The gothic literature is not necessarily the antagonist in the history of the Enlightenment values.

This paper has two parts. First, I examine Basil of Caesarea’s theological anthropology and show how he understands the human being as a body-soul unity. The body is the good instrument of the soul. It is marvelous because it has been molded by God’s own hands. In the second part, I examine what I call Basil’s theological physiology, which flows…[Read more]

Basil of Caesarea, in his polemic against astrology (Homiliae in hexaemeron 6,5−7), makes direct, creative uses of Origen’s anti-astrological treatise (Philocalia 23). My argument is based on an identical context, namely the interpretation of Gen 1:14b, and five close similarities in content, some verbatim, between Basil’s sermon and Orige…[Read more]

The internet has changed the ways human beings connect and understand one another. Through the use of social media, people find themselves immersed in a digital environment consisting of various practices and behaviors. As Christianity continues to negotiate the often tricky relationship it has with digital experience, what philosophical and…[Read more]

Clark Ashton Smith—unlike the more famous H.P. Lovecraft—engaged with the medieval as a setting for his fiction. Lovecraft admired classical Roman civilization and the eighteenth century, but had little time for medieval themes. As Brantley Bryant has related, Lovecraft wrote contemptuously that the Middle Ages was a period that “snivel[ed] along…[Read more]

An essay on why foot washing (washing of the saints’ feet) should remain a valuable practice for Original Free Will Baptists and Christianity. In this essay, I explore the ministerial implications foot washing has for identity formation, tradition, and community building. I suggest that foot washing is a visible and physical reminder of what our…[Read more]

An exploration of the rhythms and relationships that come from theological conversation. This paper explores the necessity of relationship and connection when doing theology. I argue that theology must be relational beginning with a theological encounter with the other. This paper incorporates the thoughts of Henri Lefebvre, Jean-Luc Nancy, and…[Read more]

Whatever your theory and whatever your fandom, you don’t have to abandon it to do affect theory. This is because affect theory isn’t about telling you which side to pick in an agonistic contest; it’s about finding out what a body can do as it moves with other bodies in entangled states, whether or not we notice them. Affect theory offers more…[Read more]

The conference will explore the image of the supernatural city as expressed in narrative media from a variety of epochs and cultures. It will provide an interdisciplinary forum for the development of innovative and creative research and examine the cultural significance of these themes in all their various manifestations. As with previous OGOM…[Read more]

This paper is a reading of André Bazin’s article “Cinema and Theology”, an appraisal of “Cielo sulla palude” (“Heaven Over the Marshes”, 1949) that also reflects on the relation between film and theology. The reading takes into account Bazin’s ontology of cinema, which has been at times simplistically described as a belief in the simple transpare…[Read more]

This document provides a set of study or discussion questions for each chapter and appendix in my book, “Our God Loves Justice: An Introduction to Helmut Gollwitzer” (Fortress 2017). It is provided to facilitate classroom adoption and use in diverse study groups.

Review of “Christian Dogmatics: Reformed Theology for the Church Catholic,” Michael Allen and Scott Swain, eds.

Slides accompanying a panel representing the Pittsburgh Bicentennial Frankenstein project to build a digital scholarly variorum edition that updates, bridges, and intersects multiple divergent editions of Frankenstein, including the manuscript notebook drafts of 1816, the 1818, 1823, and 1831 print editions, as well as the handwritten notes in the…[Read more]

This paper examines the aural conceptions of futuristic dystopias in episodes of The Twilight Zone, focusing on one specific episode, season five’s “Number Twelve Looks Just Like You.” I examine how the music director of CBS conceived of the future, aurally representing these episodes as having an affinity with the premise of Brave New World by re…[Read more]

English title: “Transmedia Storytelling in the narrative universe of ‘Game of Thrones'” — This essay’s aim is to briefly introduce the concept of Transmedia Storytelling and to provide a showcase analysis and review of the serial TV narrative of GAME OF THRONES in order to show how a television series’ narrative universe, driven by both producers…[Read more]

This article discusses rabbinic qualifications to the Biblical prohibition of verbally saying the names of foreign gods (typically represented by idols).

Young Adult dark romance is often more questioning than its adult counterpart; different, less constraining commercial imperatives are perhaps at work, or readers’ expectations less fixed. This chapter will show how, woven into a sensitive coming-of-age narrative of first love and familial problems, Maggie Stiefvater’s Shiver trilogy performs a f…[Read more]