Walter Benjamin had much to say about the intelligentsia, from vicious reviews such as “Left-Wing Melancholy” to the more programmatic essays “Author as Producer” and the Artwork essay. But while the specific allegiances, the “strategies” in the literary battle have been plotted with great precision, a larger debate in which these texts repre…[Read more]

A unique dispute over ownership rights to artwork in the case of the Auschwitz Memorial Museum vs. former camp prisoner Dinah Gottliebova Babbitt illuminates underlying moral questions about the Holocaust and post-Holocaust culture.

War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images.…[Read more]

This essay examines select visual representations of refugees and migrants as embodied subjects in photography, art, and video. It focuses on American asylum politics and explores the questions of free movement, the right to have rights, and the ethics and efficacy of border walls. I argue that the catastrophe of global forced displacement makes…[Read more]

CFP – AIWAC 2nd edition Rome 2022

CFP – AIWAC 2nd edition Rome 2022

Tarih boyunca kentler, kültür ve medeniyetlerin doğduğu, geliştiği ve yayıldığı yerler olmuştur. Kentler, tarihsel süreçte insanların çeşitli gereksinimlerinin ürünü olarak sürekli bir gelişme göstermiştir. Bu gelişme sürecinde hem insanlığın birikiminin gelecek kuşaklara taşıyıcısı, hem de taşıdığı uygarlık birikimi ile insanoğlunun geleceğini şe…[Read more]

This paper proposes a novel source for – or at least influence on – the iconography of the Moon trump in the Rider-Waite Tarot deck, which preserves the design from the Tarot de Marseille. In fact, the Moon template appears to date back to the earliest days of the Tarot. The proposed source or prototype is a Greco-Roman talismanic design aga…[Read more]

This study presents a reconstruction of the performance of the melancholic character in Golden Age theater. It argues that critics have overlooked the way this character type was acted on the original stage. Using Lope’s El Príncipe melancólico [The Melancholic Prince] as a case-study to speculate on the actor’s paralinguistic gestures and movem…[Read more]

The CNTC’s 2017 production of La dama duende presented the transition between the two main characters’ rooms in the third jornada using two illuminated windows at the rear wall of the stage. The comparison between this rendition and other modern productions reveals two problems in adaptation: the fidelity with the original and the und…[Read more]

This paleographic comparison serves to support my argument in the following publication:

Van Rooy, Raf. Accepted. “Ippolita Maria Sforza, student and patroness of Greek in Milan (ca. 1465).” Renaissance Quarterly.

GB Folengo Commentry on Psalm 51, translated into English with brief annotations

GB Folengo Commentry on Psalm 51, translated into English with brief annotations

The focus of this issue is on environmental aesthetics, with the aim of exploring the various aspects of aesthetic appreciation. Environmental Aesthetics: Socio-Territorial Conflicts throughout Media is part of a session that I organized at the IV International ISA Forum, Porto Alegre, held on February 23–27, 2021, for the Research Committee on S…[Read more]

overview on the history of the card game “Höllfahren” or “in die Höll”

Since its first appearance in 1981, critical regionalism has enjoyed a celebrated worldwide reception. The 1990s increased its pertinence as an architectural theory that defends the cultural identity of a place resisting the homogenising onslaught of globalisation. Today, its main principles (such as acknowledging the climate, history, materials,…[Read more]

In a groundbreaking endeavour to triangulate three important traditions of our collective cultural heritage, the Arkeologisk Museum of the University of Stavanger presents Eden and Everything After, a conceptual exhibition organised around notions of the loss of – and slim hope of reconnection with – the lost paradise. Mirroring the boldly exp…[Read more]

Among the monuments of Brazilian modernist architecture, the Catetinho, built in 1956 near the construction site of Brasília, is one of a kind. The only surviving work by Oscar Niemeyer built out of wood, it was intended to be a temporary office for the President of the Republic during the construction of the new capital city. This work discusses…[Read more]