The essay discusses Maya Rao’s Walk and The Mothertongue Project’s Walk: South Africa to explore the languages of transnational and embodied feminist politics that these performances conjure. The two performances are instances of artistic responses to sexualized violence in India and South Africa as they engage with the politics of walking in the…[Read more]

I discuss the walking practice of Delhi-based artist Mallika Taneja in the context of its engagement with, and intervention in, the contemporary conversations on sexualised violence, gender, space and mobility in India. Taneja’s work is part of a variety of feminist activism to take place in India since the horrific gang rape of Jyoti Singh in D…[Read more]

This article reviews the textual transmission of the ban on local butchery in Leviticus 17:3–4. It explores the importance of the manuscripts from the Dead Sea, in particular 4QLevd and 11Q19, for interpreting the plus at verse 4, attested in the Septuagint and in the Samaritan Pentateuch, as well as the change in address in v. 3, which is found i…[Read more]

Spanish Abstract: ´Peeping Tom´ (dir. Michael Powell, 1960), un clásico del cine de culto, nos sumerge en una intensa experiencia metafílmica. A base de acumulación mediática, repetición, inserción semiótico-perceptual, marcos dentro de marcos, y reflexividad casi hasta el infinito, saca la película un partido extraordinario a la semiótica…[Read more]

Según la epistemología de Xavier Zubiri, nuestra sensación de la realidad, la organización misma de nuestra percepción tanto del mundo externo como del mundo interno, no es “pura sensación”, sino que está mediatizada por esquemas de representación y por relaciones semióticas importadas de actos cognitivos anteriores (y así más que conocer, r…[Read more]

This paper examines how the description of Aaron’s vestments in Exod 28 encodes a distinct concept of high priestly leadership. This chapter of Exodus has garnered relatively little attention in biblical scholarship, even among recent and comprehensive treatments of the high priest in the biblical and post-biblical traditions. This general n…[Read more]

This paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the Little Paris. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what type of role…[Read more]

This paper examines the influence of urban fashion ideas disseminated worldwide from France and how they impacted the Romanian ideas of style and beauty, as well as the nature of the communication between Paris and the so-colled ”Little Paris”. My aim is to decode the interwar Romanian interpretation of the new woman notion and assess what typ…[Read more]

The newly formed Greater Romania engaged in a process of modernization, with Bucharest as its flagship metropolis, striving to be recognized internationally and reach economic stability. Women’s fashion became a marker in substantiating Romania’s self-assertion as a modern state, with great emphasis on creating a viable textile industry. This occ…[Read more]

This paper proposes a journey between Bucharest viewed as Little Paris and the original Paris, to determine the way in which the two capitals communicated with each other, whether it was based on dynamic interactions, beyond a simplistic Parisian dialogue. I will interpret Little Paris as an identity construction, clearly mirrored in the universe…[Read more]

My paper will use gender studies and theories about nation and nationhood in order to explain the argument that beauty queens are viewed by the pageant organizers and aficionados as ambassadors not only of local, regional and national beauty, but also representatives of their cultures and nations. Therefore, they not only function as objects for…[Read more]