Lectura Dantis – Inferno: note preliminari di forma e organizzazione / erste Hinweise auf Unterrichtsform und Organisation (Italiano / Deutsch). Folien der Videopräsentation.

A short essay on the different forms of money used in the Achaemenid Persian Empire. Translated into German by Julia Linke.

In this article we trace the history of Urban Renewal in Lansing through a collaborative research project involving undergraduate students and the course instructor. Looking in fine-grain detail at the block and individual house level, the project reveals the patchwork of discrimination that African Americans faced in accessing housing in the…[Read more]

English Abstract: A comment on the fraudulent ‘expert’ representation system articulated by the Spanish Council of Universities in 2005, in order to carry out the higher degree reform promoted by the Spanish Ministry of Education under Zapatero. And the response of the professional society in the field of English Studies.…[Read more]

This is an edited volume of essays on philosophy as university work and as a ‘pirate condition’. Taking inspiration from Gary Hall’s pirate philosophy, and from raúl rodríguez freire’s critique of the contemporary condition of the intellectual, three Mexican authors reflect on what it means to do philosophy today from the perspective of the m…[Read more]

On the project pirate.care

Spanish abstract: Estableciendo una analogía irónica con el programa de televisión “Operación Triunfo”, el artículo examina y critica los criterios utilizados para distribuir los recursos destinados a la investigación en la academia hispana, y más en concreto la carencia de partidas presupuestarias específicas destinadas a la investi…[Read more]

In this article, I analyse how the Shepherd of Hermas constructs an ancient Christian reading culture through concurrent portrayals of Christian reading, copying and book production. I argue that, by portraying its protagonist Hermas as an idealised reader, scribe and auditor, the Shepherd constructs an early Christian reading culture that…[Read more]

The city of Ephesus experienced a marked civic transformation in Late Antiquity. After having centered its settlements and economic fortunes on its proximity to a deep-water harbor for over a millennium, late antique Ephesus gradually shifted to an inland, fortified settlement on Ayasoluk Hill. While several factors undoubtedly informed this civic…[Read more]

The city of Ephesus experienced a marked civic transformation in Late Antiquity. After having centered its settlements and economic fortunes on its proximity to a deep-water harbor for over a millennium, late antique Ephesus gradually shifted to an inland, fortified settlement on Ayasoluk Hill. While several factors undoubtedly informed this civic…[Read more]

The city of Ephesus experienced a marked civic transformation in Late Antiquity. After having centered its settlements and economic fortunes on its proximity to a deep-water harbor for over a millennium, late antique Ephesus gradually shifted to an inland, fortified settlement on Ayasoluk Hill. While several factors undoubtedly informed this civic…[Read more]

Through offering an ethnography of a group of educated, middle-class women who “had been attending weekly Qur’an and classical poetry classes for years” (xii), the volume shows that poetry and prayer are companions in the cultural history of Iran. It attempts to answer the question, “What does this companionship mean for forms of religio…[Read more]

The paper proposes that the Egyptian-style design on a 5-6th century CE magical amulet discovered at Nea Paphos in Cyprus (Inv. no. PAP/FR 44/2011) draws upon an apotropaic design against the Evil Eye known as the “All-Suffering Eye,” which dates back to the time of the early Roman Empire and is common on Byzantine “Holy Rider” medallions. [No…[Read more]

Twenty-five years ago, my colleagues Miyuki Kamachi and Jiro Gyoba and I designed and photographed JAFFE, a set of facial expression images intended for use in a study of face perception. In 2019, without seeking permission or informing us, Kate Crawford and Trevor Paglen exhibited JAFFE in two widely publicized art shows. In addition, they…[Read more]

Twenty-five years ago, my colleagues Miyuki Kamachi and Jiro Gyoba and I designed and photographed JAFFE, a set of facial expression images intended for use in a study of face perception. In 2019, without seeking permission or informing us, Kate Crawford and Trevor Paglen exhibited JAFFE in two widely publicized art shows. In addition, they…[Read more]