An examination of the cyborg potential of wearable technology as located in dress-body-technology assemblages and a call for public humanities work, such as Fashioning Circuits, that extends the Quantified Self to think instead about the Quantified Other or the Quantified Self-in-kinship.

An examination of the cyborg potential of wearable technology as located in dress-body-technology assemblages and a call for public humanities work, such as Fashioning Circuits, that extends the Quantified Self to think instead about the Quantified Other or the Quantified Self-in-kinship.

Elizabeth Barrett Browning’s Aurora Leigh seeks to redress the divisive work of women’s democratic political representation by way of poetic form to ask whether women must always be regarded as partial citizens. Women are not counted as integral units—ones—politically or culturally. Barrett Browning connects women’s ability to produce writing a…[Read more]

This essay argues that despite its significance within the history of bibliotherapy, Samuel McChord Crothers’s 1916 essay “A Literary Clinic” – in which the term “bibliotherapy” was coined – is a stranger point of origin than proponents have realized, one with implications for conceptualizing reading and its reparative uses more broadly.

Jordan and Iraq are not countries that are often associated with a local film culture. Recently, however, a nascent film industry has started to grow in both Iraq and Jordan, producing films that have been shown in international film festivals. Even though the Jordanian film industry remains in its infancy, the films that have emerged of late…[Read more]

Jordan and Iraq are not countries that are often associated with a local film culture. Recently, however, a nascent film industry has started to grow in both Iraq and Jordan, producing films that have been shown in international film festivals. Even though the Jordanian film industry remains in its infancy, the films that have emerged of late…[Read more]

How do Shakespearean plays sustain clashing values within them, or imposed on them? Is Shakespeare anti-Semitic? Can Shakespeare be a feminist? How is value subject to context, to market, and demand? A wide range of moral, political, and aesthetic values—profitable or heartening or threatening from case to case—have been associated with Sha…[Read more]

In this essay I explore the use of musical mimesis in the score for D. W. Griffith’s 1921 film Orphans of the Storm. I demonstrate that the score, created by Louis F. Gottschalk and William Frederick Peters, offers coherence through the use of central themes and the employment of several characteristic leitmotivs; provides recognizable musical c…[Read more]

In the centuries since William Shakespeare’s death, numerous stage and, more recently, film and television adaptations of his work have emerged to inspire, comfort, and provoke audiences in far-flung corners of the globe. As early as 1619, for example, Hamlet was performed in colonial Indonesia to entertain European expatriates. In 1845, U.S. Army…[Read more]

Review of LISSA: A STORY ABOUT MEDICAL PROMISE, FRIENDSHIP, AND REVOLUTION (University of Toronto Press) by Sherine Hamdy, Coleman Nye, Sarula Bao, and Caroline Brewer

What are the topologies of fugitive/narrative, whether as a matter of experience, theory or fiction? This essay follows a number of trajectories in addressing the question. In part the exploration is prompted by the refugee crisis in many places around the world, yet the issue of the “fugitive” is not exactly identical with that. Moreover, the…[Read more]

A widely translated author, and a prominent voice from post-communist Europe, Dubravka Ugrešić has published a variety of literary forms in addition to literary criticism and translations. Playful experimentation with language, boundaries between texts, and literary conventions as well as an acute awareness of the contemporary socio-political c…[Read more]