Meg Wilhoite
,@megwilhoite
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Kendra Leonard deposited “Listening to the Gaoler’s Daughter” on Humanities Commons 8 years, 7 months ago
About the use of music in Two Noble Kinsmen
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Kendra Leonard deposited “History Faux/Real: the 2006 Ur-Hamlet” on Humanities Commons 8 years, 7 months ago
Analysis of music in “Ur-Hamlet”
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Kendra Leonard deposited “Using Resources for Silent Film Music” on Humanities Commons 8 years, 7 months ago
Using various collections of silent film music
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Kendra Leonard deposited “‘The Future is the Past’: Music and History in Firefly,” Space and Time: Essays on Visions of History in Science Fiction and Fantasy, on Humanities Commons 8 years, 7 months ago
Analysis of American folk music in the television series Firefly.
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Kendra Leonard deposited “‘The Status is Not Quo’: Gender and Performance in Dr. Horrible’s Sing-Along Blog,” Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon, Scarecrow Press, 2010. on Humanities Commons 8 years, 7 months ago
Analysis of music and masculinity in Dr. Horrible’s Sing-Along Blog.
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Kendra Leonard's profile was updated on Humanities Commons 8 years, 7 months ago
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
TC Women’s and Gender Studies on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
TC Popular Culture on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
MS Screen Arts and Culture on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
MS Opera and Musical Performance on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations in the group
LLC Shakespeare on MLA Commons 9 years, 8 months agoShakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations on MLA Commons 9 years, 8 months ago
Shakespeare’s three political tragedies―Hamlet, Macbeth, and King Lear―have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and exp…[Read more]
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Kendra Leonard deposited Music for Richard III: Cinematic Scoring for the Early Modern Monstrous on MLA Commons 10 years ago
On composer William Walton’s use of unusual sonorities to mark Richard III’s physical and mental states
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Kendra Leonard deposited The Use of Early Modern Music in Film Scoring for Elizabeth I on MLA Commons 10 years ago
The various ways Elizabeth is accompanied by music reveal film-makers’ beliefs about and attitudes towards the queen.
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The use of Western and Eastern musics in this adaptation of Twelfth Night
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Kendra Leonard deposited The Lady Vanishes: Vocality and Agency in Cinematic Ophelias on MLA Commons 10 years ago
Ophelia’s music, voice, and agency in selected cinematic adaptations of Hamlet
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Kendra Leonard deposited Rosalind’s Musical Identities in Branagh’s and Doyle’s As You Like It on MLA Commons 10 years ago
Analysis of the score for Branagh’s HBO As You Like It
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Explores the 2006 Odin Teatret production Ur-Hamlet and the connections it makes between music, race, and language.
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Kendra Leonard deposited “From ‘Angel of Music’ to ‘that Monster’: Music for the Human Uncanny in The Phantom of the Opera (1925/1929) on MLA Commons 10 years ago
Examines the music for the 1925/1929 Phantom of the Opera and the ways in which various composers use music to signify the Phantom’s disability.
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Kendra Leonard's profile was updated on MLA Commons 10 years ago
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