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Natalia Christofoletti Barrenha deposited ‘La mujer sin cabeza’ (Lucrecia Martel, 2008) y el mecanismo del olvido en el pasado y el presente in the group
Red de Investigación Mujeres en el Cine Latinoamericano on Humanities Commons 5 years, 3 months agoPretendemos hacer algunas consideraciones sobre la película “La mujer sin cabeza” (2008), de Lucrecia Martel, explorando la cuestión del olvido intrincada en su trama. A través de la protagonista, Verónica, la directora busca hacer un acercamiento personal a los mecanismos de silenciamiento y desmemoria en los cuales la sociedad (tanto hoy com…[Read more]
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Natalia Christofoletti Barrenha deposited Mulheres em cena in the group
Red de Investigación Mujeres en el Cine Latinoamericano on Humanities Commons 5 years, 3 months agoCatalogue of homonymous film festival that took place in Centro Cultural Banco do Brasil – CCBB Rio de Janeiro, from 21st September to 3rd October 2016, and CCBB São Paulo, from 21st September to 10th October 2016.
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Natalia Christofoletti Barrenha deposited La experiencia del cine de Lucrecia Martel: Residuos del tiempo y sonidos a orillas de la pileta on Humanities Commons 5 years, 3 months ago
Edición argentina del libro “A experiência do cinema de Lucrecia Martel: Resíduos do tempo e sons à beira da piscina”, publicado en 2014 en Brasil. Colección “Imagen e Historia”, dirigida por Natalia Taccetta y Mariano Veliz, de Prometeo Libros. Traducción al español por Daniel Maggi.
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Natalia Christofoletti Barrenha deposited A experiência do cinema de Lucrecia Martel: Resíduos do tempo e sons à beira da piscina on Humanities Commons 5 years, 3 months ago
Um estudo sobre a obra da cineasta argentina Lucrecia Martel, focado no som em seus três primeiros longas-metragens “La ciénaga”, “La niña santa” e “La mujer sin cabeza”.
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Natalia Christofoletti Barrenha deposited As veias abertas da América Latina: um ensaio sobre ‘Araya’ on Humanities Commons 5 years, 3 months ago
O desejo de revelar as realidades conflitivas de seus países estimulou os cineastas latino-americanos a explorarem o potencial político do cinema e, especialmente, do documentário, a partir de 1950. Em um contexto de aceleradas mudanças, sob a égide do desenvolvimentismo, diversos diretores voltaram seus olhares a territórios marginalizados do co…[Read more]
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Natalia Christofoletti Barrenha deposited Herdeiros do exílio: Memória e subjetividade em três documentários chilenos contemporâneos on Humanities Commons 5 years, 3 months ago
A aproximação subjetiva e íntima dos cineastas em documentários políticos é uma tendência muito produtiva no cinema latino-americano contemporâneo. A perspectiva escapa do tom de denúncia e da documentação mais objetiva, retratando um diálogo com o passado pessoal – sem, no entanto, abdicar dos laços com o passado histórico. As diretoras dos d…[Read more]
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Natalia Christofoletti Barrenha deposited ‘La mujer sin cabeza’ (Lucrecia Martel, 2008) y el mecanismo del olvido en el pasado y el presente on Humanities Commons 5 years, 3 months ago
Pretendemos hacer algunas consideraciones sobre la película “La mujer sin cabeza” (2008), de Lucrecia Martel, explorando la cuestión del olvido intrincada en su trama. A través de la protagonista, Verónica, la directora busca hacer un acercamiento personal a los mecanismos de silenciamiento y desmemoria en los cuales la sociedad (tanto hoy com…[Read more]
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Natalia Christofoletti Barrenha deposited Mulheres em cena on Humanities Commons 5 years, 3 months ago
Catalogue of homonymous film festival that took place in Centro Cultural Banco do Brasil – CCBB Rio de Janeiro, from 21st September to 3rd October 2016, and CCBB São Paulo, from 21st September to 10th October 2016.
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Natalia Christofoletti Barrenha's profile was updated on Humanities Commons 5 years, 3 months ago
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Isabel Seguí's profile was updated on Humanities Commons 5 years, 4 months ago
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Rosa Tapia's profile was updated on Humanities Commons 5 years, 4 months ago
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Isabel Seguí deposited Las mujeres del Grupo Ukamau: dentro y fuera de la pantalla in the group
Red de Investigación Mujeres en el Cine Latinoamericano on Humanities Commons 5 years, 6 months agoThe Ukamau group has a long history that spans more than sixty years. The oral accounts acknowledge that women participated in all the different phases of the group, undertaking instrumental roles in front of and behind the camera. However, they have been overshadowed and erased from the official history due to the auteurist and formalist…[Read more]
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Isabel Seguí deposited Las mujeres del Grupo Ukamau: dentro y fuera de la pantalla on Humanities Commons 5 years, 6 months ago
The Ukamau group has a long history that spans more than sixty years. The oral accounts acknowledge that women participated in all the different phases of the group, undertaking instrumental roles in front of and behind the camera. However, they have been overshadowed and erased from the official history due to the auteurist and formalist…[Read more]
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Natalia Christofoletti Barrenha's profile was updated on Humanities Commons 5 years, 10 months ago
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Natalia Christofoletti Barrenha replied to the topic Teste! in the discussion
Red de Investigación Mujeres en el Cine Latinoamericano via email on Humanities Commons 5 years, 11 months agoRecebido 😉
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Isabel Seguí replied to the topic Teste! in the discussion
Red de Investigación Mujeres en el Cine Latinoamericano via email on Humanities Commons 5 years, 11 months agoProbando
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Isabel Seguí deposited Cine-Testimonio: Saturnino Huillca, estrella del documental revolucionario peruano in the group
Red de Investigación Mujeres en el Cine Latinoamericano on Humanities Commons 5 years, 11 months agoEste artículo busca recuperar y dar coherencia a la dispersa información disponible sobre cuatro testimonios fílmicos protagonizados por el líder campesino indígena peruano Saturnino Huillca, entre 1973 y 1977: Runan Caycu (Nora de Izcue, 1973); Jatun Auk’a (Jorge Sanjinés, 1974); Si esas puertas no se abren (Mario Arrieta y Marita Barea, 1975) y…[Read more]
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Isabel Seguí deposited The Embodied Testimony of Domitila Chungara in ‘The Courage of the People’ (Jorge Sanjinés, 1971) in the group
Red de Investigación Mujeres en el Cine Latinoamericano on Humanities Commons 5 years, 11 months agoAwarded in Europe but censored in Bolivia during thirteen years, The Courage of the People (Jorge Sanjinés, Bolivia, 1971) is an outstanding example of Latin American collaborative political cinema. The film is an account of the massacre of St John’s eve in the Bolivian mining settlement of Siglo XX in 1967. But it also situates its background, th…[Read more]
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Isabel Seguí deposited Auteurism, Machismo-Leninismo, and Other Issues: Women’s Labor in Andean Oppositional Film Production in the group
Red de Investigación Mujeres en el Cine Latinoamericano on Humanities Commons 5 years, 11 months agoThis article contextualizes and characterizes production practices in political cinema in Bolivia and Peru between the 1960s and 1990s, reading them as a communitarian endeavor that included many more women than official history acknowledges. It also documents the work of two overshadowed filmmakers—the Bolivian Beatriz Palacios and the Peruvian M…[Read more]
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Isabel Seguí deposited Cine-Testimonio: Saturnino Huillca, estrella del documental revolucionario peruano on Humanities Commons 5 years, 11 months ago
Este artículo busca recuperar y dar coherencia a la dispersa información disponible sobre cuatro testimonios fílmicos protagonizados por el líder campesino indígena peruano Saturnino Huillca, entre 1973 y 1977: Runan Caycu (Nora de Izcue, 1973); Jatun Auk’a (Jorge Sanjinés, 1974); Si esas puertas no se abren (Mario Arrieta y Marita Barea, 1975) y…[Read more]
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