The Q hypothesis has long dominated the study of the Synoptics. It is often heralded as the key to Synoptic interpretation, yet it is simultaneously challenged at nearly every juncture. Regarding parable study, the Q hypothesis offers much by way of identifying redaction, but the impact of identifiable redaction is often overvalued. Those choosing…[Read more]

Ancient pseudo-histories may contain kernels of geographic truth. In the Sumerian King List (SKL) the long and south-focused antediluvian era may reflect a combination of the Ubaid and Uruk periods, while the initial post-Flood period, which was short and ruled from the north, may reflect the Jemdet Nasr phase. The SKL’s subsequent return of k…[Read more]

Linguistic studies in Egyptology, Assyriology and Biblical Studies harbour a persistent trope in which the inhabitants of the Ancient Near East and Egypt are believed to have visualised the past as in front of them and the future as behind them. Analyses of the spatial conceptualisation of time in language have revealed that the opposite is true…[Read more]

An ancient Sumerian proverb may be read as “good fortune [is embedded in] organisation and wisdom.” The present centennial survey is solely about organizing the last one hundred years of scholarship for a Sumerian afterlife myth named “Inanna’s Descent to the Netherworld.” The initial discovery of artifacts with snippets of the myth can be dated…[Read more]

The practice of a king appointing his daughter as the High Priestess and consort of an important male deity arose independently in the Ancient Near East and Egypt. In Mesopotamia, the prime example of such an appointee was the EN-priestess of Nanna (EPN) at Ur; in Egypt, its most important embodiment was the God’s Wife of Amun (GWA) at Thebes. B…[Read more]

In 1st Dynasty Egypt (ca. 3000 BCE), mudbrick architecture may have been influenced by existing Mesopotamian practices such as the complex niching of monumental façades. From the 1st to 3rd Dynasties, the niches of some mudbrick mastabas at Saqqara were painted with brightly-coloured geometric designs in a clear imitation of woven reed matting.…[Read more]

In spite of renewed scholarly interest in the religion of Judeans living on the island of Elephantine during the Persian period, only one recent study has addressed the religious significance of the fired clay female figurines discovered there. The present article seeks to place these objects back on the research agenda. After summarizing the…[Read more]

In spite of renewed scholarly interest in the religion of Judeans living on the island of Elephantine during the Persian period, only one recent study has addressed the religious significance of the fired clay female figurines discovered there. The present article seeks to place these objects back on the research agenda. After summarizing the…[Read more]

D. Kruisheer, ‘A Bibliographical Clavis to the Works of Jacob of Edessa (revised and expanded)’, in B. ter Haar Romeny (ed.), Jacob of Edessa and the Syriac Culture of His Day (Monographs of the Peshitta Institute Leiden 18; Leiden: Brill, 2008), 265–293.

D. Kruisheer, ‘Ephrem, Jacob of Edessa, and the Monk Severus. An Analysis of Ms. Vat. Syr. 103, ff. 1–72’, in R. Lavenant (ed.), Symposium Syriacum VII (Orientalia Christiana Analecta 256; Rome: Pontificio Istituto Orientale, 1998), 599–605.

D. Kruisheer, ‘Reconstructing Jacob of Edessa’s Scholia’, in J. Frishman and L. Van Rompay (eds.), The Book of Genesis in Jewish and Oriental Christian Interpretation. A Collection of Essays (Traditio Exegetica Graeca 5; Leuven: Peeters, 1997), 187–196.

This thesis follows my earlier work on Aurignacian rock art by drawing a clear line between cave painting in the south of France and the holiest Hebrew script Ktav Ivrit or STA”M. This is an in depth study detailing relationships between Language, Mysticism and Kabbalah, as well as Religious Dogma that answers the question, “Why do all religions…[Read more]

This is a series of brief paradigms that suggest ways of manipulating abstraction, such as Art Language Religion and Politics, for use with a Carlos Ginzburg Evidentiary Paradigm, or other multivariate analysis. The tables in this appendix accompany the Index of Deities and Demons and How the Aleph-Bet Got Its Shape.

This thesis describes the evolution of the alphabet from Upper Paleolithic to present. We draw a direct line from Aurignacian rock art to Hebrew STA”M script and from Auriginal Paganism to Kabbalah using a Ginzburg Evidentiary Paradigm. Provides strategies for quantifying concepts, belief, and abstraction such as Art, Language, Religion, and…[Read more]

The Seleucid Antiochus IV profoundly intervened in the cult of Jerusalem in 168 BC. Under the leadership of the Hasmoneans, an uprising developed against these interventions, which led to the restoration of the cult, the establishment of the Hasmoneans as high priests and the independence of Judea. Against the background of widely differing…[Read more]

***For a copy of the article please write to RNEIS@umich.edu***

While biologists argue about the limits and definition of a species, the urge to cluster and distinguish among the plenitude of lifeforms that populates the planet remains. Contemporary concerns about attempts to clone monkeys and to engineer human-porcine chimeras point to…[Read more]

in: Ilse Müllner/Barbara Schmitz (Hg.), Perspektiven. Biblische Texte und Narratologie (SBB 75), Stuttgart 2018, 131-173.

in: Ilse Müllner/Barbara Schmitz (Hg.), Perspektiven. Biblische Texte und Narratologie (SBB 75), Stuttgart 2018, 131-173.

Exodus 15, the Song at the Sea, appears to be triggered by the
divine victory over the Egyptians at the Sea, but the poet draws on other
literary images of destruction, images that are incompatible, in order to
express exuberance over divine victory. This seemingly rudimentary technique
is adroitly deployed in tandem with strategies of…[Read more]

Exodus 15, the Song at the Sea, appears to be triggered by the
divine victory over the Egyptians at the Sea, but the poet draws on other
literary images of destruction, images that are incompatible, in order to
express exuberance over divine victory. This seemingly rudimentary technique
is adroitly deployed in tandem with strategies of…[Read more]