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Susan Larson deposited Nature, the Monumental and Urban Technological Networks in Víctor Moreno’s Edificio España (2012) and La ciudad oculta (2018) / Naturaleza, lo monumental y las redes tecnológicas urbanas en Edificio España (2012) y La ciudad oculta (2018) de Víctor Moreno in the group
CLCS Global Hispanophone on MLA Commons 4 years, 4 months agoIf we affirmatively answer Maria Kaika and Erik Swyngedouw’s invitation to think beyond the ‘fetishization of the modern city’ as the pinnacle of human-centered progress and achievement in order to consider the urban as both a process of transformed nature and the metabolic and social transformation of nature through human labor, the city becom…[Read more]
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Susan Larson deposited Nature, the Monumental and Urban Technological Networks in Víctor Moreno’s Edificio España (2012) and La ciudad oculta (2018) / Naturaleza, lo monumental y las redes tecnológicas urbanas en Edificio España (2012) y La ciudad oculta (2018) de Víctor Moreno on MLA Commons 4 years, 4 months ago
If we affirmatively answer Maria Kaika and Erik Swyngedouw’s invitation to think beyond the ‘fetishization of the modern city’ as the pinnacle of human-centered progress and achievement in order to consider the urban as both a process of transformed nature and the metabolic and social transformation of nature through human labor, the city becom…[Read more]
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Susan Larson's profile was updated on MLA Commons 4 years, 4 months ago
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Susan Larson's profile was updated on MLA Commons 4 years, 9 months ago
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Susan Larson deposited Trash as Aesthetic and Theme in Elvira Navarro’s La trabajadora in the group
Urban Cultural Studies on MLA Commons 4 years, 9 months agoThis essay focuses on one example of a collective desire to articulate new ways of thinking about and inhabiting urban space: Elvira Navarro’s 2014 _La trabajadora_, a novel that directly confronts the human cost of austerity measures in Spain by addressing the indignation experienced by those whose life plans have been altered by economic i…[Read more]
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Susan Larson deposited Trash as Aesthetic and Theme in Elvira Navarro’s La trabajadora in the group
LLC 20th- and 21st-Century Spanish and Iberian on MLA Commons 4 years, 9 months agoThis essay focuses on one example of a collective desire to articulate new ways of thinking about and inhabiting urban space: Elvira Navarro’s 2014 _La trabajadora_, a novel that directly confronts the human cost of austerity measures in Spain by addressing the indignation experienced by those whose life plans have been altered by economic i…[Read more]
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Susan Larson deposited Trash as Aesthetic and Theme in Elvira Navarro’s La trabajadora in the group
CLCS Global Hispanophone on MLA Commons 4 years, 9 months agoThis essay focuses on one example of a collective desire to articulate new ways of thinking about and inhabiting urban space: Elvira Navarro’s 2014 _La trabajadora_, a novel that directly confronts the human cost of austerity measures in Spain by addressing the indignation experienced by those whose life plans have been altered by economic i…[Read more]
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Susan Larson deposited Trash as Aesthetic and Theme in Elvira Navarro’s La trabajadora on Humanities Commons 4 years, 9 months ago
This essay focuses on one example of a collective desire to articulate new ways of thinking about and inhabiting urban space: Elvira Navarro’s 2014 _La trabajadora_, a novel that directly confronts the human cost of austerity measures in Spain by addressing the indignation experienced by those whose life plans have been altered by economic i…[Read more]
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Devoney Looser's profile was updated on Humanities Commons 4 years, 9 months ago
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Susan Larson deposited Los modos literarios flexibles de ‘Vísceras de la ciudad’ (1935) de Rosa Arciniega in the group
TC Popular Culture on MLA Commons 4 years, 10 months agoThis is a two-part publication that contains a facsimile of the original story “Vísceras de la ciudad” by Rosa Arciniega (including an introduction) and a 7,500-word academic critical analysis of the story. Of interest to specialists in urban literature, women’s literature, social literature, and popular culture.
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Susan Larson deposited Los modos literarios flexibles de ‘Vísceras de la ciudad’ (1935) de Rosa Arciniega in the group
LLC 20th- and 21st-Century Spanish and Iberian on MLA Commons 4 years, 10 months agoThis is a two-part publication that contains a facsimile of the original story “Vísceras de la ciudad” by Rosa Arciniega (including an introduction) and a 7,500-word academic critical analysis of the story. Of interest to specialists in urban literature, women’s literature, social literature, and popular culture.
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Susan Larson deposited Los modos literarios flexibles de ‘Vísceras de la ciudad’ (1935) de Rosa Arciniega in the group
CLCS Global Hispanophone on MLA Commons 4 years, 10 months agoThis is a two-part publication that contains a facsimile of the original story “Vísceras de la ciudad” by Rosa Arciniega (including an introduction) and a 7,500-word academic critical analysis of the story. Of interest to specialists in urban literature, women’s literature, social literature, and popular culture.
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Susan Larson deposited Los modos literarios flexibles de ‘Vísceras de la ciudad’ (1935) de Rosa Arciniega in the group
21st Century Hybrid Spanish Literature on MLA Commons 4 years, 10 months agoThis is a two-part publication that contains a facsimile of the original story “Vísceras de la ciudad” by Rosa Arciniega (including an introduction) and a 7,500-word academic critical analysis of the story. Of interest to specialists in urban literature, women’s literature, social literature, and popular culture.
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Susan Larson deposited Los modos literarios flexibles de ‘Vísceras de la ciudad’ (1935) de Rosa Arciniega on MLA Commons 4 years, 10 months ago
This is a two-part publication that contains a facsimile of the original story “Vísceras de la ciudad” by Rosa Arciniega (including an introduction) and a 7,500-word academic critical analysis of the story. Of interest to specialists in urban literature, women’s literature, social literature, and popular culture.
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Susan Larson deposited La gramática de la ‘Hispanidad’: Retórica de imperio y arquitectura historicista en los discursos públicos de J.C. Nichols in the group
Urban Cultural Studies on MLA Commons 4 years, 10 months agoThe purpose of this essay is to better understand the motives of the real estate mogul and construction magnate -J.C.Nichols- responsible for the construction of the first non-centrally located shopping mall in the United States in Kansas City in the 1920s. Specifically, this study focuses on why and how Nichols resorted to a pastiche of…[Read more]
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Susan Larson deposited La gramática de la ‘Hispanidad’: Retórica de imperio y arquitectura historicista en los discursos públicos de J.C. Nichols in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 4 years, 10 months agoThe purpose of this essay is to better understand the motives of the real estate mogul and construction magnate -J.C.Nichols- responsible for the construction of the first non-centrally located shopping mall in the United States in Kansas City in the 1920s. Specifically, this study focuses on why and how Nichols resorted to a pastiche of…[Read more]
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Susan Larson's profile was updated on Humanities Commons 4 years, 10 months ago
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Susan Larson deposited La gramática de la ‘Hispanidad’: Retórica de imperio y arquitectura historicista en los discursos públicos de J.C. Nichols on Humanities Commons 4 years, 10 months ago
The purpose of this essay is to better understand the motives of the real estate mogul and construction magnate -J.C.Nichols- responsible for the construction of the first non-centrally located shopping mall in the United States in Kansas City in the 1920s. Specifically, this study focuses on why and how Nichols resorted to a pastiche of…[Read more]
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Susan Larson deposited Intermedialidad e intertextualidad en _Cinematógrafo_ (1936) de Andrés Carranque de Ríos in the group
LLC 20th- and 21st-Century Spanish and Iberian on MLA Commons 4 years, 10 months agoEn la década de 1990, el concepto ‘intermedialidad’ puso en contacto distintas disciplinas académicas (estudios literarios, estudios mediáticos, sociología, estudios cinematográficos e historia del arte) desde la intención por encarar y mejor comprender el ambiente cultural visual/escrito/auditivo que caracterizó los comienzos del siglo XX. Conect…[Read more]
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Susan Larson deposited Intermedialidad e intertextualidad en _Cinematógrafo_ (1936) de Andrés Carranque de Ríos on MLA Commons 4 years, 10 months ago
En la década de 1990, el concepto ‘intermedialidad’ puso en contacto distintas disciplinas académicas (estudios literarios, estudios mediáticos, sociología, estudios cinematográficos e historia del arte) desde la intención por encarar y mejor comprender el ambiente cultural visual/escrito/auditivo que caracterizó los comienzos del siglo XX. Conect…[Read more]
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