Illustration as part of art works has often been considered a form of low art, but as it has progressively become more developed, it has established a decent place in the art community. This paper focuses on how Indonesian punk artist succeed expanding the art of illustration in Indonesia as well as building local and global networking through…[Read more]

Continuation of documentary about concert spirituals categorized by song theme, from sorrow songs to songs of transcendence. Each category is followed by a recording:
– “Oh, Didn’t It Rain” (Ruby Elzy, soprano)
– “Every Time I Feel de Spirit” (Lawrence Brown, composer; Evelyn Dove, soprano)
– “My Soul’s Been Anchored in the Lord” (Florence…[Read more]

Documentary about concert spirituals categorized by song theme, from sorrow songs to songs of transcendence. Each category is followed by a recording: –
“I Cannot Stay Here by Myself” (Hall Johnson, composer; A. Grace Lee Mims, soprano)
– “Who’ll Be a Witness for My Lord” (John Rosamond Johnson, composer; Kenneth Spencer, baritone)
– “Steal…[Read more]

This is the 2020 update of a comprehensive open-access annotated bibliography listing carillon scores by African American composers and/or based on African American music. While most of the items are published, a few are unpublished but in informal circulation, or are pending publication. Carillonists are invited to use this resource to identify…[Read more]

This open-access international bibliography lists published and unpublished original carillon works by over a hundred women, transgender, and nonbinary composers. The composers’ birth years range from 1858 to the twenty-first century, the musical styles range from lyrical to avant-garde, and the formats range from solo to ensemble to e…[Read more]

This article strives to examine the historical narrative of music recording in its acoustic era (from 1877 to the late 1920s), at a time when competing technologies for capturing and registering sound and music were being incorporated into everyday life. Moreover, it examines the overlap of continuous and discontinuous media and processes of…[Read more]

A missa para Santa Cecília, do Padre Joaquim José da Rocha Espanca, composta em 1869, é exemplo da devoção e vivência espiritual no mosteiro de São Bento de Cástris durante o século XIX.
Apesar do decreto de extinção das ordens religiosas datar de 1834, S. Bento de Cástris só foi extinto em 18 de Abril de 1890. Assim, esta missa foi composta pou…[Read more]

This thesis is the result of an investigative work on the formulations and defense ofreligious tolerance in the Catholic Enlightenment of Portugal, to a greater extent, butalso touching on some transits with Brazil. It is assumed that the secularization processthrough which the Iberian kingdom passed, during the eighteenth century, was…[Read more]

The period following the end of Getúlio Vargas’s second government (1951-1954) saw a massive expansion of the media industries with popular music in particular becoming an important cultural touchstone. Some salient trends in the post-War period include the politicization of music and other media (radio, television, social media), the in…[Read more]

Indonesien: Die letzten beiden Wahlen, aus denen Joko Widodo erfolgreich hervorging, waren für viele Indonesier*innen eine Enttäuschung. Appelle für mehr Bewusstsein der Bevölkerung und eine Reform politischer Praktiken werden auch musikalisch ausgedrückt. Seit Indonesien 1998 die politische Transformation (reformasi) begann, wurde es als offe…[Read more]

The American Religious Sounds Project, a joint effort from Michigan State University and Ohio State University, has been gathering sound recordings of American religious life since 2014. The project is undertaking a dual process of expanding to other institutions and ingesting the collection into the Vincent Voice Library at MSU.
With thousands…[Read more]

Some notes on the history of the band, from the band’s extinct website, together with scans of two books of minutes of the old Llangollen Town Band which were discovered some years ago as part of a parcel of books in an antique shop in Yorkshire. It is not known how or when the books became “lost”, but the original books now reside safely with the…[Read more]

A book project with the goal of documenting commercially produced recordings of Negro spirituals composed for solo concert vocalists. Portions of this information is currently available on the online site, The Spirituals Database (http://spirituals-database.com).

Over 5,600 entries cover more than a century of recordings on compact discs,…[Read more]

If Fernando Pessoa’s Portuguese works contain a coterie of heteronyms, his English poetry also displays an array of fictitious authors: besides Pessoa himself, one finds Charles Robert Anon, Alexander Search and—with his poems compiled here for the first time in print—Frederick Wyatt. After Alexander Search’s presence, which dominated the English…[Read more]

Though Fernando Pessoa is not widely known as a political poet, we may be familiar with the political commentary explicit in some of his works. In four political sonnets dating from 1905 (but only fully published in 1995), the poet criticizes the mockery of Russia by British journalists, calls the colonization of Ireland and the Transvaal “a s…[Read more]

This co-authored piece introduces our co-edited volume ‘Dreams of Germany’. It explores how, where and by whom notions of ‘musical Germanness’ have been constituted in the modern era, and to what effect. Picking up on ideas first explored systematically by Celia Applegate and Pamela Potter in their 2002 collection ‘Music and German National…[Read more]

O livro Fernando Pessoa—The Poet With Many Faces, de autoria de Hubert D. Jennings, é a primeira biografia pessoana em Inglês. Originalmente escrito na década de 1970, o livro deveria ter sido impresso em 1974, mas a Revolução dos Cravos interrompeu os planos editoriais. O dactiloscrito, encontrado numa garagem em Joanesburgo, na África do Sul,…[Read more]

Review of “René d’Harnoncourt and the Art of Installation” By Michelle Elligott. New York: The Museum of Modern Art, 2018. 176 pp. Hardcover. $45.00. ISBN 978-1-63345-050-9.

A period of six months (Dec. 2017 to Jun. 2018) saw the launch of three digital platforms dedicated to the works of Fernando Pessoa, raising the number of such projects to seven published in a decade. Considering this virtual proliferation as a milestone for Pessoan studies, this article aims to reconstruct, at least as a sketch, the history of…[Read more]