Mark Spicer
,@marksspicer
5
Following
5
Followers
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John Covach deposited “Pangs of History in Late 1970s Rock,” in Allan Moore, ed., Analyzing Popular Music (Cambridge University Press, 2003): 173-95. on Humanities Commons 6 years, 2 months ago
An examination of new wave music in the late 1970s.
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John Covach deposited “Echolyn and American Progressive Rock,” in Covach and Everett, eds., American Rock and the Classical Music Tradition, a special issue of Contemporary Music Review, 18/4 (August 2000): 13-61. on Humanities Commons 6 years, 2 months ago
An examination of American progressive rock in the 1980s and 90s.
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John Covach deposited “Popular Music, Unpopular Musicology,” in N. Cook and M. Everist, eds., Rethinking Music (Oxford University Press, 1999), 452-70. on Humanities Commons 6 years, 2 months ago
A discussion of the relationship of popular music within the context of musical scholarship.
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John Covach deposited “We Can Work It Out: Musical Analysis and Rock Music,” in Will Straw, Stacey Johnson, Rebecca Sullivan, and Paul Friedlander, eds., Popular Music—Style and Identity (Montreal: The Centre for Research on Canadian Cultural Industries and Institutions, 1995): 69a-71a. on Humanities Commons 6 years, 2 months ago
An essay addressing methods of analyzing rock music within the disciplinary context of popular music studies in the 1990s.
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John Covach deposited “Stylistic Competencies, Musical Humor, and ‘This is Spinal Tap,’“ in E. Marvin and R. Hermann, eds., Concert Music, Rock and Jazz Since 1945: Essays and Analytical Studies (University of Rochester Press, 1995), 402-424. on Humanities Commons 6 years, 2 months ago
Analysis of songs from the film, This is Spinal Tap, explored from the perspectives of stylistic competency and theories of humor.
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Brad Osborn deposited Beyond Verse and Chorus: Experimental Song Forms in Post-Millennial Rock Music on Humanities Commons 6 years, 2 months ago
Brad Osborn. 2010. “Beyond Verse and Chorus: Experimental Song Forms in Post-Millennial Rock Music.” PhD Dissertation, University of Washington.
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John Covach deposited “The Rutles and the Use of Specific Models in Musical Satire,” Indiana Theory Review 11 (1990): 119 44. on Humanities Commons 6 years, 2 months ago
Analysis of songs by the Rutles, explored from the perspectives of stylistic competency and theories of humor.
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John Covach deposited “Yes, ‘Close to the Edge,’ and the Boundaries of Rock,” in Covach and Boone, eds., Understanding Rock (New York: Oxford University Press, 1997), 3-31. on Humanities Commons 6 years, 2 months ago
Analysis if title track from Yes’s Close to the Edge album.
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Alyssa Barna deleted the file: Osborn Analyzing Rock Syllabus from
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years, 2 months ago -
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Drew Nobile uploaded the file: Nobile Blues Progressions Handout to
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years, 2 months agov shrt handout on blues progressions
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Megan Lavengood replied to the topic PMIG Meeting Reminder in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years, 2 months agoI’ve just made a Google form for submitting new sources for the bibliography—click here to submit an entry [CORRECTED LINK]
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Megan Lavengood deposited What Makes It Sound ’80s? in the group
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years, 3 months agoPopular music of the 1980s is remembered today as having a “sound” that is somehow unified and generalizable. The ’80s sound is tied to the electric piano preset of the Yamaha DX7 synthesizer. Not only was this preset (E. PIANO 1) astonishingly prevalent—heard in up to 61% of #1 hits on the pop, country, and R&B Billboard charts in 1986—bu…[Read more]
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Popular music of the 1980s is remembered today as having a “sound” that is somehow unified and generalizable. The ’80s sound is tied to the electric piano preset of the Yamaha DX7 synthesizer. Not only was this preset (E. PIANO 1) astonishingly prevalent—heard in up to 61% of #1 hits on the pop, country, and R&B Billboard charts in 1986—bu…[Read more]
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Alyssa Barna replied to the topic PMIG Meeting Reminder in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years, 3 months agoHi Noriko,
You can absolutely edit the document yourself—the middle “edit” tab (between “Read” and “History” tabs) on the Bibliography Doc will allow you to type into the document. If your citations fit underneath the categories that already exist, you can just add them in and try to include some of the tags listed (or create and list new o…[Read more]
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Alyssa Barna started the topic PMIG Meeting Reminder in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years, 3 months agoDear colleauges,
Our Popular Music Interest Group meeting will take place at SMT 2019 in Columbus, OH, on Saturday 11/9 from 12:30 to 1:30 in Taft C.
We will be reviewing and revising the bylaws at this meeting, so please take a moment to review them in advance. The proposed edits and draft of the bylaws can be found here, with several helpful…[Read more]
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