Purportedly in response to a request by his unnamed beloved one, the late 18th-century Ottoman poet Ḥasan-i Yāver wrote Poetry’s Artistry, a 441-verse mathnawī that offers some hands-on advice for trying one’s hand at poetry. As tashbīh, jinās, kināya, taḍādd, taḍmīn, ilmām, iltifāt, tardīd, ishtibāh, tawriya, īhām, takhmīs, tarkīb-band,…[Read more]

Purportedly in response to a request by his unnamed beloved one, the late 18th-century Ottoman poet Ḥasan-i Yāver wrote Poetry’s Artistry, a 441-verse mathnawī that offers some hands-on advice for trying one’s hand at poetry. As tashbīh, jinās, kināya, taḍādd, taḍmīn, ilmām, iltifāt, tardīd, ishtibāh, tawriya, īhām, takhmīs, tarkīb-band,…[Read more]

Through offering an ethnography of a group of educated, middle-class women who “had been attending weekly Qur’an and classical poetry classes for years” (xii), the volume shows that poetry and prayer are companions in the cultural history of Iran. It attempts to answer the question, “What does this companionship mean for forms of religio…[Read more]

Building on the author’s PhD thesis on “the British cultural and imaginative engagements with Persia in the nineteenth century” (vi), the volume charts “the diversity of perceptions associated with Persia in Victorian literary culture” (2). It focuses on poetry as the medium through which to survey the Victorian conception of Persia. It consists…[Read more]

The Cairo Genizah is a repository of texts spanning more than a millennium of Jewish history, including thousands of Hebrew and Judaeo-Arabic manuscripts now held in collections around the world. Among these are fragments from at least 25 separate Qur’an manuscripts in Arabic script, all of which lack any traces of Hebrew writing. Their…[Read more]

The Cairo Genizah is a repository of texts spanning more than a millennium of Jewish history, including thousands of Hebrew and Judaeo-Arabic manuscripts now held in collections around the world. Among these are fragments from at least 25 separate Qur’an manuscripts in Arabic script, all of which lack any traces of Hebrew writing. Their…[Read more]

Drawing on archival research, this article introduces several Russian poems by the Arabic mahjar poet and writer Mikhail Naimy (Mīkhāʿīl Nu’aymah) (1889-1988) for the first time to scholarship. By examining the influence of Russian literature on Naimy’s literary output, we shed light on the role of multilingualism in generating literary identit…[Read more]

This article compares three key texts in Daghestani Islamicate literature by Persian Azeri writer Bākīkhānūf (d. 1847), Lezgi polymath al-Alqadārī (d. 1910), and Qumyq (Turkic) biographer al-Durgilī (d. 1935), with a view to understanding how their authors conceptualized their role as chroniclers of times past. I draw in particular on Italia…[Read more]

This paper provides updated digital images of four Qurʾān fragments from Chicago’s Oriental Institute Museum (OIM) that appeared in Nabia Abbott’s Rise of the North Arabic Script, and calls attention to features of their paleography and vocalization which are not apparent from her original black-and-white plates. In doing so, it demonstrates tha…[Read more]

This paper provides updated digital images of four Qurʾān fragments from Chicago’s Oriental Institute Museum (OIM) that appeared in Nabia Abbott’s Rise of the North Arabic Script, and calls attention to features of their paleography and vocalization which are not apparent from her original black-and-white plates. In doing so, it demonstrates tha…[Read more]

In his 1875 description of the language, Theodor Nöldeke describes Mandaic as among the purest of the Aramaic languages and the furthest from Western Aramaic, particularly with respect to its lexicon. As Mandæans identify their faith with that of John the Baptist and his community of followers, this observation is not without relevance for a…[Read more]