[Matthew Ferrandino]

Voting has concluded, all proposed amendments have been passed.

[Matthew Ferrandino]

Amendments have been added as comments to the above Google Doc. We’ll go through these briefly during our Friday session in Denver. We will post a voting form for each of the seven suggested amendments following our PMIG session, which will be open until Friday November 17th.

[Matthew Ferrandino]

Thank you all for your input, our topic will be on timbre and production! Below is the CFP:

AMS/SEM/SMT New Orleans 2022:
Call for Papers hosted by the Society for Music Theory’s Popular Music Interest GroupInterpreting and Analyzing Timbre and Production in Popular Music

In recent years, scholars such as Victoria Maleway, Megan Lavengood, and Ciro Scotto have researched topics of the voice, the synthesizer, and the electric guitar, expanding music-theoretical literature on the role of timbre and production of popular music. The PMIG is delighted to announce a call for papers that expands on this topic and explores marginalized artists, methodologies, and/or approaches that broaden the way we think about timbre and production.

We are soliciting proposals for short (10–12 minute) presentations. Please submit a 300-word proposal to pmigwebmaster@gmail.com by 5:00 pm (EST) on Sunday, July 10. We especially welcome proposals that draw on scholarship created by a diverse array of scholars, writers, and thinkers. Accepted proposers will be notified by Friday, July 15.

Bibliographic Resources:

Robin James’ Critical Philosophies of Race + Music

SMT PMIG’s Popular Music Bibliography

[Matthew Ferrandino]

Hi All!

We’ve narrowed down our choices for our 2022 session to three topics! Please fill out this Google Form by Monday, June 13.

https://docs.google.com/forms/<wbr />d/e/<wbr />1FAIpQLSc4J6vWy6sqkaUMtRUjUFSQ<wbr />MiAQ5Lnl6INjpEJMVD0wbtbwIQ/<wbr />viewform?usp=pp_url

Thanks!

-Matt

 

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