This essay examines the uneasy relationship that Arturo Islas’s The Rain God has had with narratives of identity, focusing on how the representation of Felix’s sexuality makes him a problematic figure for certain strains of Chicana/o and queer studies. In other writings, Islas criticizes Quinto Sol, the chief publishing house of Chicano literature…[Read more]

Introduction to the edited volume Bridges, Borders, and Breaks: History, Narrative, and Nation in Twenty-First-Century Chicana/o Literary Criticism.

Contribution to a series of short academic essays on poetry. Discusses Michael Kandel’s translation of Stanisław Lem’s poem on “Love and Tensor Algebra”, which appears in The Cyberiad. Discusses Kandel’s choice abandon both form and content in order to remain true to the original. Ties this to the poem’s use of mathematical imagery to argue th…[Read more]

How to Revise a True War Story is the first book-length study of O’Brien’s archival papers at the University of Texas’s Harry Ransom Center. Drawing on extensive study of drafts and other prepublication materials, as well as the multiple published versions of O’Brien’s works, John K. Young tells the untold stories behind the production of such k…[Read more]

Fantastic tales of rebellious robots and animated artifacts are a permanent fixture in popular culture. What kind of behavior do we expect from such conceptual hybrids in science fiction, nonsense poetry, and surrealist art?

This article reconsiders Richard Wright’s Native Son by comparing divergences between the published novel and an earlier typeset manuscript. It argues that such revisions render protagonist Bigger Thomas an icon of global class conflict rather than a national figure of racial tension. By revealing the continuities among critical essays that…[Read more]

The present paper discusses issues resulting from religious differences between the author and the translator, and influence of such differences upon resulting literary translations which are not only the translation from one language into another but also from one religion into another. The analysed material is a selection of religious poetry of…[Read more]

The article presents the forgotten Romantic English poetess Caroline de Crespigny, her life and works. The analytical part of the paper deals with two minor Neo-Latin lyrics of Maciej Kazimierz Sarbiewski translated by de Crespigny and included in her 1844 collection “My Souvenir”.

The Odes of Casimire, an edition of translations of Maciej Kazimierz Sarbiewski’s Latin lyrics with facing originals appeared in London in 1646, published by Humphrey Moseley. The little volume seems at first glance an exemplary case of a most proper and correct literary translation. The reader is, after all, offered an opportunity to control t…[Read more]

The article presents various issues connected with cooperation between literary translators and their editors in the process of publication of translations of literary works within the frame of reference of Polish publishing market of the recent decades. The author proposes a list of qualities which should be expected from a good editor of…[Read more]

The present paper discusses issues resulting from religious differences between the author and the translator, and influence of such differences upon resulting literary translations which are not only the translation from one language into another but also from one religion into another. The analysed material is a selection of religious poetry of…[Read more]

Who Profits from Literary Translation? The article, originally inspired by the studies of Pascale Casanova and Pierre Bourdieu, attempts to answer the question who in Poland profits from literary translation. The concept of “profit” is understood very broadly, both in financial or economic context, and in context of the acquiring and losing cul…[Read more]

Presentation of Polish literary translation market at the end of 2011, a development of the article published in 2000.