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Pruritus Migrans deposited H!PS in the group
History of Illustration and Illustration Studies on Humanities Commons 4 years, 2 months agoH!PS * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Irina Schulzki deposited The Genealogy of Gesture: From Kira Muratova to Renata Litvinova in the group
Film Studies on Humanities Commons 4 years, 2 months agoThe long-term creative collaboration between Kira Muratova and Renata Litvinova began with the film “Uvlechen’ya” (“Pastimes”, 1994), in which Litvinova took part both as an actress and a screenwriter. Since then, Litvinova has become one of the most striking personifications of Muratova’s ornamental film style, which brings about a specific re…[Read more]
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Marcelo R. S. Ribeiro deposited Cosmopoéticas da desobediência informe: leitura contra-colonial do regime da extração no catálogo Lumière in the group
Film Studies on Humanities Commons 4 years, 3 months agoConsiderando o catálogo Lumière como experiência inaugural do cinema mundial, este artigo propõe uma leitura anarquívica de algumas de suas imagens. Diferenciando a operação do cinematógrafo como dispositivo cosmotécnico de arquivamento do mundo e aparelho cosmopoético de invenção de mundos, exploro as formas de inscrição da diferença no…[Read more]
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Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen’s (ab)use of the JAFFE dataset in the group
Digital Art History on Humanities Commons 4 years, 4 months agoReflections on artist Trevor Paglen’s (ab)use of the JAFFE dataset
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Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen’s (ab)use of the JAFFE dataset in the group
Digital Art History on Humanities Commons 4 years, 4 months agoReflections on Trevor Paglen’s (ab)use of the JAFFE dataset
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Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen’s (ab)use of the JAFFE dataset in the group
Digital Art History on Humanities Commons 4 years, 4 months agoThe article contains a historical account and commentary on Trevor Paglen and Kate Crawford’s unauthorized use of the JAFFE dataset.
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Christiane Wagner deposited Art Style, Art & Culture International Magazine, no. 8.1, part 2 in the group
Film Studies on Humanities Commons 4 years, 4 months agoArt Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of…[Read more]
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Christiane Wagner deposited Art Style, Art & Culture International Magazine, no. 8.1, part 1 in the group
Film Studies on Humanities Commons 4 years, 4 months agoArt Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of…[Read more]
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Steven Swarbrick deposited “The Violence of the Frame: Image, Animal, Interval in Lars von Trier’s Nymphomaniac” in the group
Film Studies on Humanities Commons 4 years, 4 months agoBuilding on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).
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Anna-Marie Kroupova started the topic CFP: Conference The Art Museum in the Digital Age (online, 17–21 Jan, 2022) in the discussion
Digital Art History on Humanities Commons 4 years, 4 months agoLocation: Belvedere, Vienna (Online)
Dates: 17–21 January 2022
Submission: 17 October 2021
Website: https://www.belvedere.at/en/digitalmuseum2022
The Art Museum in the Digital Age – 2022
The Belvedere Research Center is continuing its conference series on the digital transformation of art museums with its fourth event on the topic. The COV…[Read more]
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Paul W. Nash posted an update in the group
Printing History on Humanities Commons 4 years, 5 months agoCalling all researchers in printing history. There is just one month left before the deadline for submissions for this year’s PHS Prize for New Scholarship …
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José Angel GARCÍA LANDA deposited ‘Never Let Me Go’: El sujeto en la sociedad orgánica in the group
Film Studies on Humanities Commons 4 years, 5 months agoSpanish abstract: Artículo sobre algunas implicaciones ideológicas de la película ‘Never Let Me Go’ (Mark Romanek, 2010), basada en la novela de Kazuo Ishiguro. Ofrece un retrato de la sociedad como un sistema educativo manipulador, que mantiene a los niños ignorantes de las cosas más importantes que se pueden saber sobre el poder y la expl…[Read more]
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José Angel GARCÍA LANDA deposited ‘El interrogatorio’ (‘Przesluchanie’): La corrupción del sistema corrompe al individuo por dentro in the group
Film Studies on Humanities Commons 4 years, 5 months agoSpanish abstract: Una reflexión sobre la representación de la resistencia, la resiliencia, y las tácticas totalitarias para domeñar a los disidentes, tal y como se representan en la película polaca ‘El interrogatorio’ (‘Przesluchanie’, dir. Ryszard Bugajski, 1989). La construcción inconsistente de la personalidad de la heroína testifica las dificu…[Read more]
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Paul W. Nash deposited The pre-history of “small caps”: from all caps to smaller capitals to small caps in the group
Printing History on Humanities Commons 4 years, 5 months agoThis article describes the development of the typographical phenomenon of “small capitals” during the fifteenth- and early sixteenth-century.
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Michael Lyons deposited “Excavating AI” Re-excavated: Debunking a Fallacious Account of the JAFFE Dataset in the group
Digital Art History on Humanities Commons 4 years, 6 months agoTwenty-five years ago, my colleagues Miyuki Kamachi and Jiro Gyoba and I designed and photographed JAFFE, a set of facial expression images intended for use in a study of face perception. In 2019, without seeking permission or informing us, Kate Crawford and Trevor Paglen exhibited JAFFE in two widely publicized art shows. In addition, they…[Read more]
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Marcelo R. S. Ribeiro deposited Tarzan, um negro: para uma crítica da economia política do nome de “África” in the group
Film Studies on Humanities Commons 4 years, 6 months agoDesde 1912, inúmeros textos – romances, programas de rádio, histórias em quadrinhos, seriados de televisão, filmes – produziram e articularam representações da África em narrativas envolvendo Tarzan, criado pelo estadunidense Edgar Rice Burroughs (1875-1950). Tomando o nome de “África” como referência, os textos que orbitam e habitam o nome d…[Read more]
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José Angel GARCÍA LANDA deposited “Ghost in the Shell (2): Innocence” — Nostalgia de la experiencia inmediata in the group
Film Studies on Humanities Commons 4 years, 6 months agoSpanish Abstract: De la conjunción de ‘Neuromante’ y de ‘Blade Runner’, con un toque de ́Matrix ́, surgen el manga y serie de películas de animación ‘Ghost in the Shell’. El dilema de ‘Ghost in the Shell (2): Innocence’ versa sobre la identidad personal: si es replicable, si es imitable, si consiste en signos, ¿dónde está la esencia de la humanid…[Read more]
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José Angel GARCÍA LANDA deposited Encerrados en Shutter Island: Un delirio coherente in the group
Film Studies on Humanities Commons 4 years, 6 months agoSpanish abstract: Análisis de la estructura narrativa de ´Shutter Island´ (Martin Scorsese, 2010), una película en la que el espectador se introduce en el mundo ficticio de una isla prisión / institución total, sólo para descubrir más adelante que no se trata del mundo social efectivo del protagonista, sino del mundo de su visión alucinat…[Read more]
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Kathryn Anne Everly deposited Destabilizing Gender and Genre: Queering the Body in Libertarias and Land and Freedom in the group
Film Studies on Humanities Commons 4 years, 6 months agoLibertarias (1996) and Land and Freedom (1995) explore the complex situation
of women militia during the Spanish Civil War. A queer reading of the female
body in these films highlights wartime female masculinity (Halberstam) and
female solidarity. In renegotiating worn expectations of sexuality and gender,
the films question and ultimately…[Read more] - Load More