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Lukas Fuchsgruber deposited Berlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century in the group
Victorian Studies on Humanities Commons 6 years, 5 months agoIn the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]
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Lukas Fuchsgruber deposited Berlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century in the group
Urban Studies on Humanities Commons 6 years, 5 months agoIn the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]
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Lukas Fuchsgruber deposited Berlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century in the group
History of Art on Humanities Commons 6 years, 5 months agoIn the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]
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Lukas Fuchsgruber deposited Museum Photo Archives and the History of the Art Market: A Digital Approach in the group
History of Art on Humanities Commons 6 years, 5 months agoDigital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]
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Lukas Fuchsgruber deposited Museum Photo Archives and the History of the Art Market: A Digital Approach in the group
Digital Humanists on Humanities Commons 6 years, 5 months agoDigital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]
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Lukas Fuchsgruber deposited Museum Photo Archives and the History of the Art Market: A Digital Approach in the group
Digital Art History on Humanities Commons 6 years, 5 months agoDigital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]
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Lukas Fuchsgruber's profile was updated on Humanities Commons 6 years, 5 months ago
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Lukas Fuchsgruber deposited Berlin – Paris: Transnational Aspects of French Art Auctions in the Middle of the Nineteenth Century on Humanities Commons 6 years, 5 months ago
In the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]
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Lukas Fuchsgruber deposited Museum Photo Archives and the History of the Art Market: A Digital Approach on Humanities Commons 6 years, 5 months ago
Digital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]
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Kylie Sago's profile was updated on Humanities Commons 6 years, 10 months ago
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Elizabeth N. Emery replied to the topic 19th-century French CFP for MLA 2020 (9-12 Jan in Seattle) in the discussion
LLC 19th-Century French on MLA Commons 6 years, 10 months agoA gentle 19th-c French LLC reminder (in case it’s not already on your radar) that the abstract deadline for our forum falls at the end of next week (15 March).
The committee looks forward to reading 200-500-word abstracts for any of the three panels below.
Roundtable in Honor of Priscilla Parkhurst Ferguson (1940-2018)
We welcome scholarly c…[Read more]
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Elizabeth N. Emery replied to the topic 19th-century French CFP for MLA 2020 (9-12 Jan in Seattle) in the discussion
LLC 19th-Century French on MLA Commons 6 years, 10 months agoJust a reminder that the abstract deadline for the 19th-Century French LLC sessions at the 2020 Convention falls next week (15 March). The committee looks forward to reading 200-500 words abstracts for the following panels.
“‘All is True’: Truth from Balzac to Zola”
We welcome contributions on constructions of “truth” in 19th-century France. De…[Read more]
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Elizabeth N. Emery started the topic 19th-century French CFP for MLA 2020 (9-12 Jan in Seattle) in the discussion
LLC 19th-Century French on MLA Commons 6 years, 11 months agoDear Colleagues, Please find below the 19th-Century French LLC Forum calls for papers for the 2020 MLA Convention in Seattle (9-12 January). Abstracts are due to the organizers below by 15 March. We encourage you to submit and look forward to a lively 19th-century French presence in Seattle!
“‘All is True’: Truth from Balzac to Zola”We welcome…[Read more]
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Kylie Sago's profile was updated on Humanities Commons 7 years ago
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 in the group
Victorian Studies on Humanities Commons 7 years, 8 months agoFrom 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 in the group
Linked Open Data on Humanities Commons 7 years, 8 months agoFrom 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 in the group
History of Art on Humanities Commons 7 years, 8 months agoFrom 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 in the group
Digital Art History on Humanities Commons 7 years, 8 months agoFrom 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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Lukas Fuchsgruber deposited Experts and Auctioneers in Paris Art Auctions 1852-1862 on Humanities Commons 7 years, 8 months ago
From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]
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