This special issue of Liminalities has been compiled from the outcomes of the conference Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance held at the University of South Wales on the 11th and 12th of April 2013. By providing an overview of contributions to the issue this editorial aims to both…[Read more]

This article discusses the artist Garrett Lynch’s residency in Second Life® at Yoshikaze ‘Up-in-the-air’, HUMLab, Umeå University in Sweden. The artist’s mixed-reality live performance and installation work in the ‘virtual’ world, part of a wider artistic practice on networks, focuses on the identity and role of the artist within an environment m…[Read more]

Audiences are experiencing a growing apprehension and distrust of interaction in art and a reluctance to engage with art that employs it. Interactive art can be categorised in broadly two ways: works that are highly technological or works that are highly social. While apprehension of interaction in art has always existed it is proposed that rather…[Read more]

The interdisciplinary course Pink Noise: Women Making Electronic Music explores the hands-on creation of electronic music through the lens of feminist critical frameworks, activism, and collective action. Techniques and topics include composing with Texts, Activist Sound, Live Sampling and Delay, Turntablism, Soundscape Composition, the Occult…[Read more]

In late January 2017 conversations began on the Music Library Association (MLA) listserv about data rescue. These conversations were primarily inquiries to see if anyone on the MLA-L was aware of data archiving or rescue efforts underway for vulnerable performing arts and music data on government websites. As a digital scholarship librarian whose…[Read more]

In this presentation, we provide an overview of the contents and development of The Séamus Connolly Collection of Irish Music, a recently-launched open access collection of over 330 tunes and songs. The audio, sheet music, stories, and essays can be viewed and/or listened to on mobile devices, tablets, and computers. Through Omeka and SoundCloud,…[Read more]

This handout was presented as a take away for a workshop at MLA TechCamp 2018. This workshop will provide an overview of fair use as it applies to digital projects. It will particularly benefit anyone planning, attempting to fund (via a grant), or currently managing a digital project that is aimed at providing access to made-digital or…[Read more]

This workshop will provide an overview of fair use as it applies to digital projects. It will particularly benefit anyone planning, attempting to fund (via a grant), or currently managing a digital project that is aimed at providing access to made-digital or born-digital content. It will include suggestions for checklist and analysis tools that…[Read more]

Jorge Villavicencio Grossmann (nacido en 1973) es un compositor peruano/brasileño/estadounidense que estudió composición en São Paulo en la Faculdade Santa Marcelina y en los Estados Unidos en la Universidad Internacional de Florida y la Universidad de Boston. Su cuarteto de cuerdas no. 3 apareció en un disco reciente de cuartetos de cuerda lati…[Read more]