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Randye Jones deposited Appendix 5 – Relevant Resources in the group
Music and Sound on Humanities Commons 6 years, 6 months agoResources specifically about Negro spirituals or that reference performers, composers or other information related to spirituals. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Randye Jones deposited Appendix 2 – Concert Spiritual Singers and Their Recordings in the group
Music and Sound on Humanities Commons 6 years, 6 months agoSample of singers, arranged by voice type, and their recordings of concert spirituals. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Randye Jones deposited Appendix 4 – Song Literature Classification in the group
Music and Sound on Humanities Commons 6 years, 6 months agoConcert spirituals classified by category with scriptural reference(s) and entry in musical anthologies. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Randye Jones deposited Appendix 3 – Spirituals in Musical Anthologies in the group
Music and Sound on Humanities Commons 6 years, 6 months agoAvailability of Spiritual Music Scores: print publishers, online databases and publishers, self-publishing composers, online resellers, selected musical scores: compilations containing concert spirituals for solo voice. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Randye Jones deposited Appendix 1 – Recommended Recordings in the group
Music and Sound on Humanities Commons 6 years, 6 months agoSelection of recordings recommended for those beginning a collection of concert spirituals for solo voice. Supplemental content accompanying the book, So You Want to Sing Spirituals.
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Alessandra Ciucci deposited Performing ‘L-ʿalwa’: a sacred and erotic journey in Morocco in the group
Music and Sound on Humanities Commons 6 years, 6 months ago‘L-ʿalwa’, a sung poem whose text recounts the pilgrimage to a saint’s shrine in Morocco, is celebrated for its ability to convey images and emotions stirred up by the sacred journey. As part of the repertory of ʿaita—a genre of sung poetry from the Moroccan plains and plateaus traditionally performed by professional female singer-danc…[Read more]
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Alessandra Ciucci deposited EMBODYING THE COUNTRYSIDE IN AIṬA ḤAṢBAWIYA (MOROCCO) in the group
Music and Sound on Humanities Commons 6 years, 6 months agoʿAiṭa–a genre of sung poetry from the Moroccan Atlantic Plains and its adjacent territories—is regarded as the quintessential expression of the identity of the region. If it is possible to analyse the poetic language of ʿaiṭa in order to understand its significance among these populations, it is also critical to examine how the affective power of…[Read more]
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Alessandra Ciucci deposited The Study of Women and Music in Morocco in the group
Music and Sound on Humanities Commons 6 years, 6 months agoPanorama of scholarly work on women and music in Morocco
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Alessandra Ciucci deposited “The Text Must Remain the Same”: History, Collective Memory, and Sung Poetry in Morocco in the group
Music and Sound on Humanities Commons 6 years, 6 months agoThe article explores why a particular group of Moroccan musicians conceives of different performances of a sung poem titled “Kharbusha” as unchanging despite variables arising from the dynamics of performance practices. To this end, I explore the seeming discrepancy between discourses about “Kharbusha” and its performance, and what this discrep…[Read more]
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Alessandra Ciucci deposited Una panoramica delle musiciste professioniste in Marocco in the group
Music and Sound on Humanities Commons 6 years, 6 months agoThe article examines Moroccan professional female singer-dancers (shikhat) in relation to other professional female performers . An analysis of the role that women have as entertainers, and in particular of their behavior in the course of performance, will show how they affect the status of each class of performers. Sketching a panorama of the…[Read more]
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Alessandra Ciucci deposited Les musiciennes professionnelles au Maroc in the group
Music and Sound on Humanities Commons 6 years, 6 months agoThe article examines Moroccan professional female singer-dancers (shikhat) in relation to other professional female performers . An analysis of the role that women have as entertainers, and in particular of their behavior in the course of performance, will show how they affect the status of each class of performers. Sketching a panorama of the…[Read more]
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Alicia López Mendoza deposited Evaluación de los podcasts de noticias: un acercamiento a emisoras de la ciudad de Puebla in the group
Television Studies on Humanities Commons 6 years, 6 months agoEl podcast es una de las diversas herramientas colaborativas que se implementan en el Periodismo Digital, siendo un formato de fácil distribución y que puede proporcionar un espacio dinámico y creativo para el profesional de la comunicación social. Esta investigación pretende evaluar los podcasts que se publican en sitios de noticias de la ciud…[Read more]
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Alicia López Mendoza deposited La cosmovisión de la transición española en la película Juana la loca… de vez en cuando. Un manual para la comprension de la comedia historica de los ochenta in the group
Television Studies on Humanities Commons 6 years, 6 months agoAunque fue uno de los grandes taquillazos cinematográficos de la época, Juana la Loca… de vez en cuando (José Ramón Larraz, 1983), recibió unas duras críticas por parte del público especializado, que veían en la cinta una penosa manera de hacer cine. Personajes, ambientación, guion, interpretaciones, etc., nada escapó a la pluma de los críticos, q…[Read more]
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John Michael McCluskey deposited Music as Narrative in American College Football in the group
Music and Sound on Humanities Commons 6 years, 6 months agoAmerican college football features an enormous amount of music woven into the fabric of the event, with selections accompanying approximately two-thirds of a game’s plays. Musical selections are controlled by a number of forces, including audio and video technicians, university marketing departments, financial sponsors, and wind bands. These b…[Read more]
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Julio Lambing deposited Sense of balance? Nachhaltigkeitspolitische Fragen an die Distributed Ledger Technologie und Smart Contract Systeme in the group
Science and Technology Studies (STS) on Humanities Commons 6 years, 6 months agoDistributed ledger technology and the development of digital smart contracts have the potential for a new disruptive technology. Applications based on them could find their way into the management of many areas of every day life. However, they also carry certain risks for sustainable development of our society. This paper is intended as a…[Read more]
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Eric Sirota started the topic Frankenstein (musical) Off-Broadway, Still plating in the discussion
Music on Humanities Commons 6 years, 7 months agoMy musical, FRANKENSTEIN, based on Mary Shelley’s novel, is still playing Off-Broadway, having been extended again through its 2nd complete year!
It now plays on Tuesday evenings at 7 PM, at St. Luke’s Theatre (W. 46 & 8th Ave.)
TheFrankensteinMusical.com
(contact me for discount code!) -
Jon Garrad deposited Fluff Ain’t Rules: absence, presence and haunting in RPG design in the group
Game Studies on Humanities Commons 6 years, 7 months agoFluff means fiction, framing and flavour; it’s the material around a game’s actual rules, that illustrates and indicates but has no substantive impact on how the game is played.
Rules are crunch. They are – particularly if you’re a serious player or a traditional ludologist – the important bit.
“If your game doesn’t blend the two, it says o…[Read more]
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Grégoire Espesset deposited Traditional Chinese Knowledge before the Japanese Discovery of Western Science in Gabor Lukacs’ Kaitai Shinsho & Geka Sōden in the group
Science Studies and the History of Science on Humanities Commons 6 years, 7 months agoGabor Lukacs’ 2008 book on “Kaitai Shinsho: The Single Most Famous Japanese Book of Medicine & Geka Sōden: An Early Very Important Manuscript on Surgery” is a bibliographical contribution to the comparative history of the introduction of Western science in East Asia. It focuses on two illustrated manuals of anatomy and surgery in Japanese, adap…[Read more]
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Grégoire Espesset deposited Sketching out Portents Classification and Logic in the Monographs of Han Official Historiography in the group
Science Studies and the History of Science on Humanities Commons 6 years, 7 months agoIn ancient China, portentology was a “science” in its own right, a specialised field of knowledge developed by rational individuals who endeavoured to fathom the concealed mechanisms at work beneath the spectacles of history and the world at large. This paper focuses on the nomenclature of portents (observed phenomena interpreted as auspicious or…[Read more]
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Grégoire Espesset deposited The Invention of Buddho-Taoism: Critical Historiography of a Western Neologism, 1940s–2010s in the group
Science Studies and the History of Science on Humanities Commons 6 years, 7 months ago“Buddho-Taoism” is a neologism that appeared in Western academic discourse during the late nineteen-forties, was put to various uses without being consensually defined, enjoyed a brief vogue around the turn of the twenty-first century, and began to fall from grace in recent years. This neologism implicitly created new epistemic repertoires der…[Read more]
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