Dissertation proposal for a graduate thesis in the history of art that examines large-scale changes in the organizational patterns and artistic strategies of reproductive printmakers and publishers in the Netherlands during the sixteenth and seventeenth centuries. The proposal outlines a literature review of historical network analysis in relation…[Read more]

A Haunting of Haunts is a collection of media kits that allow artists to reenact or create new networked performance art based on landmark performances. It provides media in image and 3D formats that can be employed within a number of networked environments.

This article discusses a selection from a series of performances created between 2008 and 2019 that as practice as research (PaR) explore ideas of identity, representation and place as they relate to the intersection of what are termed ‘virtual’ and ‘real’ spaces. These include I’m Garrett Lynch (IRL) (2010), I’m not Garrett Lynch (IRL) – Ident…[Read more]

Redressing the neglect of World War I memorials in art history scholarship and memory studies, Sculpting Doughboys considers the hundreds of sculptures of American soldiers that dominated the nation’s sculptural commemorative landscape after World War I. To better understand these ‘doughboys’, the name given to both members of the American…[Read more]

New Deal photographers working for the Farm Securities Administration and the Office of War Information framed Franklin Delano Roosevelt (FDR) portraits on display in domestic interiors to reflect their own perspectives on national politics. The portraits were significant not only for the subjects of the photographs but also for the photographers…[Read more]