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José Angel GARCÍA LANDA replied to the topic The Film of the Book in the discussion
Film Studies on Humanities Commons 2 years, 6 months agoReseña de ‘Film Adaptation’ (ed. James Naremore) https://www.academia.edu/12890219/
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Benedict Okundaye deposited The Intra-Covid Renaissance: Envisioning Resilient Urban Neighbour- ‘Wood’ in the group
Postcolonial Studies on Humanities Commons 2 years, 7 months agoThe focus of this study is on the influence of urban ‘woods’ on people’s quality of life in disadvantaged neighbourhoods investigated via the lens of architecture in a Sub-Saharan metropolis. The new intra-Covid Urban Agenda acknowledges that current urban and state-wide resilience management plans, policies, and practices of neighbourhood are…[Read more]
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José Angel GARCÍA LANDA started the topic Women, Gender, & Film in the discussion
Film Studies on Humanities Commons 2 years, 7 months agoEmpezamos con una de Jane Campion. En la raja (In the Cut) https://www.academia.edu/12718189/
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José Angel GARCÍA LANDA replied to the topic Philosophy and Film in the discussion
Film Studies on Humanities Commons 2 years, 7 months agoRetropost, 2013: Margarethe von Trotta: Hannah Arendt https://vanityfea.blogspot.com/2013/06/hannah-arendt-by-margarethe-von-trotta.html
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José Angel GARCÍA LANDA started the topic Science Fiction Films in the discussion
Film Studies on Humanities Commons 2 years, 7 months agoI mean this in the sense of classic science fiction, excluding sword and sorcery fantasies and other well-established generic fantasies…. Eg. I, Robot: ¡Ay, robot! https://www.academia.edu/40832609/
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) in the group
Film Studies on Humanities Commons 2 years, 7 months ago“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Ali Shehzad Zaidi deposited The Ghalib Translations of Daud Kamal: ‘The Nightingale of a Garden Which is Yet to Come Into Existence’ in the group
Postcolonial Studies on Humanities Commons 2 years, 7 months agoEssay on Daud Kamal’s Ghalib translations.
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Luis Ernesto Paz Enrique deposited Participación comunitaria en los medios de comunicación. Perspectivas para el desarrollo local in the group
Film Studies on Humanities Commons 2 years, 7 months agoLa producción de los medios de comunicación constituye una expresión de la sociedad que los gesta. Los grupos sociales que intervienen en la producción televisiva actualmente son herederos de la práctica funcionalista y trasmisiva de los medios tradicionales de comunicación (prensa plana, radio y televisión). En esa lógica los temas que se represe…[Read more]
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Luis Ernesto Paz Enrique deposited Enfoque participativo en la producción y consumo de televisión: modelo para las comunidades de práctica in the group
Film Studies on Humanities Commons 2 years, 8 months agoLos textosaudiovisualesdemandan una combinación de actividades entorno a larepresentación ydecodificación. El proceso se encuentra condicionado pordiferentesrolesen los procesos de producción y consumo televisivo. Se plantea como objetivo de la investigación: diseñarun modelo de producción para las comunidades de práctica televis…[Read more]
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José Angel GARCÍA LANDA replied to the topic Characters in the discussion
Film Studies on Humanities Commons 2 years, 9 months agoJ. Edgar: Megalomanía y Metaficción https://www.academia.edu/12077193/
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José Angel GARCÍA LANDA started the topic Philosophy and Film in the discussion
Film Studies on Humanities Commons 2 years, 9 months agoLet’s begin with this rambling musings by Zizek on Lars von Trier’s Melancholia and a host of related issues…. Retropost, 2013: Slavoj Zizek, On Melancholy https://vanityfea.blogspot.com/2013/05/slavoj-zizek-on-melancholy-2012.html
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Sonia D. Andras deposited Fashion, Dress, Costume: a Proposed Terminological Clarification in the Historical Research of Women’s Clothing in the group
Postcolonial Studies on Humanities Commons 2 years, 9 months agoThis paper delineates the conceptual variations between the notions ‘fashion’, ‘dress’ and ‘costume’ in English-language texts on women’s garment histories using relevant examples from interwar Romanian periodicals. The aim is to offer a more precise formulation, as these three terms have largely been used interchangeably. This paper is built on a…[Read more]
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Marcelo R. S. Ribeiro deposited Autorias rasuradas em “Afrique 50”: para uma economia política das assinaturas in the group
Film Studies on Humanities Commons 2 years, 9 months agoConsiderando a política da autoria associada à história da luta anticolonial e às suas relações com o cinema francês, este artigo aborda o filme anticolonialista Afrique 50 (1950). Distinguindo entre o filme como produto e como processo, discuto o problema das autorias rasuradas no documentário associado à assinatura autoral de René Vautier.…[Read more]
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José Angel GARCÍA LANDA replied to the topic Characters in the discussion
Film Studies on Humanities Commons 2 years, 9 months agoRetropost, 2013: Monsieur Verdoux – En el American Literature eJournal https://vanityfea.blogspot.com/2013/04/en-el-american-literature-ejournal.html
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Massih Zekavat deposited Satire, Humor, and Environmental Crises in the group
Postcolonial Studies on Humanities Commons 2 years, 10 months agoSatire, Humor, and Environmental Crises explores how satire and humor can be employed to address and mitigate ecological crises at individual and collective levels.
Besides scientific and technological endeavors, solutions to ecological crises must entail social and communicative reform to persuade citizens, corporations, organizations, and…[Read more]
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Eric Dienstfrey deposited The Myth of the Speakers: A Critical Reexamination of Dolby History in the group
Film Studies on Humanities Commons 2 years, 10 months agoThis article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I…[Read more]
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Eric Dienstfrey deposited Under the Standard: MGM, AT&T, and the Academy’s Regulation of Power in the group
Film Studies on Humanities Commons 2 years, 10 months agoIn the 1930s, the Academy of Motion Picture Arts and Sciences implemented a technical standard—known as Academy Mono, or the Academy Curve—that dramatically impaired the sound quality of motion pictures. This article accounts for why the major studios agreed to this restrictive standard. I argue that they adopted Academy Mono to curtail the pow…[Read more]
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Eric Dienstfrey deposited The Myth of the Speakers: A Critical Reexamination of Dolby History in the group
Film Studies on Humanities Commons 2 years, 10 months agoThis article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I…[Read more]
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Eric Dienstfrey deposited Under the Standard: MGM, AT&T, and the Academy’s Regulation of Power in the group
Film Studies on Humanities Commons 2 years, 10 months agoIn the 1930s, the Academy of Motion Picture Arts and Sciences implemented a technical standard—known as Academy Mono, or the Academy Curve—that dramatically impaired the sound quality of motion pictures. This article accounts for why the major studios agreed to this restrictive standard. I argue that they adopted Academy Mono to curtail the pow…[Read more]
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Marcelo R. S. Ribeiro deposited Plano de ensino da disciplina Teorias do Cinema (COMA86, Facom-UFBA, 2023-1) in the group
Film Studies on Humanities Commons 2 years, 10 months agoEsta disciplina da área de concentração em Cinema e Audiovisual, oferecida regularmente pela Faculdade de Comunicação para o Bacharelado Interdisciplinar em Artes (IHAC-UFBA), assim como para quaisquer outros cursos e estudantes que tenham interesse, tem como objetivo: mapear o campo das teorias do cinema e do audiovisual, seus principais mome…[Read more]
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