Dans sa nouvelle Wearable books (Pidd 2016), Michael Pidd propose un monde académique dystopique où les technologies numériques de publication sont devenues un système de contrôle, de traçage et d’uniformisation de la recherche et des modèles épistémologiques sur lesquels elle est basée. Dans ce monde Pidd imagine des universitaires révolutionn…[Read more]

Visualization is the new knowing. From big data to complex processes, visualization tools and data walls are deployed for discovering knowledge and representing it back to others. The tools, however, are not accessible to most scholars, especially humanists who are trained to work with text. The Visual Matters project takes a speculative design…[Read more]

English Renaissance Theatre is generally dated between 1576-1642: circumscribed by the construction of the Theatre in 1576 and the closing of the public playhouses by Act of Parliament in 1642. ‘Found’ London performance locations in taverns, churches, legal and professional buildings, aristocratic houses, not to mention the streets and wat…[Read more]

Alan​ ​Liu​ ​has​ ​called​ ​upon​ ​digital​ ​humanists​ ​to​ ​think​ ​more​ ​critically​ ​about​ ​infrastructure​ ​-​ ​the​ ​“social cum​ ​technological​ ​milieu​ ​that​ ​at​ ​once​ ​enables​ ​the​ ​fulfillment​ ​of​ ​human​ ​experience​ ​and​ ​enforces constraints​ ​on​ ​that​ ​experience” (Liu, 2017).​ ​Liu’s​ ​invitation​ ​comes​ ​at​ ​the​…[Read more]