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Whitney Sperrazza deposited Patterns of Violence: Critical Making and the She/Her/Hers of Early Modern Poetry in the group
TC Women’s and Gender Studies on MLA Commons 7 years agoShort paper presented for MLA 2019 Session 417 – “Critical Computation: What’s Next?”
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Whitney Sperrazza deposited Patterns of Violence: Critical Making and the She/Her/Hers of Early Modern Poetry in the group
EMDC: The Early Modern Digital Collaboratory on MLA Commons 7 years agoShort paper presented for MLA 2019 Session 417 – “Critical Computation: What’s Next?”
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Whitney Sperrazza deposited Patterns of Violence: Critical Making and the She/Her/Hers of Early Modern Poetry in the group
2019 MLA Convention on MLA Commons 7 years agoShort paper presented for MLA 2019 Session 417 – “Critical Computation: What’s Next?”
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Whitney Sperrazza deposited Patterns of Violence: Digital Making and the She/Her/Hers of Early Modern Poetry on MLA Commons 7 years ago
Short paper presented for MLA 2019 Session 417 – “Critical Computation: What’s Next?”
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Whitney Sperrazza deposited Intimate Correspondence: Negotiating the Materials of Female Friendship in Margaret Cavendish’s Sociable Letters in the group
TC Women’s and Gender Studies on MLA Commons 7 years, 2 months agoIn this article, I argue that Margaret Cavendish uses ‘Sociable Letters’ and the female friendship within its pages to intervene in early modern epistolary traditions and negotiate alternatives for conventional markers of intimacy between correspondents. Grounding the argument in current scholarly debates on familiar letter conventions, I…[Read more]
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Whitney Sperrazza deposited Intimate Correspondence: Negotiating the Materials of Female Friendship in Margaret Cavendish’s Sociable Letters in the group
CLCS Renaissance and Early Modern on MLA Commons 7 years, 2 months agoIn this article, I argue that Margaret Cavendish uses ‘Sociable Letters’ and the female friendship within its pages to intervene in early modern epistolary traditions and negotiate alternatives for conventional markers of intimacy between correspondents. Grounding the argument in current scholarly debates on familiar letter conventions, I…[Read more]
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Whitney Sperrazza deposited Intimate Correspondence: Negotiating the Materials of Female Friendship in Margaret Cavendish’s Sociable Letters on MLA Commons 7 years, 2 months ago
In this article, I argue that Margaret Cavendish uses ‘Sociable Letters,’ and the female friendship within its pages, to intervene in early modern epistolary traditions and negotiate alternatives for conventional markers of intimacy between correspondents. Grounding the argument in current scholarly debates on familiar letter conventions, I…[Read more]
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Whitney Sperrazza's profile was updated on MLA Commons 7 years, 2 months ago
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Lauren Eriks Cline's profile was updated on Humanities Commons 7 years, 3 months ago
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Patricia Akhimie deposited “Bruised with Adversity”: Reading Race in The Comedy of Errors in the group
TC Race and Ethnicity Studies on MLA Commons 7 years, 3 months ago“‘Bruised with Adversity’: Reading Race in The Comedy of Errors” examines the role of the body, and of the somatic mark in particular, in the social production of both individual subjects and racial groups. In The Comedy of Errors, two sets of twins experience the benefits as well as the pitfalls of mistaken identity, revealing the ease with which…[Read more]
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Patricia Akhimie deposited “Bruised with Adversity”: Reading Race in The Comedy of Errors in the group
LLC Shakespeare on MLA Commons 7 years, 3 months ago“‘Bruised with Adversity’: Reading Race in The Comedy of Errors” examines the role of the body, and of the somatic mark in particular, in the social production of both individual subjects and racial groups. In The Comedy of Errors, two sets of twins experience the benefits as well as the pitfalls of mistaken identity, revealing the ease with which…[Read more]
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Patricia Akhimie deposited “Bruised with Adversity”: Reading Race in The Comedy of Errors in the group
LLC 17th-Century English on MLA Commons 7 years, 3 months ago“‘Bruised with Adversity’: Reading Race in The Comedy of Errors” examines the role of the body, and of the somatic mark in particular, in the social production of both individual subjects and racial groups. In The Comedy of Errors, two sets of twins experience the benefits as well as the pitfalls of mistaken identity, revealing the ease with which…[Read more]
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Patricia Akhimie deposited “Bruised with Adversity”: Reading Race in The Comedy of Errors in the group
LLC 16th-Century English on MLA Commons 7 years, 3 months ago“‘Bruised with Adversity’: Reading Race in The Comedy of Errors” examines the role of the body, and of the somatic mark in particular, in the social production of both individual subjects and racial groups. In The Comedy of Errors, two sets of twins experience the benefits as well as the pitfalls of mistaken identity, revealing the ease with which…[Read more]
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Patricia Akhimie deposited “Bruised with Adversity”: Reading Race in The Comedy of Errors on Humanities Commons 7 years, 3 months ago
“‘Bruised with Adversity’: Reading Race in The Comedy of Errors” examines the role of the body, and of the somatic mark in particular, in the social production of both individual subjects and racial groups. In The Comedy of Errors, two sets of twins experience the benefits as well as the pitfalls of mistaken identity, revealing the ease with which…[Read more]
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Patricia Akhimie's profile was updated on Humanities Commons 7 years, 3 months ago
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Kevin A. Quarmby's profile was updated on MLA Commons 7 years, 5 months ago
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Andrew Keener's profile was updated on MLA Commons 7 years, 6 months ago
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Laura Estill's profile was updated on Humanities Commons 7 years, 6 months ago
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William Casey Caldwell started the topic Food/Beer in Private Theaters in the discussion
Shakespeare on Humanities Commons 7 years, 6 months agoHi all, I’m looking into whether beer and food may have been sold in the 17th century private playhouses, like Blackfriars. Gurr and others take up positions on the public playhouses, I’m curious whether anyone has come across suggestions (positive or negative) that these may have been sold inside/during the performances at the indoor spaces?
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Patricia Akhimie's profile was updated on Humanities Commons 7 years, 7 months ago
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