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Gavin Holman deposited Brass bands in Africa – a brief introduction to a continent-wide topic in the group
Ethnomusicology on Humanities Commons 5 years, 11 months agoBrass bands in Africa have been in existence since the 19th century after the various colonial powers had established their presence across the continent. The history of such bands is very sketchy and limited, and the small amount of information I have collected so far is presented here. I hope that future researchers will be able to open up much…[Read more]
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Amadeu Corbera Jaume deposited Dues dones recol·lectores de cançons: la relació entre Maria Antònia Salvà i Palmira in the group
Ethnomusicology on Humanities Commons 6 years agoEn aquest article presentam la relació entre Maria Antònia Salvà i Palmira Jaquetti, dues dones que des de perspectives i amb finalitats diferents, s’acostaren i s’interessaren pel món de la cançó popular.
http://www.escolademallorqui.cat/wp-content/uploads/2020/01/PAPERS-DE-SA-TORRE-72.pdf
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Gavin Holman deposited The works brass band – a historical directory of the industrial and corporate patronage and sponsorship of brass bands in the group
Ethnomusicology on Humanities Commons 6 years agoFrom the earliest days of brass bands in the British Isles, they have been supported at various times and to differing extents by businesses and their owners. In some cases this support has been purely philanthropic, but there was usually a quid pro quo involved where the sponsor received benefits – e.g. advertising, income from band e…[Read more]
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Dimitris Papageorgiou deposited Repurposing ‘com-provisation’ (script/pre-print of conference paper) in the group
Ethnomusicology on Humanities Commons 6 years agoAs Anne Sauvagnargues suggests, in Gilles Deleuze thought “every[-thing] is defined as an assemblage of movements and affective vibrations.” Interestingly, Sauvagnargues’ proposition aligns neatly with Tim Ingold’s idea of correspondence, where things perdure, “carry on together, and answer to one another,” and where the additive ‘and…and.…[Read more]
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Amadeu Corbera Jaume deposited The long road to industrial musicology: the Minorcan example in the group
Ethnomusicology on Humanities Commons 6 years, 1 month agoOne could call «industrial musicology» the study of the musical life in factories and workshops. Unlike agrarian societies, there are very few works about industrial workers’ musical activity, neither at the Catalan Countries nor Europe. Based on British and Catalan scholars’ few theoretical works, our research Música popular i indust…[Read more]
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Scott Banville started the topic CFP: VISAWUS 2020: Victorian Transitions in the discussion
Victorian Studies on Humanities Commons 6 years, 1 month agoVISAWUS 2020: Victorian Transitions
Reno, NV October 15-17, 2020
Keynote Speaker: Jolene Zigarovich, University of Northern Iowa
The Silver Legacy Resort/Circus Circus****
The Victorian Era was one of transitions. Victorian Britain transitioned from a rural to urban society. It transitioned from an emergent empire to the dominant imperial…[Read more] -
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Emery Stephens deposited Diversifying the Playing Field: Solo Performance of African American Spirituals and Art Songs by Voice Students from All Racial Backgrounds in the group
Ethnomusicology on Humanities Commons 6 years, 3 months agoTo further promote the performance of African American spirituals and art songs, this article offers a different perspective – direct response from collegiate voice students, voice teachers, vocal coaches, and professional singers. In the spring of 2005, “The African American Art Song Survey” was developed and disseminated through the Internet to…[Read more]
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Gavin Holman deposited Brass, coal, banners, marching and music: colliery bands and the Durham Miners’ Gala or “Big Meeting” in the group
Ethnomusicology on Humanities Commons 6 years, 3 months agoOf the 762 brass bands I have records of from County Durham, around 130 were colliery bands (and more of them would have been directly connected to the local colliery, even if not specifically named after the mine or mining company). This article looks briefly at the history of the Durham Miners’ Gala and the colliery bands that performed at it.
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Ted Underwood deposited NovelTM Datasets for English-Language Fiction, 1700-2009 in the group
Victorian Studies on Humanities Commons 6 years, 3 months agoThis report describes a collection of 210,305 volumes of fiction that researchers are encouraged to borrow for their own work. Alternately, readers can simply browse the report as a description of English-language fiction in HathiTrust Digital Library. For instance, how does the proportion of fiction written by British authors or by women change…[Read more]
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Polly Mortimer deposited Anatomy of a Choir: an ethnographic study of the Choir with No Name, and its contribution to the enhancement of wellbeing and a sense of community among its members. in the group
Ethnomusicology on Humanities Commons 6 years, 3 months agoThis is a ‘study of a choir’; the author joined the choir for three months and participated in every aspect, from rehearsals, dinners, a meeting to a gig. They chatted to the members, sang with them and talked to the choir leader and manager about everything from the ethos of the choir, to whether meat was served often enough at dinner. It was the…[Read more]
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Gavin Holman deposited Brass Band Archive Recordings – a brief guide to recordings of brass bands in libraries, museums and other archives in the group
Ethnomusicology on Humanities Commons 6 years, 4 months agoBrass bands are, of course, musical organisations first and foremost, and the bulk of their heritage is bound up in the hundreds of thousands of concerts, marches, contests and other performances they have provided their audiences with over the years. Very few of these live performances were ever recorded, at least until recent years, and we must…[Read more]
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Gavin Holman deposited Comic Bands – Kazoo and Zobo in the group
Ethnomusicology on Humanities Commons 6 years, 4 months agoDuring the 1890s and early parts of the 20th century a type of band arose using kazoo-type instruments. Zobo instruments, based on kazoo principles, were invented and developed in the USA in the early 1890s, rapidly becoming a new craze for a while. When the instruments spread to the UK the bands that were formed using them were largely “comic”…[Read more]
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Gavin Holman deposited The Brass Band Bibliography (v.9) in the group
Ethnomusicology on Humanities Commons 6 years, 4 months ago(v9 – August 2019) [c. 6,740 entries] A comprehensive list of books, articles, theses and other material covering the brass band movement, its history, instruments and musicology; together with other related topics
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Gavin Holman deposited Damen und Damen – Ladies’ professional travelling brass ensembles of the German Empire 1871-1918 in the group
Ethnomusicology on Humanities Commons 6 years, 4 months agoTravelling musicians and entertainers had been a part of European life for centuries. In the German speaking countries of Europe during the German Empire there arose a large number of “Damen Kapellen”, troupes of musical and variety entertainers consisting largely of women, usually led by a man, and occasionally including males as players. Thi…[Read more]
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Lawrence Davies deposited Review: ‘The History of European Jazz: The Music, Musicians and Audience in Context’ ed. by Francesco Martinelli in the group
Ethnomusicology on Humanities Commons 6 years, 4 months agoReview of ‘The History of European Jazz: The Music, Musicians and Audience in Context’, ed. by Francesco Martinelli (Sheffield: Equinox, 2018), SAMPLES – Online-Publikationen der Gesellschaft für Popularmusikforschung, 17 (June 2019).
Published online 12 June 2019. -
Dr Jen Baker deposited CFP – Tales of Terror: Gothic and the Short Form in the group
Victorian Studies on Humanities Commons 6 years, 5 months agoThe aim of this special issue of Gothic Studies (23/3, to be published Nov 2021) is to bring together research that does not simply consider Gothic short fiction and its artistic and cultural brethren as incidental, but integral to the design and effect and/or cultural significance of the piece because the short form in the Gothic tradition has,…[Read more]
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Lukas Fuchsgruber deposited Berlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century in the group
Victorian Studies on Humanities Commons 6 years, 5 months agoIn the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]
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Alessandra Ciucci deposited Performing l-ḥrig: music, sound and undocumented migration across the contemporary Mediterranean (Morocco–Italy) in the group
Ethnomusicology on Humanities Commons 6 years, 6 months agoBased on ethnographic research that is part of a larger project on the role of music and sound among migrant Moroccan men in Italy, this article focuses
on ‘L-ḥərraga’, a song that narrates the voyage and the experience of undocumented migration that ends with the tragic death of a young
Moroccan man crossing the Mediterranean. Through ‘L-ḥər…[Read more] -
Alessandra Ciucci deposited Performing ‘L-ʿalwa’: a sacred and erotic journey in Morocco in the group
Ethnomusicology on Humanities Commons 6 years, 6 months ago‘L-ʿalwa’, a sung poem whose text recounts the pilgrimage to a saint’s shrine in Morocco, is celebrated for its ability to convey images and emotions stirred up by the sacred journey. As part of the repertory of ʿaita—a genre of sung poetry from the Moroccan plains and plateaus traditionally performed by professional female singer-danc…[Read more]
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