Scanned images of woodcut prints from subsequent editions of Folengo’s 1521 Macaronic Works

51 full-page woodcut prints illustrate Folengo’s 1521 epic poem Baldus

51 full-page woodcut prints illustrate Folengo’s 1521 epic poem Baldus

The greatly augmented and extremely popular 1521 ediion of Folengo’s Macaronic Works features many extras: angry letters, highly laudatory letters, an accusation of text theft, a revealing dialogue and more

The greatly augmented and extremely popular 1521 ediion of Folengo’s Macaronic Works features many extras: angry letters, highly laudatory letters, an accusation of text theft, a revealing dialogue and more

A letter from Folengo’s pseudonym-personality, Merlin, to the printer Paganini, claiming that he does not want to relinquish his own copy for publication; a response from Paganini telling him that he got a copy of the text from Federico Gonzaga (accompanied by the letter Gonzaga sent to Paganini, 1520); a letter to the reader from Paganini, and a…[Read more]

A letter from Folengo’s pseudonym-personality, Merlin, to the printer Paganini, claiming that he does not want to relinquish his own copy for publication; a response from Paganini telling him that he got a copy of the text from Federico Gonzaga (accompanied by the letter Gonzaga sent to Paganini, 1520); a letter to the reader from Paganini, and a…[Read more]

A comparison of all the marginal glosses from the epic poemn Baldus by Teofilo Folengo in the 1517 Paganini edition and in the 1520 reprint by Cesare Arrivabene: side by side comparison and translation into English

The first edition of the Macaronic works of Teofilo Folengo (called Paganini/ P after the publisher) is a beautiful work printed in graceful Italic font, 27 lines per page, with explanatory and humorous glosses in the margins.

In 1517 Teofilo Folengo published an epic poem under the name Merlin. Another Folengo pseudonym (or heteronym) wrote a wildly creative account of the dicovery of this text and praise for the author.

In 1517 Teofilo Folengo published an epic poem under the name Merlin. Another Folengo pseudonym (or heteronym) wrote a wildly creative account of the dicovery of this text and praise for the author.

Este ensayo propone una lectura de Conquista de las islas Malucas (1609) del poeta, historiador y eclesiástico Bartolomé Leonardo de Argensola (1562-1631) como un gabinete de curiosidades textual lleno de narraciones y objetos maravillosos. El autor emplea sus propias ideas sobre la escritura de la historia para crear una crónica de conquista co…[Read more]

This is the UNEDITED PRE-PRINT of my section of the multi-authored article “Journal of a Plague Year: Six Voices from American Universities,” ed. Christa Jansohn, which appeared in _Archiv für das Studium der neueren Sprachen und Literaturen_. The other authors were Andrew James Hartley, Jean Howard, Christoph Irmscher, Anthony Lioi, and Lisa S.…[Read more]

William Muggins, an impoverished but highly literate weaver-poet, lived and wrote in London at the turn of the seventeenth century, when few of his contemporaries could even read. A Weaver-Poet and the Plague’s microhistorical approach uses Muggins’s life and writing, in which he articulates a radical vision of a commonwealth founded on labor and…[Read more]

This article examines The Tempest in light of artists’ renderings of the play in New Orleans, reflecting on anti-Black racism in Shakespeare’s play and in the Deep South.

This essay argues that Thomas Tusser’s popular book of georgic verse, Five Hundred Points of Good Husbandry, offered a counter to developments in courtly poetry under Elizabeth I. Critics have long disparaged Tusser’s poetry as naïvely rustic, but Tusser was not an uneducated peasant who happened to pick up enough literacy to pen a book of poem…[Read more]

This essay challenges the current dismantling of Shakespeare’s oeuvre by the questioning of the texts and authorship of many of his plays, in order to undercut their scripts’ authority, thereby authorizing drastic reinterpretations by critics and directors. The essay in contrast seeks to extend the authorship and flexibility of Shakespeare’s authorship

Register at https://uchicagogroup.zoom.us/webinar/register/WN_jyEzkIZYQZ6bKzjjr3faZg :::: The University of Chicago East Asia by the Book! Author Talks is proud to present a book launch of Alexa Alice Joubin’s Shakespeare and East Asia (Oxford University Press). Chair: Haun Saussy (University of Chicago). Discussant: Michael Saenger (Southwestern…[Read more]

In this paper, in a panel co-sponsored by the MLA Committee on Contingent Labor in the Profession and the Council of Editors of Learned Journals, I summarize some of the structural and practical problems that challenge contingent scholars when they try to publish their work in scholarly journals. I share the record of the online, multimedia,…[Read more]

This reflective paper contextualizes my own climate grief in light of botanical and geological references to sorrow in Shakespeare’s plays and to habitat and climate change in the North Georgia Piedmont.