Throughout the twentieth century, the two major projects carried out in Spain to commercialize ste- reoscopic photography were those of the Barcelona publishing house Alberto Martín and the photo- grapher José Codina Torrás, both projects with an obvious tourist orientation. During the decade of 1910, the publishing house Alberto Martín lau…[Read more]

Stereoscopic photography begins in the Canary Islands at the end of the 1850s, not only by photographers and news from Peninsular Spain but also through the important English colony. The names of Piazzi Smyth and Jessica Duncan, of photographers such as Luis Marín del Corral, Manuel Sapera, Rafael and Bartolomé Belza or Juan González Méndez and…[Read more]

Analysis of the idea of “efficiency” and its deadlock in environmental studies, mainly discussing the Jevons Paradox.

This monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the…[Read more]

This monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the…[Read more]

The urban turn in Henri Lefebvre: its spatial tenets and his architectural references

Leadership in Energy and Environmental Design (LEED©) is a certification used to assess the degree of environmental sustainability attained by a project. However, LEED© has an impact not only on the technical specifications, but also on design. The objective of this paper is to evaluate what the impact of its version for neighborhoods (LEED© ND…[Read more]

Alexander Cuthbert published a daring anthology on architecture and urban design, completed in 2011. The project began in 2001 resulting in three volumes: Designing Cities (2003), The Form of the Cities (2006) and Understanding Cities (2011). Unlike other anthologies on architecture, this author organized it as follows: critical selection of…[Read more]

Henri Lefebvre’s (HL) large production about cities, urban, urban space and society could indicate its relevance to the architecture produced after the heyday of the neoliberal cycle and its crisis in 2008. This author introduced the practical-sensitive basis in the debate between the spatial and social processes to discuss the ideological d…[Read more]

In the end of the 1980’s, the current hegemonic discourse about the environmental crisis settled the notion of “sustainability”. This notion was formulated in the Brundtland report, which argued that innovation in technology would overcome the impasses of environmental exploitation, in a way that could even result in social development. We choos…[Read more]

The opening text for the exhibition Hafıza-i Beşer: Osmanlı Yazmalarından Hikâyeler | Memories of Humankind: Stories from the Ottoman Manuscripts, organized by the Istanbul Research Institute, open between October 18, 2019 – July 25, 2020.

Sergi Küratörü/Exhibition Curator
K. Mehmet Kentel

Danısmanlar/Advisors
M. Baha Tanman, Selim S.…[Read more]

They say the global proliferation of colonial and neoliberal (ir)rationalities and the techno-managerial enclosure of the ‘commons’ (Hardt & Negri 2000; Harvey 2004) has resulted in a ‘foreclosure of politics’, prompting calls for a renewed technocultural hegemony for a post-capitalist future (Srnicek & Williams 2015) or a return to the revolut…[Read more]

As per its title

This thesis follows my earlier work on Aurignacian rock art by drawing a clear line between cave painting in the south of France and the holiest Hebrew script Ktav Ivrit or STA”M. This is an in depth study detailing relationships between Language, Mysticism and Kabbalah, as well as Religious Dogma that answers the question, “Why do all religions…[Read more]

This is a series of brief paradigms that suggest ways of manipulating abstraction, such as Art Language Religion and Politics, for use with a Carlos Ginzburg Evidentiary Paradigm, or other multivariate analysis. The tables in this appendix accompany the Index of Deities and Demons and How the Aleph-Bet Got Its Shape.

Article for the exhibition catalogue “Hagenbund. A European network of modernism 1900 to 1938” (2014)

Completed in early 1944, Robert Desnos’s militant series of 25 poems in Contrée evokes memories of a lost peace and calls for the defeat of the German occupiers. Suggesting the desecration of the human body by the occupiers, Picasso cut his cubist–surrealist frontispiece etching of Dora Marr to produce severed heads and dismembered body part…[Read more]

Late twentieth-century social and linguistic theory tells us that the view from the tall building transforms us into analysts and historians, disembodied readers of the civic ‘text’. This paper argues that the proposition would have been familiar to seventeenth-century City-dwellers, and does so by pursuing the experience of the elevated obs…[Read more]

Alberto Pérez-Gómez’s 1983 Architecture and the Crisis of Modern Science is used here as a vehicle for exploring the behavior of disciplinary boundaries in the context of crisis both historically and theoretically. Responding to his contemporaneous architectural crisis of the 1970s instigated by the rise of positivism, Pérez-Gómez uses Ale…[Read more]

Aris Konstantinidis’s Weekend House in Anavyssos (1962–1964) holds an emblematic place within his oeuvre. This article uncovers the architect’s own role in building the global reception of this project through a tripartite account of its global published life from the printed page to the digital website over the last five decades (1962…[Read more]