the PMIG meeting during this year’s virtual AMS/SMT, and log back on for a virtual coffee break where we can socialize as a group!
Saturday, November 14
11:00 am-12:00 pm (CST)- Panel Discussion: “The Music of ‘Monstrous Men’: Negotiating Popular Music and the Musicians Who Make It”
- Panelists: Maya Gibson, Tanya Honerman,…
- Panel Discussion: “The Music of ‘Monstrous Men’: Negotiating Popular Music and the Musicians Who Make It”
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Miklos Mezosi deposited Két új Szapphó-vers első magyar fordítása in the group
Poetics and Poetry on Humanities Commons 5 years, 3 months agoThis paper contains two poems by Sappho discovered on papyrus in 2014, in the Greek original with a facing Hungarian translation by the author, along with an essay on Sappho and her historical and cultural context.
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Miklos Mezosi deposited Sally Dalton-Brown, Pushkin’s Evgenii Onegin (Bristol: Bristol Classical Press, 1997) in the group
Poetics and Poetry on Humanities Commons 5 years, 3 months agoBook review of S. Dalton-Brown’s monograph on Alexander Pushkin’s Evgenii Onegin. Published by Bristol Classical Press in Critical Studies in Russian Literature. Series Editor: Neil Cornwell. Bristol: Bristol Classical Press, 1997.
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Megan Lavengood deposited Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 3 months agoTraditional music theory curricula are increasingly scrutinized. Students regularly misunderstand the scope of epistemology and scope of theory, find theory intimidating and difficult, and fail to see its relevance to their career goals. In this essay, I outline a modular music theory curriculum, which works to address these negative perceptions…[Read more]
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Claire Arthur started the topic Survey about techniques and approaches to pop music analysis in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 3 months agoA graduate student of mine has been working on building a website for assisting pop music analysis. We have created a survey intended to garner some feedback about how different pop music scholars approach analysis so that we can gain some insights as to what would be valuable to the greatest number of individuals. The survey should take 5-15…[Read more]
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Rebecca Ruth Gould deposited “Inspired and Multiple: On Poetry and Co-Translation,” Overland (2019) in the group
Poetics and Poetry on Humanities Commons 5 years, 4 months agoThis co-authored essay reflects on the process of co-translation as a form of co-authorship, drawing on examples taken from Persian poetry and the history of Russian-English literary translation.
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Claire Arthur started the topic Prototype of web-based tool for pop music analysis – feedback requested! in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 4 months agoA graduate student of mine has been working on building a website for assisting pop music analysis. We have created a survey intended to garner some feedback about how different pop music scholars approach analysis so that we can gain some insights as to what would be valuable to the greatest number of individuals. The survey should take 5-15…[Read more]
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Zélia Catarina Pedro Rafael deposited “What Thoughts I Have of You Tonight, Walt Whitman” Continuity and Innovation in Allen Ginsberg’s “Howl” in the group
Poetics and Poetry on Humanities Commons 5 years, 4 months agoIn his essay “The Poet,” Emerson called for the poet who would sing the burgeoning nation of the United States of America. The answer to his request far exceeded all his expectations in the form of a ground-breaking volume of poems where Walt Whitman sang not only a nation, but the people who inhabited it as the people incarnated the values, str…[Read more]
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Lloyd Graham deposited A comparison of the anthropomorphic Vodun power-figure (West African bocio/bo/vodu/tro) with its Kongo counterpart (Central African nkisi) in the group
African History on Humanities Commons 5 years, 4 months agoThis paper compares anthropomorphic power-figures from the Vodun and Kongo cultural areas. Vodun is practised along the Guinea Coast of West Africa (especially in Benin and Togo) whereas the Kongo religion is native to the west coast of Central Africa (especially the two Republics of the Congo and northwest Angola). First, overlaps in belief and…[Read more]
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Thomas Mazanec deposited Review: The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian in the group
Poetics and Poetry on Humanities Commons 5 years, 5 months agoReview of The Halberd at Red Cliff: Jian’an and the Three Kingdoms, by Xiaofei Tian (Cambridge, Mass.: Harvard University Asia Center, 2018)
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Christine Boone started the topic PMIG Awards – Nominations due TOMORROW! in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agoNominations DUE TOMORROW for the Pop Music Interest Group’s Outstanding Publication Award and the Adam Krims Award—click on these links to nominate. I encourage you to reflect on recent scholarship you’ve read that has positively impacted you. Self-nominations are especially encouraged! Note that to be eligible for an award, the publica…[Read more]
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John Michael McCluskey deposited “This Is Ghetto Row”: Musical Segregation in American College Football in the group
Music and Sound on Humanities Commons 5 years, 5 months agoA historical overview of college football’s participants exemplifies the diversification of mainstream American culture from the late nineteenth century to the twenty-first. The same cannot be said for the sport’s audience, which remains largely white American. Gerald Gems maintains that football culture reinforces the construction of American…[Read more]
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Keith Salley replied to the topic Whole-tone and Octatonic in pop and rock in the discussion
Society for Music Theory – Popular Music Interest Group via email on Humanities Commons 5 years, 5 months agoThanks, Walt!
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Walt Everett replied to the topic Readings in the Analysis of African-American Popular Music in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agoThanks to those with suggestions for my African American pop music course. I’ve finished drafting a 73-page syllabus with lengthy bib and tracklist that’s too large to attach here. Please email me at weverett at umich.edu [with @ for ” at “] and I’ll be happy to send you a copy.
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Walt Everett replied to the topic Whole-tone and Octatonic in pop and rock in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agoKeith, my favorite rock octatonic passage is the guitars/bass trio in the transition of “You Never Give Me Your Money.”
There are a number of equal divisions of the octave, such as in the Fifth Dimension’s “Up—Up and Away,” the Doors’ “Touch Me” and Lorraine Feather’s “The Girl with the Lazy Eye.” I may list others in Foundations of Rock. Have fu…[Read more]
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Keith Salley started the topic Whole-tone and Octatonic in pop and rock in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agoHi everyone,
Hope you’re all well and reasonably rested.
Was wondering about rock or general pop tunes that feature symmetrical/synthetic scales like WT and OCT. I don’t mind fleeting surface occurrences where the scales are just run through, like those WT scales in the intro to Stevie Wonder’s ‘You Are the Sunshine . . .’ or the recurring OCT…[Read more]
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Walt Everett replied to the topic Readings in the Analysis of African-American Popular Music in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agothanks, Beth–good to hear from you. My bib and listening guide is coming along by leaps and bounds, but I hadn’t come across that journal yet. I’ll put my syllabus up by the end of the month.
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John Covach deposited “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68. in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 5 months agoThis chapter presents an approach to musical listening and analysis that privileges the individual perspectives of performers in a rock ensemble. Using passages from Yes’s “And You And I,” this study examines how each musician hears the texture in different ways while each of these “positions” differs from the Ideal Listening Position, which is…[Read more]
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John Covach deposited “Popular Music in the Theory Classroom,” in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339. in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 5 months agoThis chapter considers the role of popular music in the undergraduate music theory curriculum, proposing three models for integrating pop into theory teaching.
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