The Norse poem Atlakviða shows an irregular metre which is difficult to classify. This makes it a useful test case for comparing the explanatory abilities of two major theoretical frameworks of Germanic alliterative verse: the positional theory and the word-foot theory. I argue that the word-foot theory is more successful, especially in deriving…[Read more]

A Cultural History of the Sea in the Medieval Age, ed. by Elizabeth Lambourn.

The cultural history of the sea during the Middle Ages is a young and dynamic field. Born only recently in the literary criticism of European sources, this innovative volume pushes out beyond this European heartland to explore the shape and potential of a cultural…[Read more]

A Cultural History of the Sea in the Medieval Age, ed. by Elizabeth Lambourn.

The cultural history of the sea during the Middle Ages is a young and dynamic field. Born only recently in the literary criticism of European sources, this innovative volume pushes out beyond this European heartland to explore the shape and potential of a cultural…[Read more]

A Cultural History of the Sea in the Medieval Age, ed. by Elizabeth Lambourn.

The cultural history of the sea during the Middle Ages is a young and dynamic field. Born only recently in the literary criticism of European sources, this innovative volume pushes out beyond this European heartland to explore the shape and potential of a cultural…[Read more]

A Cultural History of the Sea in the Medieval Age, ed. by Elizabeth Lambourn.

The cultural history of the sea during the Middle Ages is a young and dynamic field. Born only recently in the literary criticism of European sources, this innovative volume pushes out beyond this European heartland to explore the shape and potential of a cultural…[Read more]

A Cultural History of the Sea in the Medieval Age, ed. by Elizabeth Lambourn.

The cultural history of the sea during the Middle Ages is a young and dynamic field. Born only recently in the literary criticism of European sources, this innovative volume pushes out beyond this European heartland to explore the shape and potential of a cultural…[Read more]

An overview of the dialect of Old English used by Tolkien to represent the language of Rohan. I argue that Tolkien chose the dialect represented by the early glossaries in Old Mercian, especially the eighth-century Corpus Glossary, as representatives of the kind of Old English he thought Beowulf was originally composed in.

An overview of the dialect of Old English used by Tolkien to represent the language of Rohan. I argue that Tolkien chose the dialect represented by the early glossaries in Old Mercian, especially the eighth-century Corpus Glossary, as representatives of the kind of Old English he thought Beowulf was originally composed in.