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Christiane Wagner deposited Art Style, Art & Culture International Magazine, no. 8.1, part 2 in the group
History of Art on Humanities Commons 4 years, 4 months agoArt Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of…[Read more]
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Christiane Wagner deposited Art Style, Art & Culture International Magazine, no. 8.1, part 1 in the group
History of Art on Humanities Commons 4 years, 4 months agoArt Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of…[Read more]
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María-Teresa García Ballesteros deposited Un retrato desconocido de Doña Trinidad Grund in the group
History of Art on Humanities Commons 4 years, 5 months agoAn unknown portrait of Trinidad Grund y Cereno del Campo enriches the short iconography of this woman, a true character from the 19th century in the history of the city of Malaga (Spain). The photographer Pedro Fernández had an ephemeral studio on calle Nueva, but in this case he moved to the garden in which Trinidad posed with a young lady and a…[Read more]
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Anne Swartz deposited With Pleasure: Pattern and Decoration in American Art 1972–1985 in the group
History of Art on Humanities Commons 4 years, 7 months agoThis review examines the exhibition catalogue for the exhibition, originated by the Museum of Contemporary Art Los Angeles in 2019-20, which traveled to the Hessel Museum at Bard College in 2021.
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Alvin Alagao deposited The Future Historiography of AI Art in the group
Networked Art on Humanities Commons 4 years, 7 months agoMore and more artists from all over the world are engaging in the production of AI art. Because of this, art historians need to start thinking about how the histories of AI art should be articulated. This paper aims to take part in this conversation by addressing the problem of whether the AIs created by human artists should be considered as…[Read more]
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Alvin Alagao deposited The Future Historiography of AI Art in the group
History of Art on Humanities Commons 4 years, 7 months agoMore and more artists from all over the world are engaging in the production of AI art. Because of this, art historians need to start thinking about how the histories of AI art should be articulated. This paper aims to take part in this conversation by addressing the problem of whether the AIs created by human artists should be considered as…[Read more]
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Pruritus Migrans deposited Lady Liberty! in the group
Networked Art on Humanities Commons 4 years, 7 months agoLady Liberty! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Claudio Palomares-Salas deposited The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 in the group
History of Art on Humanities Commons 4 years, 8 months agoThe Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on S…[Read more]
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Claudio Palomares-Salas deposited Ultraism and the Historical Avant-garde in the group
History of Art on Humanities Commons 4 years, 8 months agoAndrew A. Anderson’s new study on the Ultraist movement is an instant classic.
Scholars of this Spanish avant-garde have long been relying on a couple of
texts to find historical context to their investigations. Among these texts are
Gloria Videla’s El ultraísmo: Estudios sobre movimientos poéticos de vanguardia
en España (Ultraism: Studie…[Read more] -
Claudio Palomares-Salas deposited Sketching Futurism: Güiraldes, Marinetti and Buenos Aires (1926) in the group
History of Art on Humanities Commons 4 years, 8 months agoSketching Futurism: Güiraldes, Marinetti
and Buenos Aires (1926) -
Gary Hall deposited Postdigital Politics: or, How To Be An Anti-Bourgeois Theorist in the group
Networked Art on Humanities Commons 4 years, 9 months agoIn ‘Postdigital Politics’ I examine our contemporary postdigital political conjuncture. This conjuncture, I argue, springs from the crisis of representative democracy we are currently experiencing and involves a shift to more direct forms of democracy via postdigital communications. The latter is evident in the decentralised manner in which mov…[Read more]
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Michael Anthony Fowler started the topic CFP – SECAC 2021 Art History Session, The Nature of the Beast: Monsters and Mons in the discussion
Art History on Humanities Commons 4 years, 10 months agoTHE NATURE OF THE BEAST: MONSTERS AND MONSTROSITY IN ART
77th Annual Meeting of SECAC
University of Kentucky (Lexington, KY)
10–13 November 2021
Co-chairs:
Michael Anthony Fowler, Ph.D. (East Tennessee State University)
Matthew Peebles, Ph.D. (Columbia University)
The global history of art is replete with all manner of monstrous creatu…[Read more]
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Pruritus Migrans deposited HELLcome to ameriKKKa! in the group
Networked Art on Humanities Commons 4 years, 10 months agoHELLcome to ameriKKKa! * QRt by PRURITUS MIGRANS * CC: BY-NC-ND
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Garrett Lynch (IRL) deposited A Haunting of Haunts in the group
Networked Art on Humanities Commons 4 years, 11 months agoA Haunting of Haunts is a collection of media kits that allow artists to reenact or create new networked performance art based on landmark performances. It provides media in image and 3D formats that can be employed within a number of networked environments.
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Garrett Lynch (IRL) deposited I’m Garrett Lynch (IRL) in the group
Networked Art on Humanities Commons 4 years, 11 months agoThis article discusses a selection from a series of performances created between 2008 and 2019 that as practice as research (PaR) explore ideas of identity, representation and place as they relate to the intersection of what are termed ‘virtual’ and ‘real’ spaces. These include I’m Garrett Lynch (IRL) (2010), I’m not Garrett Lynch (IRL) – Ident…[Read more]
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Ben Newbound deposited Heinrich Schliemann and the walls of Troy in the group
History of Art on Humanities Commons 4 years, 11 months agoArt forms in Troy’s city walls, and Schliemann’s awareness thereof.
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Pruritus Migrans deposited BIS REPETITA PLACENT! in the group
Networked Art on Humanities Commons 4 years, 11 months agoBIS REPETITA PLACENT! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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María-Teresa García Ballesteros deposited James Valentine. Fotografías españolas in the group
History of Art on Humanities Commons 4 years, 11 months agoLa gran empresa británica, James Valentine, productora y editora de imágenes, atesoró un inmenso fondo a lo largo de sus casi ciento cincuenta años de vida (1855-1995), entre las que destacan por su especial belleza algunas fotografías de las ciudades de Málaga y Granada.
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Pruritus Migrans deposited CORVIDS in the group
Networked Art on Humanities Commons 5 years agoCORVIDS * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Pruritus Migrans deposited QRt is the new pop ARt! in the group
Networked Art on Humanities Commons 5 years agoQRt is the new pop ARt! – by PRURITUS MIGRANS – CC-BY-NC-ND
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