The present contribution follows up on Rudnev (2011). It is for this reason that I omit most of the arguments for the pronominal nature of kendisi and
present a formalisation of its semantic properties based on Partee (1983) and Elbourne (2008).

This paper documents a number of restrictions on negation marking in Avar, a Northeast Caucasian language, and presents a tentative analysis of the observed morphosyntactic facts as having a semantic basis. The two different negation markers are analysed, based on the proposal in (Ramchand & Svenonius 2014), as taking complements of a different…[Read more]

This paper claims that the scope properties of the Russian disjunction marker ili correlate with the phrasal vs. clausal nature of the disjunction: phrasal disjunction yields narrow scope whilst clausal disjunction yields wide scope. In so doing, we introduce novel empirical generalisations that are problematic for purely semantic analyses of…[Read more]

This paper discusses two morphologically related anaphoric pronouns in Avar (Avar-Andic, Nakh-Daghestanian) and proposes that one of them should be treated as a minimal pronoun that receives its interpretation from a λ-operator situated on a phasal head whereas the other is a logophoric pronoun denoting the author of the reported event.

This work consists of two poems written in San Lucas Quiaviní Zapotec, a Valley Zapotec language spoken in the state of Oaxaca, Mexico. The poems are presented with English and Spanish translations, notes about the poet and translator, explanation of the translation process, and culture information.

This is a paper in comparative phonology, which undertakes a detailed comparative analysis of the standard British English RP (Received Pronunciation) vowel system, and that of standard French, including some observations on regional varieties.

This is an analysis of Terayama Shūji’s 1981 film “Shanhai ijin shōkan,” a French co-production which was marketed in the Anglosphere as “China Doll” and in France as “Les Fruits de la passion,” invoking both Ōshima Nagisa’s 1978 “L’Empire de la passion” (the sequel to his notorious “Empire of the Senses” / “L’Empire des sens,” 1976) as well as Ro…[Read more]

The chapter examines the German and Swedish language author Peter Weiss’s linguistic re-orientation in early postwar Sweden. Particular attention is devoted to metaphors of language and intermedial dynamics.

Der vorliegende Beitrag untersucht den Lyrikband notes for soloists (2009) der transnationalen Lyrikerin Cia Rinne mit einem besonderen Schwerpunkt auf der Frage der literarischen Vielsprachigkeit und der Intermedialität des Textes. Mit Ausgangspunkt in Naoki Sakais Verständnis von Übersetzung als bordering (Sakai 2009) wird die Rolle des Le…[Read more]

The article proposes a new multimodal approach to literary multilingualism, with special attention devoted to how readers with different language skills partake in making literary multilingualism happen. It presents a critical assessment of previous scholarship on literary multilingualism, which we claim is characterized by monolingual assumptions…[Read more]

Sumerian and Akkadian language contact in the early part of the second millennium BCE. The article discusses prevalent language ideologies based on native metalinguistic discourse in comparison with language use in practice with the phrase mu—pad₃ = nīš—itma ‘(s)he swore an oath’ as a case study.

This article considers a recent critical problematisation of the discussion of ›Otherness‹ in Merovingian archaeology (Halsall 2017), and extends this problematisation to the early mortuary archae- ology of post-Roman/early Anglo-Saxon England. The article first examines the literary goals of Gildas’ De Excidio et Conquestu Britanniae, and espec…[Read more]

In this research, we examine the productivity of the broken plural in Maltese. Using machine learning techniques and behavioral methods, we show that the broken plural is able to be predicted by a singular noun’s CV structure. Using a logistic regression classifier, we are able to correctly predict the plural CV structure of the singular noun w…[Read more]

A half-erased woman’s name is partially legible at the bottom of folio 41 verso of the Anglo-Saxon manuscript we now call the Vercelli Book. Edith – eadgiþ – provides mystery as highly unusual marginalia, an individual name added to and then erased from the manuscript. I argue here that the erased name eadgiþ is direct reference to St. Edith o…[Read more]

The figure of Hrothgar, aging king of the Danes, forces an analysis of the relationships among age, maleness, and masculinity in Beowulf. Masculine characters, while enacting the poem’s complex reciprocities and social transactions in the hall and on the battlefield, accrue status and power through assertions of control and dominance, through…[Read more]

The performances of Christ in the text of The Dream of the Rood construct a masculinity for Christ that is majestic, martial, and specifically heterosexual and that relies on a fragile opposition with a femininity defined as dominated Other in the figure of the Cross. His particularly constructed masculinity, explored rather than merely assumed or…[Read more]

An entry in the Women Medievalists and the Academy collection, this brief biography presents Cambridge historian Mary Bateson, scholar and suffragist, who lived on the cusp of the opportunity for academic professionalization for women. Her life illustrates an inspiring blend of serious scholarship, accessible publication, and devoted political…[Read more]

Traditional equation of women with the feminine and men with the masculine is disrupted when Beowulf is read within the rubric of gender performance as determined by Judith Butler in Gender Trouble and Bodies that Matter. Performativity enables a new way of interpreting the characters of Beowulf; specifically, in the world of the poem masculinity…[Read more]