Camden War Cemetery is located on the corner of Burragorang and Cawdor Roads, three kilometres south of the Camden Post Office. The cemetery is on a slight rise above the Nepean River floodplain, with a northerly aspect at an elevation of 75 metres. The cemetery contains the graves of 17 Royal Australian Air Force servicemen, four army personnel…[Read more]

खूबसूरत प्राकृतिक दृश्यों से परिपूर्ण किन्नौर का समाज व संस्कृति शेष भारत से अलग है। यह बौद्ध धर्म का इलाका है, जिसे हिंदूवादी संस्कृति लीलती जा रही है। आर्थिक संपन्नता के आगमन से जाति-आधारित उत्पीड़न और भेदभाव कम हो रहा है। प्रमोद रंजन ने इस यात्रा संस्मरण में किन्नौर की विशिष्ट संस्कृति, बहु पत्नी प्रथा, वहां के समाज और राजनीति…[Read more]

The pre-publication praise Natasha Brown received for her debut novel Assembly (2021) from renowned writers like Bernardine Evaristo or Ali Smith is quite remarkable. The author had been virtually unknown to the larger public before winning one of the London Writers Awards in the literary fiction category in 2019. As a young Black British woman of…[Read more]

Considerando a política da autoria associada à história da luta anticolonial e às suas relações com o cinema francês, este artigo aborda o filme anticolonialista Afrique 50 (1950). Distinguindo entre o filme como produto e como processo, discuto o problema das autorias rasuradas no documentário associado à assinatura autoral de René Vautier.…[Read more]

This article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I…[Read more]

In the 1930s, the Academy of Motion Picture Arts and Sciences implemented a technical standard—known as Academy Mono, or the Academy Curve—that dramatically impaired the sound quality of motion pictures. This article accounts for why the major studios agreed to this restrictive standard. I argue that they adopted Academy Mono to curtail the pow…[Read more]

This article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I…[Read more]

In the 1930s, the Academy of Motion Picture Arts and Sciences implemented a technical standard—known as Academy Mono, or the Academy Curve—that dramatically impaired the sound quality of motion pictures. This article accounts for why the major studios agreed to this restrictive standard. I argue that they adopted Academy Mono to curtail the pow…[Read more]

En 1978, Monique Wittig afirmó que las lesbianas no son mujeres y, en este ensayo, las autoras plantean que las gordas tampoco lo son. El activismo gordo se apartó de ciertos movimientos del feminismo de la segunda ola al proponer la emancipación de «la gordura» —en general concebida como transtorno— de significados cómplices del orden social. L…[Read more]

This essay argues that an antiracist, anticolonialist Victorian studies must remain open to universalizing claims of the kind found in early works of queer theory, particularly Eve Kosofsky Sedgwick’s Epistemology of the Closet (1990). Although recent work in queer studies (as well as literary studies generally) finds inspiration in Sedgwick’s…[Read more]

Esta disciplina da área de concentração em Cinema e Audiovisual, oferecida regularmente pela Faculdade de Comunicação para o Bacharelado Interdisciplinar em Artes (IHAC-UFBA), assim como para quaisquer outros cursos e estudantes que tenham interesse, tem como objetivo: mapear o campo das teorias do cinema e do audiovisual, seus principais mome…[Read more]

Through the example of Barry Jenkins’ choices for Moonlight (2016), this chapter argues that pre-existing musical cues can link a film’s themes to other minority filmmaking traditions. The song at the center of this chapter, “Cucurrucucú Paloma,” exemplifies the kinds of cultural translations common in transnational queer cinema. It was orig…[Read more]

The Camden Miss Showgirl competition is, in many ways, an anachronism from the past. It has survived for 49 years under the onslaught of feminism, post-modernism, globalization and urbanisation. A worthy feat indeed.
The competition is still popular, and the local press is always a strong supporter. The 2010 Camden Showgirl competition attracted…[Read more]

This article examines Mary Magdalene’s biblical identity and poetic representation in selected sixteenth- and seventeenth-century Spanish texts. An alternative reading or “re-visioning” (Adrienne Rich’s term) of the narratives that tell her story reclaims her figure from masculinist characterizations of Mary Magdalene that have made an enduring…[Read more]

The partition of British India into two sovereign independent nations of India and Pakistan in 1947 was one of the most defining moments of the socio-political course of the sub-continent. The fight for independence from colonial rule and the rise of nationalism rooted in the religious discourse of two prominent religious communities- Hindus and…[Read more]

Despite a lack of a traditional cinema culture, the United Arab Emirates (UAE), has recently witnessed an increase in film production. This rise can be attributed to a number of factors, not least of which, is the opening of movie theaters, the establishment of international film festivals and the arrival of film companies. These ventures have…[Read more]

Article about the composer Pauline Viardot