Cross-gender roles and performances permeate many of Shakespeare’s plays. This special issue on contemporary transgender performance of Shakespeare was published by the open-access journal dedicated to Shakespeare and appropriation, Borrowers and Lenders, and edited by Alexa Alice Joubin. It contains research articles and interviews of actors. S…[Read more]

Like Virginia Woolf’s Orlando, Shakespeare’s Sonnets challenge the binaries between gender and between the vernacular and the literary. Translators take up this challenge and turn it into an opportunity for humanist interpretations of literature, as in the case of Taiwanese essayist Liang Shiqiu’s (1903–1987) translation. Widely known in the Sin…[Read more]

The present article examines the Corpus Leidense, the group of eight Ciceronian treatises among which the De natura deorum was also transmitted, focusing on its archetype. The second and longer section contains the first complete list of the 174 identified manuscripts of De natura deorum, with 57 new items added to the 117 already listed by Pease…[Read more]

This chapter argues that cultural appropriation can be an exploitative act but need not be; it all depends on what users do with Shakespeare. Due to the unequal status of the parties engaged in appropriative exchange, some appropriations deploy Shakespeare to protect conventional power structures. Appropriations are rarely negotiated on a level…[Read more]

Collaborative learning as a pedagogical method effectively reflects the communal character of the performing arts. By creating knowledge about Shakespearean performance collaboratively, students and educators lay claim to the ethics and ownership of that knowledge, an act that is particularly urgent and meaningful in the age of COVID-19 when we…[Read more]

Literary translations work with, rather than out of, the space between languages. Translations evolve not only across linguistic and cultural borders but also across time. It is notable that Shakespeare’s own play texts feature translational properties that can be amplified in translation. This translingual property makes Shakespeare’s text inh…[Read more]

The idea of the North in Western society has a long and distinguished history. Indeed, the only ‘purely ethnographic treatise that survives from antiquity’ is Tacitus’s Germania, his description of the Germanic peoples (Mellor 1993: 14). Tacitus produced his short treatise as a way of forcing Romans to confront the luxurious decadence that he fe…[Read more]

The metatheatricality of A Midsummer Night’s Dream has invited recent directors to tell particular kinds of socially progressive stories. This article uses the notion of “social reparation” to theorize remedial uses of Shakespeare in adaptations that give artists and audiences more moral agency. By imagining more inclusive local habitations and s…[Read more]

The article focuses on one of the most famous accounts of the events of 1204: the De Signis by Niketas Choniates. It demonstrates how Choniates constructed a (semi)fictional account of the assaults against the Byzantine culture and identity through a constellation of symbols and passages drawn from the Greek Classics. The article comprises three…[Read more]

The rise of global Shakespeare as an industry and cultural practice—the incorporation of Shakespearean performance in cultural diplomacy and in the cultural marketplace—is aided by digital tools of dissemination and digital forms of artistic expression. Shakespeare has evolved from a cultural nomad in the past centuries—a body of works with no pe…[Read more]

This chapter examines how historical and critical modalities of reading sacred scripture became central to modern biblical studies. It examines what “criticism” was, whence it came, what it did, and which critiques it sustained, before considering its prospects for future historical and literary analysis of the Bible.

The screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]

Catalogo realizzato in occasione della serie di mostre dedicate, tra il 2021 e il 2022, dalla Fondazione Cassa di Risparmio di Jesi, dal Museo d’Arte Moderna e della Mail Art di Montecarotto (AN) e dal Museo Nori De’ Nobili di Trecastelli (AN), all’opera di Magdalo Mussio. Il testo prende in esame, in particolare, l’opera grafico-pittorica, oltre…[Read more]

A summary and contemporary application of the pedagogical handbook of Joseph Jouvancy, S.J. (1643-1719)

CFP – AIWAC 2nd edition Rome 2022

CFP – AIWAC 2nd edition Rome 2022

GB Folengo Commentry on Psalm 51, translated into English with brief annotations

This paper re-examines the question of the presence of distinct sociolects in Classical Athenian tragedy (Aeschylus, Sophocles, Euripides). While the general idea is that all characters in tragedy spoke a similar language, without much distinction between sociolects that could have marked their socio-political status, some recent research has…[Read more]

Ancient Greek history holds a special place in the works of many 19th-c. writers. The same goes for Cyprian Norwid, one of the most eminent poets in the history of Polish literature, a thinker, and an artist. This book scrutinizes Norwid’s fascination with Greek history and culture, especially his peculiar synthesis of Greek thought and C…[Read more]

Chapter on the interactions between Roman theatrical tradition and late dramatic production in Greek language.