Publications

• Beethoven 1806. AMS Studies in Music. New York: Oxford University Press, 2019.


• (Ed. with Rebekah Ahrendt and Damien Mahiet). Music and Diplomacy from the Early Modern Era to the Present. New York: Palgrave Macmillan, 2014.

• Franz Weiss, Two String Quartets, Op. 8 (“Razumovsky”). Recent Researches in the Music of the 19th and 20th Centuries. Middleton, WI: A-R Editions, in press.

• “Echoes Behaving Badly: Rhetorical and Acoustic Experimentalism in the Echo Fantasias of Jan Pieterszoon Sweelinck and His Contemporaries.” Early Music (2022).


• “Representing Russia: Luxury and Diplomacy at the Razumovsky Palace in Vienna, 1803–1815.” Music & Letters 97/3 (August 2016): 383–408. Winner of the 2016 Westrup Prize “for an article of particular distinction.”


• “Diplomats as Musical Agents in the Age of Haydn.” Haydn: Online Journal of the Haydn Society of North America 5/2 (Fall 2015), https://remix.berklee.edu/haydn-journal/vol5/iss2/2/.


• “Beethoven à la moujik: Russianness and Learned Style in the ‘Razumovsky’ String Quartets.” Journal of the American Musicological Society 67/1 (Spring 2014): 77–123.


• “Haydn as ‘Minimalist’: Rethinking Exoticism in the Trios of the 1760s and 1770s.” Studia Musicologica 51/1&2 (March 2010): 61–77.

• “Musical Topics, Quotations, and References.” In The Cambridge Companion to The Magic Flute, ed. Jessica Waldoff (Cambridge University Press, forthcoming).


• “Pianists Interpreting Beethoven.” In Beethoven in Context, ed. Glenn Stanley (Cambridge University Press, forthcoming).


• “The Other ‘Razumovsky’ Quartets: Franz Weiss’s Opus 8 and the Formation of Vienna’s Kennerpublikum.” In String Quartets in Beethoven’s Europe, ed. Nancy November (Boston: Academic Studies Press, 2022).


• “Beethoven’s ‘Watershed’? Eroica’s Contexts and Periodization.” In The Cambridge Companion to the Eroica Symphony, ed. Nancy November (Cambridge University Press, 2020), 24–42.


• “Composers and Music Professionals.” In The Cambridge Haydn Encyclopedia, ed. Caryl Clark and Sarah Day O’Connell (Cambridge University Press, 2019), 63–6.


• “Programmatic Elements.” In The Cambridge Haydn Encyclopedia, ed. Caryl Clark and Sarah Day O’Connell (Cambridge University Press, 2019), 315–17.


• “Eighteenth-Century Diplomats as Musical Agents.” In International Relations, Music and Diplomacy: Sounds and Voices on the International Stage, ed. Frédéric Ramel and Cécile Prévost-Thomas (New York: Palgrave Macmillan, 2018), 43–64.


• (With Rebekah Ahrendt and Damien Mahiet). “Introduction.” In Music and Diplomacy from the Early Modern Era to the Present, ed. Rebekah Ahrendt, Mark Ferraguto, and Damien Mahiet (New York: Palgrave Macmillan, 2014), 1–16.

• “Beethoven in Beijing: Stories from the Philadelphia Orchestra’s Historic Journey to China, by Jennifer Lin.” Pennsylvania Heritage 49, no. 1 (Winter 2023): 40.


• “Beethoven Studies 4, ed. Keith Chapin and David Wyn Jones.” Music & Letters 102/3 (August 2021): 607–10.


• “Beethoven, Ludwig van. Missa Solemnis. Capella Amsterdam and the Orchestra of the Eighteenth Century, Daniel Reuss, conductor. Glossa 921124, 2017 (1 CD: 75 minutes).” Nineteenth-Century Music Review 17/2 (August 2020): 315–17.


• “Beethoven: Anguish and Triumph, by Jan Swafford.” Notes: The Quarterly Journal of the Music Library Association 73/2 (December 2016): 302–4.


• “The Oxford Handbook of Topic Theory, ed. Danuta Mirka.” Music & Letters 96/3 (August 2015): 473–6.


• (With Rebekah Ahrendt and Damien Mahiet). “Music & Diplomacy in Review.” Musicology Now, curated blog of the American Musicological Society, 14 July 2015, musicologynow.org.


• “Beethoven’s Theatrical Quartets: Opp. 59, 74 and 95, by Nancy November.” Notes: The Quarterly Journal of the Music Library Association 71/4 (June 2015): 690–92.


• “The String Quartet from 1750 to 1870: From the Private to the Public Sphere.” Eighteenth-Century Music 11/2 (September 2014): 327–30.


• “Celebrating the Buxtehude Tercentenary: A Review of New Organ Recordings.” Keyboard Perspectives 1 (2007–8): 153–9.