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Kaleb E. Goldschmitt's profile was updated on Humanities Commons 7 years, 4 months ago
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Kaleb E. Goldschmitt's profile was updated on Humanities Commons 7 years, 4 months ago
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Kaleb E. Goldschmitt's profile was updated on Humanities Commons 7 years, 4 months ago
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Kariann Goldschmitt deposited From Rio to São Paulo: Shifting Urban Landscapes and Global Strategies for Brazilian Music in the group
Music and Sound on Humanities Commons 7 years, 5 months agoRecently, international media outlets have celebrated São Paulo for its cosmopolitan musical output and its vibrant street art scenes. That discourse connected the city other generative periods in the histories of so-called “global cities,” such as New York of the 1970s. In those cities, the simultaneous developments of multiple creative scenes…[Read more]
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Kariann Goldschmitt deposited From Rio to São Paulo: Shifting Urban Landscapes and Global Strategies for Brazilian Music in the group
Ethnomusicology on Humanities Commons 7 years, 5 months agoRecently, international media outlets have celebrated São Paulo for its cosmopolitan musical output and its vibrant street art scenes. That discourse connected the city other generative periods in the histories of so-called “global cities,” such as New York of the 1970s. In those cities, the simultaneous developments of multiple creative scenes…[Read more]
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Kariann Goldschmitt deposited From Rio to São Paulo: Shifting Urban Landscapes and Global Strategies for Brazilian Music on Humanities Commons 7 years, 6 months ago
Recently, international media outlets have celebrated São Paulo for its cosmopolitan musical output and its vibrant street art scenes. That discourse connected the city other generative periods in the histories of so-called “global cities,” such as New York of the 1970s. In those cities, the simultaneous developments of multiple creative scenes…[Read more]
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Kaleb E. Goldschmitt's profile was updated on Humanities Commons 7 years, 6 months ago
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Jennifer Oates deposited Integrating the Digital Humanities into the (Re)Search Process (Slides) on Humanities Commons 7 years, 9 months ago
Music Librarians are engaging with the Digital Humanities (DH) in a number of ways, including creating projects related to research or music library collections, working with other scholars, and embedding DH in instruction. The DH have produced a wealth of valuable projects and data that are vital resources. Yet, other than a Google search, how…[Read more]
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Amanda Sewell deposited The Sampling Network of Public Enemy’s “Bring the Noise” on Humanities Commons 7 years, 10 months ago
Since its release in 1987, Public Enemy’s “Bring the Noise” has been sampled over one hundred times by more than sixty different hip-hop artists. The resulting tangle of artists, producers, sampled material, and sampling techniques from the past twenty-five years creates a complex network of sampling practices and traditions surrounding “Brin…[Read more]
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Amanda Sewell deposited Paul’s Boutique and Fear of a Black Planet: Digital Sampling and Musical Style in Hip Hop on Humanities Commons 7 years, 10 months ago
The Beastie Boys’ Paul’s Boutique (1989) and Public Enemy’s Fear of a Black Planet (1990) often draw comparisons because of their profuse and eclectic use of digital sampling. These two hip hop albums, however, use sampling in markedly different ways, a fact that is obscured because no well-developed language exists to differentiate how and why t…[Read more]
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Amanda Sewell deposited How Copyright Affected the Musical Style and Critical Reception of Sample-Based Hip-Hop on Humanities Commons 7 years, 10 months ago
In 1991, the first lawsuit regarding sample-based hip hop, Grand Upright Music Ltd. v. Warner Brothers Records, was decided in court, and this decision forever changed how artists and their record labels approached sample-based hip hop. Although several lawsuits had been filed before 1991, all of those were settled out of court. There was no…[Read more]
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Amanda Sewell's profile was updated on Humanities Commons 7 years, 10 months ago
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Amanda Sewell deposited A Typology of Sampling in Hip-Hop on Humanities Commons 7 years, 10 months ago
Hip-hop producers rely on several specific formulas to create sample-based hip-hop. Developed with a combination of analysis and ethnography, this typology of sampling is a systematic terminological and conceptual approach to this repertoire. There are three main types of samples: structural samples, surface samples, and lyric samples. Each of…[Read more]
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Nicky Agate's profile was updated on Humanities Commons 7 years, 11 months ago
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Nicky Agate's profile was updated on MLA Commons 7 years, 11 months ago
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Nicky Agate's profile was updated on Humanities Commons 7 years, 11 months ago
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Nicky Agate posted an update in the group
LLC Shakespeare on MLA Commons 7 years, 11 months agoCFP: RiDE / Digital Shakespeare
William Shakespeare holds a unique position within education: few other cultural entities can claim to match the range of contact across ages, disciplines and countries that his work, life and cultural impact have produced. The diversity of pedagogical approaches to Shakespeare, therefore, is enormous, a diversity…[Read more]
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Nicky Agate's profile was updated on MLA Commons 7 years, 11 months ago
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Nicky Agate created the group
Shakespeare on Humanities Commons 8 years ago -
Nicky Agate deposited Making the Most of Humanities Commons in the group
Library & Information Science on Humanities Commons 8 years agoThis workshop (session 362 at the 2018 convention) served as an introduction to the nonprofit scholarly network Humanities Commons and its open-access repository, CORE. Attendees learned how to gain more readers while increasing the impact of their work, make interdisciplinary connections, build class blogs and collaborative Web sites, find and…[Read more]
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