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Behnam Mirzababazadeh Fomeshi deposited “Till the Gossamer Thread You Fling Catch Somewhere”: Parvin E’tesami’s Creative Reception of Walt Whitman in the group
American Literature on Humanities Commons 7 years, 9 months agoThe literary relation between Parvin E’tesami and Walt Whitman remains a largely unexplored field. This article analyzes the connection between “God’s Weaver” and “A Noiseless Patient Spider” to shed light on Parvin’s creative reception of Whitman. Creating a mixed-breed spider, combining characteristics from both
Whitman’s insect and the Persi…[Read more] -
Ali Kılıçoglu deposited Qualitative Research for Educational Science Researchers: A Review of An Introduction to Qualitative Research in the group
Education and Pedagogy on Humanities Commons 7 years, 9 months agoQualitative research is a type of scientific research which includes document analysis, observation or interview. Qualitative research process describes the events in the natural environment realistically and holistically. Although quantitative research methods are mostly used in educational sciences, qualitative research methods are also used by…[Read more]
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Mary Dockray-Miller deposited Syllabus for English Lit II (Romantics>Present), English major core lit survey for sophomores in the group
Education and Pedagogy on Humanities Commons 7 years, 10 months agoThis syllabus for a very standard course (lit survey of British literature from the Romantic period to the present) is unusual only because its assigned texts are all available open-access. I worked with one of the reference librarians and a work-study student at Lesley’s Sherrill Library to get academically sound editions that were also open…[Read more]
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Reba Wissner deposited No time like the past: Hearing nostalgia in The Twilight Zone in the group
Film Studies on Humanities Commons 7 years, 10 months agoOne of Rod Serling’s favourite topics of exploration in The Twilight Zone (1959–64) is nostalgia, which pervaded many of the episodes of the series. Although Serling himself often looked back upon the past wishing to regain it, he did, however, understand that we often see things looking back that were not there and that the past is often ide…[Read more]
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José Angel GARCÍA LANDA deposited Reflexivity in the Narrative Technique of ‘As I Lay Dying’ in the group
American Literature on Humanities Commons 7 years, 10 months agoThis paper offers a metafictional reading of William Faulkner’s novel AS I LAY DYING (1930), a reading which goes beyond the usual mimetic interpretation of this novel as an exploration of the characters’ psychology. Faulkner’s writing also explores and allegorizes itself, through the creation of paradoxical narrative forms which carry out an…[Read more]
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David Backer deposited The Distortion of Discussion in the group
Education and Pedagogy on Humanities Commons 7 years, 10 months agoThe purpose of this essay is to demonstrate that discussion is distorted in the United States. By “distortion” I mean an inconsistency between the generally understood meaning of the word and the practices that go by it’s name. The meanings of ‘discussion’ range from turn-taking sequences to democratic ideals, as opposed to recitation, conversat…[Read more]
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Stephen Charbonneau deposited “Learning to Look: The Educational Documentary and Post-War Race Relations” in the group
Film Studies on Humanities Commons 7 years, 10 months agoIntroduction to my book, “Projecting Race: Postwar America, Civil Rights, and Documentary Film.” Projecting Race presents a history of educational documentary filmmaking in the postwar era in light of race relations and the fight for Civil Rights. Drawing on extensive archival research and textual analyses, this book tracks the evolution of…[Read more]
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Jerrold Shiroma deposited Seedings: Issue Three — Spring, 2017 in the group
American Literature on Humanities Commons 7 years, 10 months agoFeaturing work by: Will Alexander, Alexis Almeida, Maria Attanasio, Gennady Aygi, Omar Berrada, Carla Billitteri, Tanella Boni, Amal Dunqul, Tongo Eisen-Martin, Norman Fischer, Peter France, Todd Fredson, María José Giménez, Yāqūt Al-Ḥamawī, Ouyang Jianghe, Hajiwara Kyojiro, John High, Roberta Iannamico, Lucas Klein, David Larsen, Brian Lucas,…[Read more]
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Jerrold Shiroma deposited Seedings: Issue Four — Fall, 2017 in the group
American Literature on Humanities Commons 7 years, 10 months agoAboriginal Song Poems (compiled by Robert Wood) André Breton (translated by Mark Polizzotti) René Char (translated by Stuart Kendall) Sergio Chejfec (translated by Margaret Carson) James Clifford Joseph Donahue Gyrðir Elíasson (translated by Meg Matich) Clayton Eshleman (interviewed by Irakli Qolbaia) Nazim Hikmet (translated by Murat Nem…[Read more]
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Jerrold Shiroma deposited Seedings: Issue Two — Fall, 2016 in the group
American Literature on Humanities Commons 7 years, 10 months agoFeaturing work by: Eugénio de Andrade, Anonymous, A. James Arnold, Rito Ramón Aroche, Dawn-Michelle Baude, Susan Bernofsky, Aloysius Bertrand, Paul Blackburn, Daniel Borzutzky, André Breton, Garrett Caples, Valerie Mejer Caso, RosalÍa de Castro, Paul Celan, Aimé Césaire, René Char, Beatritz de Dia, Kristin Dykstra, Paul Éluard, Clayton Eshlema…[Read more]
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Jerrold Shiroma deposited Seedings: Issue One — Spring, 2016 in the group
American Literature on Humanities Commons 7 years, 10 months agoWork by: Etel Adnan – Demosthenes Agrafiotis – Will Alexander – Rachel Tzvia Back – Dan Bellm – Aleksandr Blok – Pura López Colomé – Colin Dayan – René Depestre – Rachel Blau DuPlessis – Marcella Durand – Sarah Tuss Efrik – Elke Erb – Peter France – Johannes Göransson – David Hadbawnik – Larry Kearney – Alexis Levitin – Brian Lucas – Michèle Méta…[Read more]
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José Angel GARCÍA LANDA deposited Reading ‘The Monster’: The Interpretation of Authorial Intention in the Criticism of Narrative Fiction in the group
American Literature on Humanities Commons 7 years, 10 months agoThis book-length paper is a Brown University dissertation in American literature and literary theory. A theoretical analysis of the concept of authorial intention in narrative fiction, and of its structural and communicational implications, is followed by an in-depth examination of Stephen Crane’s novella ‘The Monster’ (1898) as a case study in…[Read more]
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Bill Hughes deposited OGOM & Supernatural Cities present: The Urban Weird: Full Programme in the group
Film Studies on Humanities Commons 7 years, 10 months agoThe conference will explore the image of the supernatural city as expressed in narrative media from a variety of epochs and cultures. It will provide an interdisciplinary forum for the development of innovative and creative research and examine the cultural significance of these themes in all their various manifestations. As with previous OGOM…[Read more]
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José Angel GARCÍA LANDA deposited Reading Racism: The Assumption of Authorial Intentions in Stephen Crane’s ‘The Monster’ in the group
American Literature on Humanities Commons 7 years, 10 months agoThis paper derives from an M.A. dissertation on Stephen Crane (“Reading ‘The Monster’,” Brown University, 1989). It examines the critical reception of Stephen Crane’s story ‘The Monster,’ with a special focus on the issue of racial representation and on the way authorial intentions bearing on this issue are constructed by critics. The critical…[Read more]
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Sérgio Dias Branco deposited “The Law of Capital: ‘The Measure of a Man’” in the group
Film Studies on Humanities Commons 7 years, 11 months agoIn this short essay on “La Loi du marché” (“The Measure of a Man”, 2015), I argue that the film builds an accurate representation of the economic and social relations in capitalism, aggravated by the neoliberal offensive.
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Sérgio Dias Branco deposited “Sembène, Ousmane (1923-2007)” in the group
Film Studies on Humanities Commons 7 years, 11 months agoEntry on Senagelese filmmaker and writer Ousmane Sembène.
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Sérgio Dias Branco deposited “Music Videos and Reused Footage” in the group
Film Studies on Humanities Commons 7 years, 11 months agoMusic videos, like many other art works, are the result of a creative process of image creation that sometimes does not start from scratch. At times this process relies on visual material previously produced that is reused and recombined. The use and combination of pre-existing film footage is an example of this, an appropriation with the purpose…[Read more]
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Sérgio Dias Branco deposited “Super Style: Notes for a Stylistic Analysis” in the group
Film Studies on Humanities Commons 7 years, 11 months agoTaking “Heroes” (2006-10), the popular drama series about a group of ordinary human beings with superhuman abilities, as a case study allows us to expand on these ideas. This chapter aims at contributing to a stylistic analysis of the series without attempting to examine every major stylistic feature of the series in detail. Instead, the scope of…[Read more]
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Sérgio Dias Branco deposited Cinema: Journal of Philosophy and the Moving Image, no. 4, “Philosophy of Religion” in the group
Film Studies on Humanities Commons 7 years, 11 months agoThe fourth issue of “Cinema” addresses the topic of philosophy of religion and its connections with cinematic art. Film and religion have been fruitful research topics taken in conjunction. Researchers in this specific field have focused on particular periods (like the censorship era in the USA), on representations of religious traditions and pra…[Read more]
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