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Pedro P. Palazzo deposited Architecture as Portrait: Exoticism and the Royal Character of the Louvre, 1380–1681 in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoThe architectural evolution of the Louvre between the 15th and 17th centuries is characterized by systematic attempts to distinguish the building within the broader context of French styles. In the 15th and early 16th centuries, this is achieved by producing grander and more elaborate versions of the contemporary French architectural solutions.…[Read more]
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Pedro P. Palazzo deposited Architecture as Portrait: Exoticism and the Royal Character of the Louvre, 1380–1681 in the group
Architectural History and Theory on Humanities Commons 5 years, 7 months agoThe architectural evolution of the Louvre between the 15th and 17th centuries is characterized by systematic attempts to distinguish the building within the broader context of French styles. In the 15th and early 16th centuries, this is achieved by producing grander and more elaborate versions of the contemporary French architectural solutions.…[Read more]
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Carla Zecher started the topic Thinking about Careers for Scholars of Renaissance Studies in the discussion
The Renaissance Society of America on Humanities Commons 5 years, 7 months agoPublishing and editing, translating, consulting, curating, public engagement, digital humanities, creative industries: What questions do scholars of the Renaissance have about these different career paths, and more? What suggestions do scholars at mid-career and beyond have for emerging scholars just starting out?
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Carla Zecher started the topic Teaching the Renaissance Virtually and Finding Guest Speakers in the discussion
The Renaissance Society of America on Humanities Commons 5 years, 7 months agoWhat are the challenges and rewards of teaching courses online in your field? What is working well? What sorts of help do you need? Would you be willing to volunteer to be a guest speaker in an online course taught by a colleague at another institution? Would you like to have a guest speaker for a course that you will be teaching?
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Ann E Mullaney deposited Pietro Bembo and the Erotic Lexicon in the group
The Renaissance Society of America on Humanities Commons 5 years, 8 months agoThe works of Pietro Bembo (1470-1547) intrigue readers approaching them from various angles… Here, my aim is modest: to highlight passages in Bembo’s literary texts which exploit the erotic lexicon so popular in his day.
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Ann E Mullaney deposited Pietro Bembo and the Erotic Lexicon in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 8 months agoThe works of Pietro Bembo (1470-1547) intrigue readers approaching them from various angles… Here, my aim is modest: to highlight passages in Bembo’s literary texts which exploit the erotic lexicon so popular in his day.
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Alexander J McNair deposited Variantes y versos perdidos: El Cid Campeador de A. Enríquez Gómez entre el manuscrito (1660) y las comedias sueltas in the group
The Renaissance Society of America on Humanities Commons 5 years, 8 months agoEl Cid Campeador, obra teatral de Antonio Enríquez Gómez (1660-1663), se publicó reiteradamente a lo largo del siglo XVIII y los primeros años del XIX. La obra, casi desconocida hoy en día, gozó de una popularidad enorme entre 1700 y 1830, tanto en el teatro como en la imprenta, debido en parte a su tema histórico y el estilo barroco, tan de gus…[Read more]
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Alexander J McNair deposited Variantes y versos perdidos: El Cid Campeador de A. Enríquez Gómez entre el manuscrito (1660) y las comedias sueltas in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 8 months agoEl Cid Campeador, obra teatral de Antonio Enríquez Gómez (1660-1663), se publicó reiteradamente a lo largo del siglo XVIII y los primeros años del XIX. La obra, casi desconocida hoy en día, gozó de una popularidad enorme entre 1700 y 1830, tanto en el teatro como en la imprenta, debido en parte a su tema histórico y el estilo barroco, tan de gus…[Read more]
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Alexander J McNair deposited A Critical Edition of Antonio Enríquez Gómez’s El Cid Campeador (1660): Project Narrative for Grant Proposal in the group
The Renaissance Society of America on Humanities Commons 5 years, 8 months agoThis paper is the project narrative for a grant proposal submitted in February 2019, that resulted in funding from two different sources to cover travel expenses in support of archival work in Spain (summer 2019). I share this project narrative to encourage others who are considering similar proposals, or who may be thinking about the scholarly…[Read more]
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Alexander J McNair deposited A Critical Edition of Antonio Enríquez Gómez’s El Cid Campeador (1660): Project Narrative for Grant Proposal in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 8 months agoThis paper is the project narrative for a grant proposal submitted in February 2019, that resulted in funding from two different sources to cover travel expenses in support of archival work in Spain (summer 2019). I share this project narrative to encourage others who are considering similar proposals, or who may be thinking about the scholarly…[Read more]
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Edmundo Murray deposited Centre William Rappard: Home of the World Trade Organization, Geneva in the group
History of Art on Humanities Commons 5 years, 8 months agoThe first building in Geneva designed to house an international organization, the Centre William Rappard has played host to the International Labour Office since it first opened its doors in 1926, and later to the General Agreement of Tariffs and Trade secretariat and to the World Trade Organization. “Centre William Rappard: Home of the World…[Read more]
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Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group
History of Art on Humanities Commons 5 years, 8 months agoHarun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]
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Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group
Architectural History and Theory on Humanities Commons 5 years, 8 months agoHarun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]
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Annika McQueen deposited What part did decorative plasterwork play in the transformation of the Great House before 1660? in the group
History of Art on Humanities Commons 5 years, 9 months agoThis essay argues that the changes that occurred in the form, function, material and internal decorative schemes of the Great House before 1660 was less of a transformation and more of a slow evolution. The popularity of plasterwork in the Great House from the Tudors to the Restoration, demonstrates its importance in the evolution of such…[Read more]
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Annika McQueen deposited What part did decorative plasterwork play in the transformation of the Great House before 1660? in the group
Architectural History and Theory on Humanities Commons 5 years, 9 months agoThis essay argues that the changes that occurred in the form, function, material and internal decorative schemes of the Great House before 1660 was less of a transformation and more of a slow evolution. The popularity of plasterwork in the Great House from the Tudors to the Restoration, demonstrates its importance in the evolution of such…[Read more]
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Cristina León Alfar deposited Speaking Truth to Power as Feminist Ethics in Richard III in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 9 months agoIn this essay Queen Margaret’s curses in Richard III become part of a feminist ethics on the early modern stage. As a parrhesiast, in Foucault’s terms, Margaret speaks truth to power and claims a right of citizenship. That Margaret elicits universal revulsion from the other characters while also holding a unique, though not untroubled, pos…[Read more]
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Annika McQueen deposited Inns and Innkeeping in North Hertfordshire: 1660 – 1815 in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 9 months agoThis dissertation ‘Inns and Innkeeping in North Hertfordshire: 1660-1815’ addresses the lack of a localised study on this building type and supplements the wider body of work that has been undertaken, on inn form, function and innkeeping lifestyles in other regions of England during the long eighteenth century.
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Annika McQueen deposited Inns and Innkeeping in North Hertfordshire: 1660 – 1815 in the group
History of Art on Humanities Commons 5 years, 9 months agoThis dissertation ‘Inns and Innkeeping in North Hertfordshire: 1660-1815’ addresses the lack of a localised study on this building type and supplements the wider body of work that has been undertaken, on inn form, function and innkeeping lifestyles in other regions of England during the long eighteenth century.
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