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Maurizio Brancaleoni deposited Scipione – Poems (Translation by Maurizio Brancaleoni; Revision by Jennifer Panek) in the group
Translation Studies on Humanities Commons 6 years, 9 months agoGino Bonichi, better known as Scipione after the Roman general Scipio Africanus, was born in Macerata in 1904. He moved to Rome in 1909, where
he studied for a short period at the Academy of Fine Arts. Together with Mario Mafai and Antonietta Raphaël he was one of the founders of the so-called ‘Roman School’ or ‘Via Cavour School’, a group of…[Read more] -
Maurizio Brancaleoni deposited Scipione – Poems (Translation by Maurizio Brancaleoni; Revision by Jennifer Panek) in the group
Public Humanities on Humanities Commons 6 years, 9 months agoGino Bonichi, better known as Scipione after the Roman general Scipio Africanus, was born in Macerata in 1904. He moved to Rome in 1909, where
he studied for a short period at the Academy of Fine Arts. Together with Mario Mafai and Antonietta Raphaël he was one of the founders of the so-called ‘Roman School’ or ‘Via Cavour School’, a group of…[Read more] -
Maurizio Brancaleoni deposited Scipione – Poems (Translation by Maurizio Brancaleoni; Revision by Jennifer Panek) in the group
Poetics and Poetry on Humanities Commons 6 years, 9 months agoGino Bonichi, better known as Scipione after the Roman general Scipio Africanus, was born in Macerata in 1904. He moved to Rome in 1909, where
he studied for a short period at the Academy of Fine Arts. Together with Mario Mafai and Antonietta Raphaël he was one of the founders of the so-called ‘Roman School’ or ‘Via Cavour School’, a group of…[Read more] -
Maurizio Brancaleoni deposited Scipione – Poems (Translation by Maurizio Brancaleoni; Revision by Jennifer Panek) in the group
Literary Translation on Humanities Commons 6 years, 9 months agoGino Bonichi, better known as Scipione after the Roman general Scipio Africanus, was born in Macerata in 1904. He moved to Rome in 1909, where
he studied for a short period at the Academy of Fine Arts. Together with Mario Mafai and Antonietta Raphaël he was one of the founders of the so-called ‘Roman School’ or ‘Via Cavour School’, a group of…[Read more] -
Maurizio Brancaleoni deposited Scipione – Poems (Translation by Maurizio Brancaleoni; Revision by Jennifer Panek) in the group
Linguistics on Humanities Commons 6 years, 9 months agoGino Bonichi, better known as Scipione after the Roman general Scipio Africanus, was born in Macerata in 1904. He moved to Rome in 1909, where
he studied for a short period at the Academy of Fine Arts. Together with Mario Mafai and Antonietta Raphaël he was one of the founders of the so-called ‘Roman School’ or ‘Via Cavour School’, a group of…[Read more] -
Maurizio Brancaleoni deposited Scipione – Poems (Translation by Maurizio Brancaleoni; Revision by Jennifer Panek) on Humanities Commons 6 years, 9 months ago
Gino Bonichi, better known as Scipione after the Roman general Scipio Africanus, was born in Macerata in 1904. He moved to Rome in 1909, where
he studied for a short period at the Academy of Fine Arts. Together with Mario Mafai and Antonietta Raphaël he was one of the founders of the so-called ‘Roman School’ or ‘Via Cavour School’, a group of…[Read more] -
Maurizio Brancaleoni deposited Penna, guarda verso l’infinito: un confronto tra Thomas Wolfe e Carlo Dossi on Humanities Commons 7 years, 5 months ago
Per quanto svariati testi canonici occidentali possano essere considerati in sostanza autobiografici, almeno due autori, seppur diversi per tanti aspetti, hanno fatto dell’autobiografismo il loro cavallo di battaglia. Thomas Wolfe (1900-1938) afferma esplicitamente in una sua dichiarazione di poetica che «a man has got to use what is his own if…[Read more]
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Maurizio Brancaleoni deposited Intervista a Pietro Roversi on Humanities Commons 7 years, 5 months ago
Ciao Pietro, grazie per aver accettato l’intervista. Che ne dici di iniziare parlandoci un po’ di te e del tuo lavoro? Grazie a te dell’opportunità! Un ascolto non va mai dato per scontato e cercherò di meritare l’attenzione accordatami. Faccio ricerca medica, più precisamente faccio il biologo strutturale, e anzi, a voler dare più dettaglio ancor…[Read more]
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Maurizio Brancaleoni deposited Interview with Pietro Roversi on Humanities Commons 7 years, 5 months ago
Hi Pietro, First of all, thank you for agreeing to this interview. How about starting it off by telling us a bit about yourself and your job? Thank you for this opportunity! I was born in Novara (Italy) by accident, in 1968, my family are from Modena, and when I was 6 we moved to Verona, where I grew up. I went to University in Milano and after my…[Read more]
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Maurizio Brancaleoni deposited ” ‘Io sono un Dio’: la poesia degli Ottantisti” on Humanities Commons 7 years, 5 months ago
Nel 1881 il ristorante di Amsterdam De Karseboom, crocevia di viaggiatori e tendenze culturali, era il luogo di ritrovo preferito di artisti e letterati. Situato sulla Kalverstraat, doveva il suo fascino anche al fatto di essere uno degli edifici più antichi nei dintorni. Nelle parole dello scrittore Frans Erens, «in tutti gli altri caffè e ri…[Read more]
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Maurizio Brancaleoni deposited “L’ultimo hotel e altre poesie”: le innumerevoli deviazioni di Jack Kerouac on Humanities Commons 7 years, 5 months ago
“L’ultimo hotel e altre poesie” (titolo originale Pomes All Sizes) è una raccolta di poesie, haiku e appunti buddisti che Jean-Louis ‘Jack’ Kerouac, ‘padre della beat generation’, scrisse tra il 1954 e il 1965. Il libro vede la luce soltanto nel 1992 in un’edizione curata dalla City Lights Books con introduzione di Allen Ginsberg, mentre è del 199…[Read more]
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Maurizio Brancaleoni deposited HET VERDRIET VAN BELGIË (1983): L’artista da giovane secondo Hugo Claus on Humanities Commons 7 years, 5 months ago
A Portrait of the Artist as a Young Man (Un ritratto dell’artista da giovane), il primo romanzo di Joyce, viene pubblicato nel 1916 dalla B.W. Huebsch, dopo essere apparso a puntate sulla rivista letteraria The Egoist grazie al supporto di Ezra Pound. Ambientato esclusivamente in Irlanda, compare su una rivista inglese e approda a una casa…[Read more]
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Maurizio Brancaleoni deposited “Cinque poesie di Adrian C. Louis” a cura di Maurizio Brancaleoni on Humanities Commons 7 years, 5 months ago
Scrittore statunitense di origini native, Adrian C. Louis nasce nel 1946 nello stato del Nevada. Laureatosi in Scrittura creativa alla Brown University nel Rhode Island, affianca all’attività letteraria quella di giornalista e insegnante. Due volte vincitore del prestigioso premio americano Pushcart Prize, Louis ha pubblicato numerosi libri di po…[Read more]
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Maurizio Brancaleoni's profile was updated on Humanities Commons 7 years, 5 months ago
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Maurizio Brancaleoni deposited “The Sorrow of Belgium”. A Grotesque Portrait of the Artist as a Young Man, in “Studi Germanici” #9 (2016) on Humanities Commons 7 years, 8 months ago
Although it may be claimed that the traditional Bildungsroman died out at the beginning of the twentieth century, the coming-of-age novel, to be understood in a wider sense, seems to be more alive than ever. A recent example, Flemish writer Hugo Claus’s The Sorrow of Belgium (1983), a multi-faceted novel set in the German-occupied Flanders during…[Read more]
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Maurizio Brancaleoni deposited Anglo-Cornish in The Siege of Trencher’s Farm and Straw Dogs on Humanities Commons 7 years, 8 months ago
This essay aims to focus firstly on the typical features of Cornish dialect, also called Anglo-Cornish, Cornish English or Cornu-English (the variety of English spoken in Cornwall) and then on how those typicalities are rendered in Gordon William’s novel The Siege of Trencher’s Farm (1969). One of the two film versions, Straw Dogs (1971) by Sam…[Read more]
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Maurizio Brancaleoni deposited Franz Kafka, “Ein Landarzt” : un’analisi contrastiva e una proposta di traduzione on Humanities Commons 7 years, 8 months ago
Questo breve saggio si propone di mettere a confronto alcune traduzioni in italiano e in inglese del racconto “Ein Landarzt” di Franz Kafka. Le diverse versioni vengono analizzate a vari livelli, dalla sintassi al lessico, ma per motivi di spazio, è stato necessario concentrarsi su alcuni passi specifici particolarmente difficili da rendere nell…[Read more]