About
I am a political and cultural historian specializing in media and journalism history. My explorations of these subjects have resulted in publications on such topics as the political economy of news, the materiality of media, the relationship between sound and print, grassroots media reform campaigns, the intellectual history of communication theory, and religious broadcasting. My first book,
Sound Business: Newspapers, Radio, and the Politics of New Media (University of Pennsylvania Press, 2011, paperback 2016), traced how American newspapers have responded to competition from “new media,” which in the few decades after 1920 meant radio broadcasting.
In recent years, my work has become more international in scope and is increasingly incorporating insights from environmental history. I have recently published work comparing the
development of news broadcasting in Britain and the United States, tracing
global newsprint flows during the Cold War, and exploring
innovations in book printing in the digital age. My latest book,
Dead Tree Media: Manufacturing the Newspaper in Twentieth-Century North America (Johns Hopkins University Press, 2018), is a history of the rise and fall of both the mass circulation printed newspaper and the particular kind of corporation in the newspaper business that shaped many aspects of the cultural, political, and even physical landscape of North America. It is a history of the printed newspaper tracing its production from the forest to the reader. Popular assessments of printed newspapers have become so grim that some have taken to calling them “dead tree media” as a way of invoking the idea of the medium’s demise.
Dead Tree Media explores the literal truth hidden in this dismissive expression: printed newspapers really are material goods made from trees. And, in the twentieth century, the overwhelming majority of the trees cut down in the service of printing newspapers in the United States were in Canada.
Dead Tree Media is an international history of the commodity chains connecting these Canadian trees and US readers. In 2019, the book received Canadian Business History Association’s Best Book Prize and it was an honorable mention for the Book of the Year Award from the American Journalism Historians Association.
I teach a variety of graduate and undergraduate courses on nineteenth and twentieth century North America, as well as more specialized courses on media, business, and environmental history. From 2017-2020, I led the MSU History Department’s participation in the American Historical Association’s
Career Diversity for Historians initiative. In 2022, I received the History Department’s Richard E. Sullivan Endowed Award for Teaching Excellence.
Education
Ph.D. University of Chicago, History (2006)
M.A. University of Chicago, History (2000)
B.A. University of California, Berkeley, English (1994)
Mastodon Feed
New publication out today in Book History, "Farm to Table Reading: Industrial Agriculture and Media Materiality in the Twentieth Century." This one is about how some inventors and entrepreneurs aimed to make cornstalks replace trees as the primary raw materials from which to manufacture paper to print newspapers. #paperology #bookhistory #bookstodon https://muse.jhu.edu/article/976870 (2025-12-15 ↗)
Brilliant new article by Christina Corfield on the aesthetics and significance of the cardboard box. https://muse.jhu.edu/pub/349/article/973988 #paperology (2025-11-13 ↗)
Fall colors are fading in these parts. #gravel #gravelcycling (2025-10-11 ↗)
CFP: Radio and Newspapers: What Intersections for Media History? 30 June – 1 July 2026 University of Lausanne, Switzerland This international conference aims to move beyond the traditional understanding of press-radio relations. As the two main information media in the 20th century, their relationship has often been reduced in literature to one of simple institutional competition. This conference seeks to investigate the complexity of their relations. https://impresso.github.io/radio-and-newspapers-conference/ #mediahistory (2025-09-04 ↗)
Great piece on early WFMU history by @erazlogo in the new issue of LCD. Really interesting material about the John Sinclair connection. #wfmu (2025-07-27 ↗)
Publications
Many of these works are behind paywalls. If you would like a copy of one and do not have ready access to it, please
email me.
“Watching News in Public: The Rituals and Responses of Newsreel Theater Audiences,”
Journal of Cinema and Media Studies, forthcoming 2024.
“What We Can Learn from Books in the Digital Age,” Studies in Communication Sciences 23:3 (2023): 311-320.
“The International Materiality of Domestic Information: The Geopolitics of International Newsprint Flows during World War II and the Cold War,” International History Review 44:6 (2022): 1286-1305. *Winner, Covert Award, 2023, History Division of the Association for Education in Journalism and Mass Communication, for best mass communication history article, essay, or book chapter published in the previous year.
Daniel Bergan, Stephen Lacy, Dustin Carnahan, Michael Stamm, and Daniel Krier, “Reinforcement in the Aggregate: Partisan Newspaper Circulation and the Presidential Vote, 1900-1928,” Journalism Studies 22:14 (2021): 1911-1929.
“The Bias of Commercialism and the Public Presence of Organized Labor,” Journalism & Communication Monographs 22:1 (March 2020): 76-80.
Dead Tree Media: Manufacturing the Newspaper in Twentieth-Century North America (Baltimore: Johns Hopkins University Press, 2018). *Winner, Best Book Prize, Canadian Business History Association; Honorable Mention, Book of the Year Award, American Journalism Historians Association.
“The Industrial Newspaper and the Politics of Content in North America,” in Gillian Roberts, ed., Reading between the Borderlines: Cultural Production and Consumption across the 49th Parallel (Montreal and Kingston: McGill-Queen’s University Press, 2018): 67-90. *Winner, Prize for Best Edited Collection in Canadian Studies in 2020, Canadian Studies Network.
Stephen Lacy and Michael Stamm, “Reassessing The People’s Choice: Revisiting a Classic and Excavating Lessons for Research About Media and Voting,” Mass Communication and Society 19:2 (2016): 105-126.
“Broadcasting News in the Interwar Period,” in Richard John and Jonathan Silberstein-Loeb, eds., Making News: The Political Economy of Journalism in Britain and America from the Glorious Revolution to the Internet (New York: Oxford University Press, 2015): 133-163.
“The Flavor of News,” American Journalism 32:2 (Spring 2015): 208-220.
“The Space For News: Ether and Paper in the Business of Media,” Media History 21:1 (January 2015): 55-73.
Stephen Lacy, Michael Stamm, and Hugh Martin, “Short-run Decisions Threaten Papers’ Long-run Viability,” Newspaper Research Journal 35:4 (Fall 2014): 6-20.
“Broadcasting Mainline Protestantism: The Chicago Sunday Evening Club and the Evolution of Audience Expectations from Radio to Television,” Religion and American Culture: A Journal of Interpretation 22:2 (Summer 2012): 233-264.
Sound Business: Newspapers, Radio, and the Politics of New Media (Philadelphia: University of Pennsylvania Press, 2011).
“Paul Lazarsfeld’s Radio and the Printed Page: A Critical Reappraisal,” American Journalism 27:4 (Fall 2010): 37-59. *Winner,
American Journalism Article Award for best work published in the journal in 2010.
“Newspapers, Radio, and the Business of Media in the United States,” OAH Magazine of History 24:1 (January 2010): 25-28.
“The Sound of Print: Newspapers and the Public Promotion of Early Radio Broadcasting in the United States,” in Sound in the Age of Mechanical Reproduction, eds. Susan Strasser and David Suisman (Philadelphia: University of Pennsylvania Press, 2009): 221-241.
“Questions of Taste: Interest Group Liberalism and the Campaigns to Save Classical Music Broadcasting in Post-World War II Chicago,” Historical Journal of Film, Radio and Television 25:2 (2005): 291-309. Projects
I am currently writing a book tentatively titled Communicating with Nature: Agriculture, Materiality, and Global Print Media, which explores efforts by twentieth-century chemists, entrepreneurs, and policymakers to develop non-wood sources to manufacture paper and ink. Communicating with Nature traces the successful utilization of corn, sugar, kenaf, and hemp in papermaking, and soy for ink manufacturing, in the process explaining the connections between industrial agriculture, food production, and the creation of print media. To an eclectic group of experimenters, nature became a repository of raw materials that could be manipulated in the interest of cultivating not just mass nutrition but also mass communication. Some of these efforts, like the visions of a Midwestern paper industry using cornstalks and a Latin American paper industry using sugar cane bagasse, are mostly forgotten, but others, like the manufacture of soy-based ink, have proven durable and successful down to the present day. Successful experiments with kenaf in the 1970s and 1980s were influential in promoting sustainable industrial production across media industries. Communicating with Nature aims to show that media history is not just about information and culture but also about agriculture and the environment.