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Marshall Portnoy replied to the topic IFJMS Newsletter in the discussion
Jewish Music via email on Humanities Commons 5 years, 4 months agoShalom, Geraldine.
I know that Cantor David Tilman has a discussion idea about which he would like me to interview him. Whom shall we approach?
Thanks, Marshall
Marshall Portnoy, Cantor Emeritus
Main Line Reform Temple
Wynnewood, Pennsylvania -
Geraldine Auerbach started the topic IFJMS Newsletter in the discussion
Jewish Music on Humanities Commons 5 years, 4 months agoDear Colleagues and Friends
We have great pleasure in sending you Newsletter #2 of the newly formed International Forum for Jewish Music Studies IFJMS .
This Newsletter, which you will find attached as a pdf, features comments on the COZ programme from professor Eliyahu Schleifer and Dr Alexander Knapp. It also features every single one of the…[Read more]
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Geraldine Auerbach replied to the topic COZ this comng week in the discussion
Jewish Music on Humanities Commons 5 years, 4 months agoDear Colleagues and Friends who are members of the IFJMS Jewish Music Group on Humanities Commons
(Connect with us on Facebook here https://www.facebook.com/IFJMS/ )
Please join us for the next ‘Conversation on Zoom’
COZ 12: Tuesday 08 Sept 2020 Jerry Glantz with Cantor and composer Joseph Ness – who recomposed and orchestrated Leib Glan…[Read more]
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Christine Boone started the topic PMIG Awards – Nominations due TOMORROW! in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 4 months agoNominations DUE TOMORROW for the Pop Music Interest Group’s Outstanding Publication Award and the Adam Krims Award—click on these links to nominate. I encourage you to reflect on recent scholarship you’ve read that has positively impacted you. Self-nominations are especially encouraged! Note that to be eligible for an award, the publica…[Read more]
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Geraldine Auerbach replied to the topic COZ this comng week in the discussion
Jewish Music on Humanities Commons 5 years, 5 months agoDear Colleagues and Friends – Please join us for the next ‘Conversation on Zoom’
(Connect with us on Facebook here https://www.facebook.com/IFJMS/)
COZ 11: Tuesday 01 Sept 2020Samuel Adler American composer, conductor, author, and professor. Over six decades he has served as a faculty member at both University of Rochester’s Eastman School…[Read more]
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Geraldine Auerbach replied to the topic COZ this comng week in the discussion
Jewish Music on Humanities Commons 5 years, 5 months agoIf you have ever sung in a Jewish choir, or other singing community, you will want to hear the ‘Conversation on Zoom’ This coming Tuesday 25 August, between Danielle Padley (Cambridge UK) and Rachel Adelstein (Connecticut) on Anglo-Jewish Singing Communities: Past, Present, and Future
(The International Forum for Jewish Music Studies has its…[Read more]
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Geraldine Auerbach replied to the topic COZ this comng week in the discussion
Jewish Music on Humanities Commons 5 years, 5 months agoDear Colleagues and Friends
Please join us for the next ‘Conversation on Zoom’ (COZ)
COZ 10: Tuesday 25 Aug 2020Dr Rachel Adelstein
Ethnomusicologist & Managing Editor, Musica Judaica Online Reviews with
Danielle Padley
Postdoctoral Researcher at the University of CambridgeAnglo-Jewish Singing Communities: Past, Present, and Futu…[Read more]
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Keith Salley replied to the topic Whole-tone and Octatonic in pop and rock in the discussion
Society for Music Theory – Popular Music Interest Group via email on Humanities Commons 5 years, 5 months agoThanks, Walt!
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Walt Everett replied to the topic Readings in the Analysis of African-American Popular Music in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agoThanks to those with suggestions for my African American pop music course. I’ve finished drafting a 73-page syllabus with lengthy bib and tracklist that’s too large to attach here. Please email me at weverett at umich.edu [with @ for ” at “] and I’ll be happy to send you a copy.
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Walt Everett replied to the topic Whole-tone and Octatonic in pop and rock in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agoKeith, my favorite rock octatonic passage is the guitars/bass trio in the transition of “You Never Give Me Your Money.”
There are a number of equal divisions of the octave, such as in the Fifth Dimension’s “Up—Up and Away,” the Doors’ “Touch Me” and Lorraine Feather’s “The Girl with the Lazy Eye.” I may list others in Foundations of Rock. Have fu…[Read more]
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Geraldine Auerbach replied to the topic COZ this comng week in the discussion
Jewish Music on Humanities Commons 5 years, 5 months agoDear Colleagues and Friends
The topic that Israeli classical singer/ Berlin Cantor, Mimi Sheffer and Israeli Pianist, Ofra Yitzhaki will address on Tuesday will be
Performing the music of one’s own people as part of a classical musician’s search for artistic identity
hope to see you there
‘Conversations on Zoom’Every Tuesday: 09:00 Pac…[Read more]
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Rebecca Zola started the topic New Books on Jewish Music Research in the discussion
Jewish Music on Humanities Commons 5 years, 5 months agoHi everyone,
I am the managing review editor for YUVAL online journal for Jewish Music research, based in Jerusalem, Israel, associated with the Jewish Music Research Centre. We are currently looking for recently published (within the last 3 years) scholarly books on Jewish music to write reviews for, and we are also looking for post-doc (and…[Read more]
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Keith Salley started the topic Whole-tone and Octatonic in pop and rock in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agoHi everyone,
Hope you’re all well and reasonably rested.
Was wondering about rock or general pop tunes that feature symmetrical/synthetic scales like WT and OCT. I don’t mind fleeting surface occurrences where the scales are just run through, like those WT scales in the intro to Stevie Wonder’s ‘You Are the Sunshine . . .’ or the recurring OCT…[Read more]
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Geraldine Auerbach replied to the topic COZ this comng week in the discussion
Jewish Music on Humanities Commons 5 years, 5 months agoDear Colleagues and Friends
Please join us for the next ‘Conversation on Zoom’ (COZ)
COZ 9: Tuesday 18 August 2020
Cantor Mimi ShefferIsraeli born and trained classical singer Mimi became Cantor in New York and then of the New Synagogue Orianiernburger Strasse in Berlin
Dr Ofra Yitzhaki Pianist Doctorate from Juilliard & member of the f…[Read more]
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Walt Everett replied to the topic Readings in the Analysis of African-American Popular Music in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agothanks, Beth–good to hear from you. My bib and listening guide is coming along by leaps and bounds, but I hadn’t come across that journal yet. I’ll put my syllabus up by the end of the month.
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John Covach deposited “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68. in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 5 months agoThis chapter presents an approach to musical listening and analysis that privileges the individual perspectives of performers in a rock ensemble. Using passages from Yes’s “And You And I,” this study examines how each musician hears the texture in different ways while each of these “positions” differs from the Ideal Listening Position, which is…[Read more]
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John Covach deposited “Popular Music in the Theory Classroom,” in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339. in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 5 months agoThis chapter considers the role of popular music in the undergraduate music theory curriculum, proposing three models for integrating pop into theory teaching.
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John Covach deposited “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25. in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 5 months agoThis paper surveys the career of Jimmy Miller and explores his role as producer for the Rolling Stones, with particular emphasis on Beggars Banquet.
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Geraldine Auerbach replied to the topic COZ this comng week in the discussion
Jewish Music on Humanities Commons 5 years, 5 months agoPlease join for the next ‘Conversation on Zoom’ (COZ)
COZ 8: Tuesday 11 August 2020
David Fligg
Tutor in Academic Studies at the Royal Northern College of Music, Manchester, and author of the 2019 Czech publication ( (Letter from Gideon), the first full-length biography on Klein in a quarter of a century
Eva Fox Gal
Daughter of Austrian com…[Read more]
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Beth Hiser replied to the topic Readings in the Analysis of African-American Popular Music in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 5 months agoHi Walt,
Not sure if you’re familiar with the Journal of Hip Hop Studies, but it’s a wonderful open-access, peer reviewed journal that you might find useful for your course.
Enjoy!
Beth
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