A book review of Jerome McGann’s A New Republic of Letters: Memory and Scholarship in the Age of Digital Reproduction (Cambridge, MA: Harvard University Press, 2013).

A review of Alexander R. Galloway, Laruelle Against the Digital.

A review of Warren Montag, Althusser and His Contemporaries: Philosophy’s Perpetual War (Durham: Duke University Press, 2013), 256pp., $23.95 pb ISBN: 978-0-8223-9904-9.

A short chapter in a series of essays devoted to free-culture/free-software political prisoner Bassel Khartabil.

Book review of Joanna Freer, Thomas Pynchon and the American Counterculture, (Cambridge: Cambridge University Press, 2014, £60. Pp 165; 978-1-107-07605-1.)

This piece provides a detailed engagement with Don DeLillo’s depiction of the 2003 Iraq war in his latest novel, Point Omega. Framed through both formal aesthetic signposting of the interrelations between modernist and postmodernist practice and also through explicit thematic comparison between the conflicts, I trace DeLillo’s treatment of Iraq in…[Read more]

It is fairly commonly known, in certain circles, that open access comes in different “flavours”. Besides the well-known adage of Richard Stallman that there are multiple types of freedom that can be divided into gratis and libre (“free” as in “beer” as opposed to “free” as in “speech”), the ways in which we provide access to material that is free…[Read more]

This piece presents a tripartite analysis of the relationship between the philosophical works of Ludwig Wittgenstein and the novels of Thomas Pynchon. This is broadly structured around three schools of Wittgenstein scholarship identified by Guy Kahane et al. as the Orthodox Tractatus, the New Wittgenstein, and several strands of the Orthodox…[Read more]

This piece explores the resonances between the depiction of the Cold War and the War Against Terror in Thomas Pynchon’s Against the Day and Don DeLillo’s Underworld.

This article appraises the debt that David Mitchell’s Cloud Atlas owes to the novels of Russell Hoban, including, but not limited to, Riddley Walker. After clearly mapping a history of Hoban’s philosophical perspectives and Mitchell’s inter-textual genre-impersonation practice, the article assesses the degree to which Mitchell’s metatex…[Read more]