Focusing on the impulsive act, this essay analyzes the relationship between the temporality of decision making and the determination of social context in Hardy’s A Pair of Blue Eyes (1873), The Woodlanders (1887), and Tess of the D’Urbervilles (1891). While critics often note the entrapment of Hardy’s characters in contexts such as social class…[Read more]

This article argues that the language used to describe financial speculation in the nineteenth century overlapped with the moral charge of novelistic temporality: the repeated injunction against “getting rich quick” was countered by the way suspense encouraged racing or skipping through a novel to reach the end. Charles Dickens’s novel Littl…[Read more]

This article argues that George Eliot’s Romola (1862-63) theorizes large-scale sympathy as a way of ethically engaging large groups of individuals outside one’s immediate social ambit. Yet the failed attempts of characters like Savonarola and Tito to imagine the experiences of unknown others suggests that large-scale sympathy estranges the sym…[Read more]

This article argues that old men and aging raised a central problem for Charles Dickens’s literary project: the novel’s difficulty of representing temporal continuity over long spans of time. For the old man, the meaningful plots of the nineteenth century—such as the bildungsroman or the marriage plot—are behind him. By examining three of Dic…[Read more]

This article argues that Elizabeth Gaskell’s Cranford (1853)—both the fictional place and the novel—cannibalizes the temporalities of other literary genres, such as the story and the newspaper, as a way of preserving a way of life under the double threat of patriarchy and modernization. I use the concatenation of temporalities in Cranford to bring…[Read more]

Durrell subverts the colonial mindset that allows him to define and delineate a foreign landscape for foreign readers, while nonetheless engaging in an attempt at reconciliation—a pilgrimage—between his various adopted ‘homes.’ Focusing on “Oil for the Saint,” I argue that a close examination of the physical landscape of Corfu shows that Durrel…[Read more]

This essay calls for a reflection on the links between literature, activism, and social change in the Hispanic Caribbean, privileging certain interventions led by women, who have contributed to the defense of better living conditions and a more equitable social pact. Taking into account the diversity and mobility that characterizes the Caribbean…[Read more]

Elizabeth Barrett Browning’s Aurora Leigh seeks to redress the divisive work of women’s democratic political representation by way of poetic form to ask whether women must always be regarded as partial citizens. Women are not counted as integral units—ones—politically or culturally. Barrett Browning connects women’s ability to produce writing a…[Read more]

Elizabeth Barrett Browning’s Aurora Leigh seeks to redress the divisive work of women’s democratic political representation by way of poetic form to ask whether women must always be regarded as partial citizens. Women are not counted as integral units—ones—politically or culturally. Barrett Browning connects women’s ability to produce writing a…[Read more]

This chapter makes two critical interventions: one to redirect attention to women’s writing on Greece from a century that was dominated by either a masculine homosocial modernity or Byron’s long shadow in David Roessel’s sense (2002); and two, revising the critical scotoma that surrounds Hellenism as a process of power and style of thought in th…[Read more]

From the Teddy Boys of the post-war decade to the heroin chic of “Cool Britannia,” the many tribes and subcultures of Britain’s teenagers have often been at the forefront of social change. Youth Culture and the Post-War British Novel is the first book to chart that history through the work of the most important contemporary British wri…[Read more]

This article focuses on three post-9/11 meta-poems – “My Wife Says Don’t Write About September 11th” by Ryan G. Van Cleave, “How to Write A Poem After September 11th” by Nikki Moustaki and “To the Words” by W. S. Merwin – to demonstrate the point that the current scholarly understanding of post-9/11 aesthetics as something functioning like…[Read more]

Despite their commitment to Ezra Pound’s commandment to “make it new!:” modernist authors like Ernest Hemingway, F. Scott Fitzgerald, Dorothy Parker, Katherine Mansfield, Edith Wharton, and Thornton Wilder referred to Jane Austen surprisingly often in their public and private writings. Although they excoriated her sexual inexperience and limited…[Read more]

Despite their commitment to Ezra Pound’s commandment to “make it new!:” modernist authors like Ernest Hemingway, F. Scott Fitzgerald, Dorothy Parker, Katherine Mansfield, Edith Wharton, and Thornton Wilder referred to Jane Austen surprisingly often in their public and private writings. Although they excoriated her sexual inexperience and limited…[Read more]

This essay examines the circumstances of the production and appearance of East Germany’s first film about homosexuality (the short documentary “Die andere Liebe” or “The Other Love”), while considering the role it plays in our understanding of the development of German lesbian and gay history. More specifically, this essay provides a reading of…[Read more]

The final two months of 2017 witnessed a renaissance of an always-popular meme on Metafilter, Twitter: parodies of William Carlos Williams’s 1934 poem, “This Is Just to Say.” Parodies typically replace nouns and adjectives in this twelve-line, three-stanza Imagist poem. A minimum of six replacements yields an entirely new poem, such that users…[Read more]

By reading each of the novels of Kate O’Brien’s oeuvre as ‘a travel story’, just as we read Balzac’s Père Goriot, it becomes necessary to read them as ‘a spatial practice’, a narrative that locates itself in and responds to a specific space. The specific geography of Kate O’Brien’s Parisian novels of development, Without My Cloak (1931), The…[Read more]